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Author: Michael D. Bristol Publisher: Routledge ISBN: 1317748301 Category : History Languages : en Pages : 218
Book Description
In this title, first published in 1985, Michael Bristol draws on several theoretical and critical traditions to study the nature and purpose of theatre as a social institution: on Marxism, and its revisions in the work of Mikhail Bakhtin; on the theories of Emile Durkheim and their adaptations in the work of Victor Turner; and on the history of social life and material culture as practiced by the Annales school. This valuable work is an important contribution to literary criticism, theatre studies and social history and has particular importance for scholars interested in the dramatic literature of Elizabethan England.
Author: Michael D. Bristol Publisher: Routledge ISBN: 1317748301 Category : History Languages : en Pages : 218
Book Description
In this title, first published in 1985, Michael Bristol draws on several theoretical and critical traditions to study the nature and purpose of theatre as a social institution: on Marxism, and its revisions in the work of Mikhail Bakhtin; on the theories of Emile Durkheim and their adaptations in the work of Victor Turner; and on the history of social life and material culture as practiced by the Annales school. This valuable work is an important contribution to literary criticism, theatre studies and social history and has particular importance for scholars interested in the dramatic literature of Elizabethan England.
Author: Michael D. Bristol Publisher: Routledge ISBN: 131774831X Category : History Languages : en Pages : 250
Book Description
In this title, first published in 1985, Michael Bristol draws on several theoretical and critical traditions to study the nature and purpose of theatre as a social institution: on Marxism, and its revisions in the work of Mikhail Bakhtin; on the theories of Emile Durkheim and their adaptations in the work of Victor Turner; and on the history of social life and material culture as practiced by the Annales school. This valuable work is an important contribution to literary criticism, theatre studies and social history and has particular importance for scholars interested in the dramatic literature of Elizabethan England.
Author: Konrad Eisenbichler Publisher: Rodopi ISBN: 9789042005655 Category : Drama Languages : en Pages : 314
Book Description
From the Fool to the Wildman, from the irate Reformer to the festive Masqueraders, this collection of articles offers a variety of topics, approaches, and agendas in the study of early modern European theatre. With samplings from Scandinavia, Germany, England, France, the Iberian peninsula, and even the New World, this collection also spans time, from the late fifteenth century to the present. In the process, Carnival and the carnivalesque are examined from archival, Bakhtinian, cultural, and even political points of view. The articles in this collection reveal the variety and inherent vitality of scholarship in early modern theatre. The thirteen essays have been selected from presentations made at the Eighth Triennial Congress of the Société Internationale pour l'Etude du Théâtre Médiéval held in Toronto (1995), under the auspices of the Records of Early English Drama project and Victoria University in the University of Toronto.
Author: Herman Wouk Publisher: Open Road Media ISBN: 1504096592 Category : Fiction Languages : en Pages : 440
Book Description
The basis for the Herman Wouk–Jimmy Buffett musical: A middle-aged New Yorker buys a Caribbean hotel and learns that paradise has its drawbacks in this novel that “moves as fast as a Marx Brothers movie” (The New York Times Book Review). Broadway press agent Norman Paperman is pushing fifty with one heart attack already under his belt. So he decides to chuck the stressful Manhattan life and bring his wife and teenage daughter to a lush green island. With the help of a wheeler-dealer friend, he winds up buying a small hotel. How hard could running one be? Pretty hard, actually, when you throw in an earthquake, plumbing problems, rampaging ants, and a few more unexpected developments at the Gull Reef Club. Before long, Norman’s spirit is as drained as his bank account, his marriage is on the brink, and he’s desperately searching for a way out of this beautiful nightmare . . . Don’t Stop the Carnival is a clever comic departure for the Pulitzer Prize–winning, #1 New York Times–bestselling author of such classics as Marjorie Morningstar, The Winds of War, and The Caine Mutiny—and eventually served as the basis for the celebrated Jimmy Buffett album and stage musical. “Funny [and] continuously entertaining. . . . Norman Paperman, although hardly an admirable person, is exceedingly human and entirely believable. One cringes with sympathy for him.” —The New York Times “His sandy beaches are alive with stinging sand flies . . . farce laced with tears.” —Time
Author: Vicki Ann Cremona Publisher: Springer ISBN: 331970656X Category : Performing Arts Languages : en Pages : 317
Book Description
This book shows how Carnival under British colonial rule became a locus of resistance as well as an exercise and affirmation of power. Carnival is both a space of theatricality and a site of politics, where the playful, participatory aspects are appropriated by countervailing forces seeking to influence, control, channel or redirect power. Focusing specifically on the Maltese islands, a tiny European archipelago situated at the heart of the Mediterranean, this work links the contrast between play and power to other Carnival realities across the world. It examines the question of power and identity in relation to different social classes and environments of Carnival play, from streets to ballrooms. It looks at satire and censorship, unbridled gaiety and controlled celebration. It describes the ways Carnival was appropriated as a power channel both by the British and their Maltese subjects, and ultimately how it was manipulated in the struggle for Malta’s independence.