Carte Italiane - A Journal of Italian Studies Series 2, Volume 7 PDF Download

Author: Graduate Ucla Graduate
Publisher: UCLA Graduate Students Association
ISBN: 9780982835494
Category :
Languages : en
Pages : 0

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Author: Günter Berghaus
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110334100
Category : Literary Criticism
Languages : en
Pages : 632

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The International Yearbook of Futurism Studies was founded in 2009, the centenary year of Italian Futurism, in order to foster intellectual cooperation between Futurism scholars across countries and academic disciplines. The Yearbook does not focus exclusively on Italian Futurism, but on the relations between Italian Futurism and other Futurisms worldwide, on artistic movements inspired by Futurism, and on artists operating in the international sphere with close contacts to Italian or Russian Futurism. Volume 4 (2014) is an open issue that addresses reactions to Italian Futurism in 16 countries (Argentina, Armenia, Brazil, Egypt, France, Germany, Great Britain, Greece, Holland, Hungary, Japan, Portugal, Russia, Slovenia, Spain, USA), and in the artistic media of photography, theatre and visual poetry.

Author: Mariana Aguirre
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110527030
Category : Literary Criticism
Languages : en
Pages : 583

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Futurism Studies in its canonical form has followed in the steps of Marinetti's concept of Futurisme mondial, according to which Futurism had its centre in Italy and a large number of satellites around Europe and the rest of the globe. Consequently, authors of textbook histories of Futurism focus their attention on Italy, add a chapter or two on Russia and dedicate next to no attention to developments in other parts of the world. Futurism Studies tends to sees in Marinetti's movement the font and mother of all subsequent avant-gardes and deprecates the non-European variants as mere 'derivatives'. Vol. 7 of the International Yearbook of Futurism Studies will focus on one of these regions outside Europe and demonstrate that the heuristic model of centre – periphery is faulty and misleading, as it ignores the originality and inventiveness of art and literature in Latin America. Futurist tendencies in both Spanish and Portuguese-speaking countries may have been, in part, 'influenced' by Italian Futurism, but they certainly did no 'derive' from it. The shift towards modernity took place in Latin America more or less in parallel to the economic progress made in the underdeveloped countries of Europe. Italy and Russia have often been described as having originated Futurism because of their backwardness compared to the industrial powerhouses England, Germany and France. According to this narrative, Spain and Portugal occupied a position of semi-periphery. They had channelled dominant cultural discourses from the centre nations into the colonies. However, with the rise of modernity and the emergence of independence movements, cultural discourses in the colonies undertook a major shift. The revolt of the European avant-garde against academic art found much sympathy amongst Latin American artists, as they were engaged in a similar battle against the canonical discourses of colonial rule. One can therefore detect many parallels between the European and Latin American avant-garde movements. This includes the varieties of Futurism, to which Yearbook 2017 will be dedicated. In Europe, the avant-garde had a complex relationship to tradition, especially its 'primitivist' varieties. In Latin America, the avant-garde also sought to uncover and incorporate alternative, i.e. indigenous traditions. The result was a hybrid form of art and literature that showed many parallels to the European avant-garde, but also had other sources of inspiration. Given the large variety of indigenous cultures on the American continent, it was only natural that many heterogeneous mixtures of Futurism emerged there. Yearbook 2017 explores this plurality of Futurisms and the cultural traditions that influenced them. Contributions focus on the intertextual character of Latin American Futurisms, interpret works of literature and fine arts within their local setting, consider modes of production and consumption within each culture as well as the forms of interaction with other Latin American and European centres. 14 essays locate Futurism within the complex network of cultural exchange, unravel the Futurist contribution to the complex interrelations between local and the global cultures in Latin America and reveal the dynamic dialogue as well as the multiple forms of cross-fertilization that existed amongst them.

Author:
Publisher:
ISBN:
Category : Italian literature
Languages : en
Pages : 412

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Author:
Publisher:
ISBN:
Category : Periodicals
Languages : en
Pages : 1620

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A union list of serials commencing publication after Dec. 31, 1949.

Author: Modern Language Association of America
Publisher:
ISBN:
Category : Language and languages
Languages : en
Pages : 976

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Includes indexes to editorial personnel, languages, sponsoring organizations and subjects.

Author: Victoria Kirkham,
Publisher: University of Chicago Press
ISBN: 022607921X
Category : Literary Criticism
Languages : en
Pages : 576

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Long celebrated as one of “the Three Crowns” of Florence, Giovanni Boccaccio (1313–75) experimented widely with the forms of literature. His prolific and innovative writings—which range beyond the novella, from lyric to epic, from biography to mythography and geography, from pastoral and romance to invective—became powerful models for authors in Italy and across the Continent. This collection of essays presents Boccaccio’s life and creative output in its encyclopedic diversity. Exploring a variety of genres, Latin as well as Italian, it provides short descriptions of all his works, situates them in his oeuvre, and features critical expositions of their most salient features and innovations. Designed for readers at all levels, it will appeal to scholars of literature, medieval and Renaissance studies, humanism and the classical tradition; as well as European historians, art historians, and students of material culture and the history of the book. Anchored by an introduction and chronology, this volume contains contributions by prominent Boccaccio scholars in the United States, as well as essays by contributors from France, Italy, and the United Kingdom. The year 2013, Boccaccio’s seven-hundredth birthday, will be an important one for the study of his work and will see an increase in academic interest in reassessing his legacy.

Author: Marian Kent
Publisher: Routledge
ISBN: 1135777993
Category : History
Languages : en
Pages : 254

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Book Description
How far was the end of the Ottoman Empire the result of Great Power imperialism and how far the result of structural weaknesses within the Empire itself? These studies of the foreign policy of each of the Great Powers and the Ottoman Empire examine these fundamental issues.

Author: Andrea Pakieser
Publisher: AK Press
ISBN: 1849351961
Category : Biography & Autobiography
Languages : en
Pages : 155

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Book Description
Leda Rafanelli was one of the most prolific propagandists in early twentieth-century Italy. A comrade of Benito Mussolini before he turned fascist, she converted to anarchism and Islam at the age of twenty, a combination characteristic of her iconoclastic approach to life and politics. Weaving excerpts from Rafanelli's novels, poems, and essays with extensive biographical research, this book tells the story of the insurrections accompanying the birth of the Italian nation, the evolution of the anarchist movement, struggles for alternatives to bourgeois feminism, and the dangers faced by those opposing global war and fascism. Andrea Pakieser is a writer and translator currently at the University of Paris.

Author: Paul Baxa
Publisher: Springer Nature
ISBN: 3030979679
Category : Sports & Recreation
Languages : en
Pages : 325

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This book is the first English-language study of motorsport and Italian Fascism, arguing that a synergy existed between motor racing and Fascism that did not exist with other sports. Motorsport was able to bring together the two dominant, and often opposed, cultural roots of Fascism, the Futurism of F. T. Marinetti, and the Decadence associated with Gabriele D’Annunzio. The book traces this cultural convergence through a topical study of motorsport in the 1920s and 1930s placing it in the context of the history of sport under Mussolini’s regime. Chapters discuss the centrality of speed and death in Fascist culture, the attempt to transform Rome into a motorsport capital, the architectural and ideological function of the Monza and Tripoli and autodromes, and two chapters on the importance of the Mille Miglia, a genuine Fascist artefact that became one of the most legendary motor races of all time.