Author: Library of Congress. Rare Book DivisionPublisher:
ISBN:
Category : Broadsides
Languages : en
Pages : 588
Book Description
Catalog of Broadsides in the Rare Book Division: Author
Author: Library of Congress. Rare Book DivisionPublisher:
ISBN:
Category : Broadsides
Languages : en
Pages : 588
Book Description
Catalog of Broadsides in the Rare Book Division: Chronological catalog
Author: Library of Congress. Rare Book DivisionPublisher:
ISBN:
Category : Broadsides
Languages : en
Pages : 914
Book Description
The National Union Catalog, Pre-1956 Imprints
Author: Library of CongressPublisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 712
Book Description
Prominent Families of New York
Author: Lyman Horace WeeksPublisher:
ISBN:
Category : New York (N.Y.)
Languages : en
Pages : 64
Book Description
The National Union Catalog, Pre-1956 Imprints
Author: Dictionary Catalog of the Harris Collection of American Poetry and Plays, Brown University Library, Providence, Rhode Island
Author: Brown University. LibraryPublisher:
ISBN:
Category : American drama
Languages : en
Pages : 794
Book Description
Nineteenth Century Short-title Catalogue: phase 1. 1816-1870
Author: The Imprint Catalog in the Rare Book Division
Author: New York Public Library. Rare Book DivisionPublisher:
ISBN:
Category : Catalogs, Imprint
Languages : en
Pages : 652
Book Description
American Imprints Inventory
Author: Historical Records Survey (U.S.)Publisher:
ISBN:
Category : United States
Languages : en
Pages : 168
Book Description
Luxury Arts of the Renaissance
Author: Marina BelozerskayaPublisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.