Author: Andrea Gadberry
Publisher: University of Chicago Press
ISBN: 022672316X
Category : Literary Criticism
Languages : en
Pages : 206
Book Description
What is thinking? What does it feel like? What is it good for? Andrea Gadberry looks for answers to these questions in the philosophy of René Descartes and finds them in the philosopher’s implicit poetics. Gadberry argues that Descartes’s thought was crucially enabled by poetry and shows how markers of poetic genres from love lyric and elegy to the puzzling forms of the riddle and the anagram betray an impassioned negotiation with the difficulties of thought and its limits. Where others have seen Cartesian philosophy as a triumph of reason, Gadberry reveals that the philosopher accused of having “slashed poetry’s throat” instead enlisted poetic form to contain thought’s frustrations. Gadberry’s approach to seventeenth-century writings poses questions urgent for the twenty-first. Bringing literature and philosophy into rich dialogue, Gadberry centers close reading as a method uniquely equipped to manage skepticism, tolerate critical ambivalence, and detect feeling in philosophy. Helping us read classic moments of philosophical argumentation in a new light, this elegant study also expands outward to redefine thinking in light of its poetic formations.
Cartesian Poetics
Author: Andrea Gadberry
Publisher: University of Chicago Press
ISBN: 022672316X
Category : Literary Criticism
Languages : en
Pages : 206
Book Description
What is thinking? What does it feel like? What is it good for? Andrea Gadberry looks for answers to these questions in the philosophy of René Descartes and finds them in the philosopher’s implicit poetics. Gadberry argues that Descartes’s thought was crucially enabled by poetry and shows how markers of poetic genres from love lyric and elegy to the puzzling forms of the riddle and the anagram betray an impassioned negotiation with the difficulties of thought and its limits. Where others have seen Cartesian philosophy as a triumph of reason, Gadberry reveals that the philosopher accused of having “slashed poetry’s throat” instead enlisted poetic form to contain thought’s frustrations. Gadberry’s approach to seventeenth-century writings poses questions urgent for the twenty-first. Bringing literature and philosophy into rich dialogue, Gadberry centers close reading as a method uniquely equipped to manage skepticism, tolerate critical ambivalence, and detect feeling in philosophy. Helping us read classic moments of philosophical argumentation in a new light, this elegant study also expands outward to redefine thinking in light of its poetic formations.
Publisher: University of Chicago Press
ISBN: 022672316X
Category : Literary Criticism
Languages : en
Pages : 206
Book Description
What is thinking? What does it feel like? What is it good for? Andrea Gadberry looks for answers to these questions in the philosophy of René Descartes and finds them in the philosopher’s implicit poetics. Gadberry argues that Descartes’s thought was crucially enabled by poetry and shows how markers of poetic genres from love lyric and elegy to the puzzling forms of the riddle and the anagram betray an impassioned negotiation with the difficulties of thought and its limits. Where others have seen Cartesian philosophy as a triumph of reason, Gadberry reveals that the philosopher accused of having “slashed poetry’s throat” instead enlisted poetic form to contain thought’s frustrations. Gadberry’s approach to seventeenth-century writings poses questions urgent for the twenty-first. Bringing literature and philosophy into rich dialogue, Gadberry centers close reading as a method uniquely equipped to manage skepticism, tolerate critical ambivalence, and detect feeling in philosophy. Helping us read classic moments of philosophical argumentation in a new light, this elegant study also expands outward to redefine thinking in light of its poetic formations.
Metrical Claims and Poetic Experience
Author: Hannah Vandegrift Eldridge
Publisher: Oxford University Press
ISBN: 0192675311
Category : Literary Criticism
Languages : en
Pages : 321
Book Description
This volume contributes to the fields of lyric poetry and poetics (especially poetic form), aesthetics, and German literature by intervening in debates on the social functions, cognitive and emotional effects, and the value of poetry. It builds on, and moves beyond, previous theories of rhythm to tie meter more particularly to the specificities of poetic language in blending of embodied responses, cultural situations, and linguistic particularities. The book examines the German-language tradition across three centuries, arguing that the interdisciplinarity and richness of metrical theory and practice emerge in the heterogeneity of poetry and its defenders in their specific historical moments. Focusing on Friedrich Gottlieb Klopstock, Friedrich Nietzsche, and Durs Grünbein, the book contextualizes each in the metrical and aesthetic debates of his epoch, showing how questions of meter are linked with overarching poetic goals such as the relationship between form and meaning, the adaptation of the Classical past for German literature, and the ways poetry's sounds work in the body. It argues that Klopstock's, Nietzsche's, and Grünbein's metrical theory and practice offer valuable insights for thinking about the ways poetry works and why it matters.
Publisher: Oxford University Press
ISBN: 0192675311
Category : Literary Criticism
Languages : en
Pages : 321
Book Description
This volume contributes to the fields of lyric poetry and poetics (especially poetic form), aesthetics, and German literature by intervening in debates on the social functions, cognitive and emotional effects, and the value of poetry. It builds on, and moves beyond, previous theories of rhythm to tie meter more particularly to the specificities of poetic language in blending of embodied responses, cultural situations, and linguistic particularities. The book examines the German-language tradition across three centuries, arguing that the interdisciplinarity and richness of metrical theory and practice emerge in the heterogeneity of poetry and its defenders in their specific historical moments. Focusing on Friedrich Gottlieb Klopstock, Friedrich Nietzsche, and Durs Grünbein, the book contextualizes each in the metrical and aesthetic debates of his epoch, showing how questions of meter are linked with overarching poetic goals such as the relationship between form and meaning, the adaptation of the Classical past for German literature, and the ways poetry's sounds work in the body. It argues that Klopstock's, Nietzsche's, and Grünbein's metrical theory and practice offer valuable insights for thinking about the ways poetry works and why it matters.
Baudelaire's Bitter Metaphysics
Author: Aaron Brice Cummings
Publisher: Rowman & Littlefield
ISBN: 1666961760
Category : Literary Criticism
Languages : en
Pages : 343
Book Description
Baudelaire’s Bitter Metaphysics: Anti-Nihilist Readings by Fondane, Benjamin, and Sartre reconstructs a philosophical trialogue that might have been expected to take place between Benjamin Fondane, Walter Benjamin, and Jean-Paul Sartre over their philosophical readings of Charles Baudelaire, an exchange preempted by the untimely deaths of two of the interlocutors during the Nazi holocaust. Why did three of Europe’s sharpest minds respond to the terror of 1933-45 by writing about a long-dead poet? Aaron Brice Cummings argues that Fondane, Benjamin, and Sartre turned to the poet of nihilism’s abyss because they recognized a fact of cultural history that remains relevant today: until sometime in the 2080s, the literary world will have to confront (even if to deny) the two-century window forecast by Nietzsche as the age of cultural and existential nihilism. Accordingly, the author examines the bitter metaphysics latent in Baudelaire’s motifs of the abyss, clocks, brutes, streets, and bored dandies. In so doing, this book confronts the nothingness which modern life encounters in the heart of art, ethics, ideality, time, memory, history, urban life, and religion.
Publisher: Rowman & Littlefield
ISBN: 1666961760
Category : Literary Criticism
Languages : en
Pages : 343
Book Description
Baudelaire’s Bitter Metaphysics: Anti-Nihilist Readings by Fondane, Benjamin, and Sartre reconstructs a philosophical trialogue that might have been expected to take place between Benjamin Fondane, Walter Benjamin, and Jean-Paul Sartre over their philosophical readings of Charles Baudelaire, an exchange preempted by the untimely deaths of two of the interlocutors during the Nazi holocaust. Why did three of Europe’s sharpest minds respond to the terror of 1933-45 by writing about a long-dead poet? Aaron Brice Cummings argues that Fondane, Benjamin, and Sartre turned to the poet of nihilism’s abyss because they recognized a fact of cultural history that remains relevant today: until sometime in the 2080s, the literary world will have to confront (even if to deny) the two-century window forecast by Nietzsche as the age of cultural and existential nihilism. Accordingly, the author examines the bitter metaphysics latent in Baudelaire’s motifs of the abyss, clocks, brutes, streets, and bored dandies. In so doing, this book confronts the nothingness which modern life encounters in the heart of art, ethics, ideality, time, memory, history, urban life, and religion.
Urban Poetics in the French Renaissance
Author: Elisabeth Hodges
Publisher: Routledge
ISBN: 1351876465
Category : Literary Criticism
Languages : en
Pages : 268
Book Description
The 'city view' forms the jumping off point for this innovative study, which explores how the concept of the city relates to the idea of the self in early modern French narratives. At a time when print culture, cartography and literature emerged and developed together, the 'city view', a picture or topographic image of a city, became one of the most distinctive and popular products of the early modern period. Through a construct she calls 'urban poetics', Elisabeth Hodges draws out the relationship between the city and the self, showing the impact of the city in cultural production to be so profound that it cannot be extricated from what we know by the name of 'subjectivity'. Each chapter of the book brings focus to a crucial text that features descriptions of the self in the city (by the writers Villon, Corrozet, Scève, and Montaigne) and investigate how representations of urban experience prepared the way for the emergence of the autonomous subject. Charting a course between cartography, literary studies, and cultural history, this study opens new vistas on some of the period's defining problems: the book, the subject, the city.
Publisher: Routledge
ISBN: 1351876465
Category : Literary Criticism
Languages : en
Pages : 268
Book Description
The 'city view' forms the jumping off point for this innovative study, which explores how the concept of the city relates to the idea of the self in early modern French narratives. At a time when print culture, cartography and literature emerged and developed together, the 'city view', a picture or topographic image of a city, became one of the most distinctive and popular products of the early modern period. Through a construct she calls 'urban poetics', Elisabeth Hodges draws out the relationship between the city and the self, showing the impact of the city in cultural production to be so profound that it cannot be extricated from what we know by the name of 'subjectivity'. Each chapter of the book brings focus to a crucial text that features descriptions of the self in the city (by the writers Villon, Corrozet, Scève, and Montaigne) and investigate how representations of urban experience prepared the way for the emergence of the autonomous subject. Charting a course between cartography, literary studies, and cultural history, this study opens new vistas on some of the period's defining problems: the book, the subject, the city.
Discourse on the Method
Author: René Descartes
Publisher: Yale University Press
ISBN: 9780300067736
Category : Philosophy
Languages : en
Pages : 400
Book Description
Descartes' ideas not only changed the course of Western philosophy but also led to or transformed the fields of metaphysics, epistemology, physics and mathematics, political theory and ethics, psychoanalysis, and literature and the arts. This book reprints Descartes' major works, Discourse on Method and Meditations, and presents essays by leading scholars that explore his contributions in each of those fields and place his ideas in the context of his time and our own. There are chapters by David Weissman on metaphysics and psychoanalysis, John Post on epistemology, Lou Massa on physics and mathematics, William T. Bluhm on politics and ethics, and Thomas Pavel on literature and art. These essays are accompanied by others by David Weissman and by Stephen Toulmin that introduce the idea of intellectual lineages, discuss the period in which Descartes wrote, and reexamine the premises of his philosophy in light of contemporary philosophical, political, and social thinking.
Publisher: Yale University Press
ISBN: 9780300067736
Category : Philosophy
Languages : en
Pages : 400
Book Description
Descartes' ideas not only changed the course of Western philosophy but also led to or transformed the fields of metaphysics, epistemology, physics and mathematics, political theory and ethics, psychoanalysis, and literature and the arts. This book reprints Descartes' major works, Discourse on Method and Meditations, and presents essays by leading scholars that explore his contributions in each of those fields and place his ideas in the context of his time and our own. There are chapters by David Weissman on metaphysics and psychoanalysis, John Post on epistemology, Lou Massa on physics and mathematics, William T. Bluhm on politics and ethics, and Thomas Pavel on literature and art. These essays are accompanied by others by David Weissman and by Stephen Toulmin that introduce the idea of intellectual lineages, discuss the period in which Descartes wrote, and reexamine the premises of his philosophy in light of contemporary philosophical, political, and social thinking.
Descartes' Nightmare
Author: Susan McCabe
Publisher: Agha Shahid Ali Prize in Poetr
ISBN:
Category : Poetry
Languages : en
Pages : 92
Book Description
The 2007 Agha Shahid Ali Prize in Poetry recipient selected by judge Cole Swenson of the Iowa Writers' Workshop.
Publisher: Agha Shahid Ali Prize in Poetr
ISBN:
Category : Poetry
Languages : en
Pages : 92
Book Description
The 2007 Agha Shahid Ali Prize in Poetry recipient selected by judge Cole Swenson of the Iowa Writers' Workshop.
Placing the Modern Chinese Vernacular in Transnational Literature
Author: G. Zhou
Publisher: Springer
ISBN: 023011704X
Category : Literary Criticism
Languages : en
Pages : 270
Book Description
This is the first book to concentrate not only on the triumph of the vernacular in modern China but also on the critical role of the rise of the vernacular in world literature, invoking parallel cases from countries throughout Europe and Asia.
Publisher: Springer
ISBN: 023011704X
Category : Literary Criticism
Languages : en
Pages : 270
Book Description
This is the first book to concentrate not only on the triumph of the vernacular in modern China but also on the critical role of the rise of the vernacular in world literature, invoking parallel cases from countries throughout Europe and Asia.
Reading Descartes Otherwise
Author: Kyoo Lee
Publisher: Fordham Univ Press
ISBN: 0823261255
Category : Philosophy
Languages : en
Pages : 320
Book Description
Focusing on the first four images of the Other mobilized in Descartes’ Meditations—namely, the blind, the mad, the dreamy, and the bad—Reading Descartes Otherwise casts light on what have heretofore been the phenomenological shadows of “Cartesian rationality.” In doing so, it discovers dynamic signs of spectral alterity lodged both at the core and on the edges of modern Cartesian subjectivity. Calling for a Copernican reorientation of the very notion “Cartesianism,” the book’s series of close, creatively critical readings of Descartes’ signature images brings the dramatic forces, moments, and scenes of the cogito into our own contemporary moment. The author patiently unravels the knotted skeins of ambiguity that have been spun within philosophical modernity out of such clichés as “Descartes, the abstract modern subject” and “Descartes, the father of modern philosophy”—a figure who is at once everywhere and nowhere. In the process, she revitalizes and reframes the legacy of Cartesian modernity, in a way more mindful of its proto-phenomenological traces.
Publisher: Fordham Univ Press
ISBN: 0823261255
Category : Philosophy
Languages : en
Pages : 320
Book Description
Focusing on the first four images of the Other mobilized in Descartes’ Meditations—namely, the blind, the mad, the dreamy, and the bad—Reading Descartes Otherwise casts light on what have heretofore been the phenomenological shadows of “Cartesian rationality.” In doing so, it discovers dynamic signs of spectral alterity lodged both at the core and on the edges of modern Cartesian subjectivity. Calling for a Copernican reorientation of the very notion “Cartesianism,” the book’s series of close, creatively critical readings of Descartes’ signature images brings the dramatic forces, moments, and scenes of the cogito into our own contemporary moment. The author patiently unravels the knotted skeins of ambiguity that have been spun within philosophical modernity out of such clichés as “Descartes, the abstract modern subject” and “Descartes, the father of modern philosophy”—a figure who is at once everywhere and nowhere. In the process, she revitalizes and reframes the legacy of Cartesian modernity, in a way more mindful of its proto-phenomenological traces.
Descartes's Fictions
Author: Emma Gilby
Publisher: Oxford University Press
ISBN: 019256790X
Category : Literary Criticism
Languages : en
Pages : 241
Book Description
Descartes's Fictions traces common movements in early modern philosophy and literary method. Emma Gilby reassesses the significance of Descartes's writing by bringing his philosophical output into contact with the literary treatises, exempla, and debates of his age. She argues that humanist theorizing about poetics represents a vital intellectual context for Descartes's work. She offers readings of the controversies to which this poetic theory gives rise, with particular reference to the genre of tragicomedy, questions of verisimilitude or plausibility, and the figures of Guez de Balzac and Pierre Corneille. Drawing on what Descartes says about, and to, his many contemporaries and correspondents embedded in the early modern republic of letters, this volume shows that poetics provides a repository of themes and images to which he returns repeatedly: fortune, method, error, providence, passion, and imagination, for instance. Like the poets and theorists of his age, Descartes is also drawn to the forms of attention that people may bring to his work. This interest finds expression in the mature Cartesian metaphysics of the Meditations, as well as, later, in the moral philosophy of his correspondence with Elisabeth of Bohemia or the Passions of the Soul. This volume thus bridges the gap between Cartesian criticism and late-humanist literary culture in France.
Publisher: Oxford University Press
ISBN: 019256790X
Category : Literary Criticism
Languages : en
Pages : 241
Book Description
Descartes's Fictions traces common movements in early modern philosophy and literary method. Emma Gilby reassesses the significance of Descartes's writing by bringing his philosophical output into contact with the literary treatises, exempla, and debates of his age. She argues that humanist theorizing about poetics represents a vital intellectual context for Descartes's work. She offers readings of the controversies to which this poetic theory gives rise, with particular reference to the genre of tragicomedy, questions of verisimilitude or plausibility, and the figures of Guez de Balzac and Pierre Corneille. Drawing on what Descartes says about, and to, his many contemporaries and correspondents embedded in the early modern republic of letters, this volume shows that poetics provides a repository of themes and images to which he returns repeatedly: fortune, method, error, providence, passion, and imagination, for instance. Like the poets and theorists of his age, Descartes is also drawn to the forms of attention that people may bring to his work. This interest finds expression in the mature Cartesian metaphysics of the Meditations, as well as, later, in the moral philosophy of his correspondence with Elisabeth of Bohemia or the Passions of the Soul. This volume thus bridges the gap between Cartesian criticism and late-humanist literary culture in France.
A Short History of French Literature
Author: Sarah Kay
Publisher: OUP Oxford
ISBN: 0191516228
Category : Literary Criticism
Languages : en
Pages : 356
Book Description
This book traces the history of French literature from its beginnings to the present. Within its remarkably brief compass, it offers a wide-ranging, personal, and detailed account of major writers and movements. Developments in French literature are presented in an innovative way, not as an even sequence of literary events but as a series of stories told at varying pace and with different kinds of focus. Readers can thus take in the broad sweep of historical change, grasp the main characteristics of major periods, or enjoy a close appraisal of individual works and their contexts. The book is written in an accessible and non-technical style that will make it attractive to students and to all those who enjoy French Literature.
Publisher: OUP Oxford
ISBN: 0191516228
Category : Literary Criticism
Languages : en
Pages : 356
Book Description
This book traces the history of French literature from its beginnings to the present. Within its remarkably brief compass, it offers a wide-ranging, personal, and detailed account of major writers and movements. Developments in French literature are presented in an innovative way, not as an even sequence of literary events but as a series of stories told at varying pace and with different kinds of focus. Readers can thus take in the broad sweep of historical change, grasp the main characteristics of major periods, or enjoy a close appraisal of individual works and their contexts. The book is written in an accessible and non-technical style that will make it attractive to students and to all those who enjoy French Literature.