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Author: Vicki Ann Cremona Publisher: Springer ISBN: 331970656X Category : Performing Arts Languages : en Pages : 317
Book Description
This book shows how Carnival under British colonial rule became a locus of resistance as well as an exercise and affirmation of power. Carnival is both a space of theatricality and a site of politics, where the playful, participatory aspects are appropriated by countervailing forces seeking to influence, control, channel or redirect power. Focusing specifically on the Maltese islands, a tiny European archipelago situated at the heart of the Mediterranean, this work links the contrast between play and power to other Carnival realities across the world. It examines the question of power and identity in relation to different social classes and environments of Carnival play, from streets to ballrooms. It looks at satire and censorship, unbridled gaiety and controlled celebration. It describes the ways Carnival was appropriated as a power channel both by the British and their Maltese subjects, and ultimately how it was manipulated in the struggle for Malta’s independence.
Author: Vicki Ann Cremona Publisher: Springer ISBN: 331970656X Category : Performing Arts Languages : en Pages : 317
Book Description
This book shows how Carnival under British colonial rule became a locus of resistance as well as an exercise and affirmation of power. Carnival is both a space of theatricality and a site of politics, where the playful, participatory aspects are appropriated by countervailing forces seeking to influence, control, channel or redirect power. Focusing specifically on the Maltese islands, a tiny European archipelago situated at the heart of the Mediterranean, this work links the contrast between play and power to other Carnival realities across the world. It examines the question of power and identity in relation to different social classes and environments of Carnival play, from streets to ballrooms. It looks at satire and censorship, unbridled gaiety and controlled celebration. It describes the ways Carnival was appropriated as a power channel both by the British and their Maltese subjects, and ultimately how it was manipulated in the struggle for Malta’s independence.
Author: Frances Henry Publisher: Univ. Press of Mississippi ISBN: 1496825489 Category : History Languages : en Pages : 210
Book Description
Contributions by Darrell Gerohn Baksh, Jan de Cosmo, Frances Henry, Jeff Henry, Adanna Kai Jones, Samantha Noel, Dwaine Plaza, Philip W. Scher, and Asha St. Bernard Women are performing an ever-growing role in Caribbean Carnival. Through a feminist perspective, this volume examines the presence of women in contemporary Carnival by demonstrating not only their strength in numbers, but also the ways in which women participate in the event. While decried by traditionalists, the bikinis, beads, and feathers of “pretty mas’” convey both a newly found empowerment as a gendered resistance to oppression from men. Although research on Carnivals is substantial, especially in the Americas, the subject of women in Carnival as a topic of inquiry remains fairly new. These essays address anthropological and historical facets of women and their practices in the Trinidad Carnival, including an analysis of how women’s costuming and performance have changed over time. The modern costumes, which are well within the financial means of most mas’ players, demonstrate the new power of women who can now afford these outfits. In discussing the commodification and erotization of Carnival, the book emphasizes the unveiling of the female body and the hip-rolling sexual movements called winin or it. Through display of their bodies, contemporary women in Carnival express a form of female resistance. Intent on enjoying and expressing themselves, they seem invigorated by their place in the economy, as well as their sexuality, defying the moral controls imposed on them. Through an array of methods in qualitative research, including interviews, participant observation, and ethnography, this volume explains the new power of women in the evolution of Carnival mas’ in Trinidad amid the wider Caribbean diaspora.
Author: Chris Stark Publisher: Loving Healing Press ISBN: 1615995773 Category : Fiction Languages : en Pages : 267
Book Description
Minnesota Book Awards 2022 -- Finalist in Novel & Short Story "Fluid in time and place, Carnival Lights flows between one past and another, offering a heartbreaking portrait of multigenerational trauma in the lives of one Ojibwe family. This tapestry of stories is beautifully woven and gut-wrenching in its effect. Read it, and it may change you forever." -- William Kent Krueger, New York Times Bestselling author Blending fiction and fact, Carnival Lights ranges from reverie to nightmare and back again in a lyrical yet unflinching story of an Ojibwe family's struggle to hold onto their land, their culture, and each other. Carnival Lights is a timely book for a country in need of deep healing. In August 1969, two teenage Ojibwe cousins, Sher and Kris, leave their northern Minnesota reservation for the lights of Minneapolis. The girls arrive in the city with only $12, their grandfather's WWII pack, two stainless steel cups, some face makeup, gum, and a lighter. But it's the ancestral connections they are also carrying - to the land and trees, to their family and culture, to love and loss - that shapes their journey most. As they search for work, they cross paths with a gay Jewish boy, homeless white and Indian women, and men on the prowl for runaways. Making their way to the Minnesota State Fair, the Indian girls try to escape a fate set in motion centuries earlier. Set in a summer of hippie Vietnam War protests and the moon landing, Carnival Lights also spans settler arrival in the 1800s, the creation of the reservation system, and decades of cultural suppression, connecting everything from lumber barons' mansions to Nazi V-2 rockets to smuggler's tunnels in creating a narrative history of Minnesota. "Fluid in time and place, Carnival Lights flows between one past and another, offering a heartbreaking portrait of multigenerational trauma in the lives of one Ojibwe family, this tapestry of stories is beautifully woven and gut-wrenching in its effect. Read it, and it may change you forever." -- William Kent Krueger, New York Times Best Selling Author "Chris Stark's newest novel explores the evolution of violence experienced by Native women. Simultaneously graphic and gentle, Carnival Lights takes the reader on a daunting journey through generations of trauma, crafting characters that are both vulnerable and resilient." -- Sarah Deer, (Mvskoke), Distinguished Professor, University of Kansas, MacArthur Genius Award Recipient "Carnival Lights is a heartbreaking wonder of gorgeous prose and urgent story. It propels the reader at a breathless pace as history crashes down on the readers as much as it does on the book's vivid characters. The author's brilliant heart restores their dignity and via the realm of imagination, brings them home." -- Mona Susan Power, author of The Grass Dancer, a PEN/Hemingway Winner "It's not every day that one is given an inimitable gift of truth. Carnival Lights is that gift. The history books that we've all read throughout time were purposely devoid of the realities of decades of Native genocide, attempts to eradicate our culture, and the horrendous effects of the boarding school era-trauma that continues to permeate the American Indian communities today. Carnival Lights is an opportune story of how two young girls navigate these lived experiences and provides a veracity that will reach deep into your heart, creating a newfound reflection of the actualities of this historical trauma. Chris Stark, a skilled narrative artist, once again engenders storytelling that ingeniously weaves multi-generational authenticities for not only the Native communities, but also as reflected for so many others. It's time for all of us to embrace this gift of truth." -- Deb Foster, Anishinaabe, MS-MFT Executive Director for the Ain Dah Yung Center, a meeting place for American Indian homeless youth and families "There are so many moods and story currents running through this wonder of a novel that I can attribute to individual women whose lives experiences run parallel to Stark's many characters. The two female adolescences in this novel take us to high and low heights, just like a carnival ride. It's overwhelming, irrational and dangerous, and there is no one to help, just as it has been for Indigenous people from the moment colonizers stepped foot on this continent of Turtle Island. Carnival Lights is powerful storytelling. Indigenous ancestors are persistently returning, so as not to be forgotten in death and memory, and Stark puts the reader right in the center of their pain and struggles." -- Mary K. Kunesh, Minnesota Senator, Standing Rock Lakota descendant, chair of Minnesota Missing and Murdered Indigenous Women taskforce "Carnival Lights is a powerful story of resilience, an emotional rollercoaster ride and an expression of the raw truth of multigenerational trauma. Sher, a lesbian and protector, or what we call 'two-spirit, ' is particularly connected with the old ways." -- Lenny Hayes, Sisseton-Wahpeton Oyate, and Two-Spirit activist "Chris Stark weaves Native spirituality throughout Carnival Lights from the 1960s, before the Religious Freedom Act of 1978. We will lay under a fern, waiting for a drop of water to fall from the tip of the leaf with Em, feel the freedom of fleeing abuse with Kris and get to know the protector Sher who watches over Kris like a wolf. Carnival Lights reminds us that we are not alone, and we are watched over by ones we would have never known or seen if it were not for this desperate moment we are in right now. Chris Stark reminds us how important our teachings are, how our memories can comfort us in our darkest hour when we need it the most. Chris draws us into the inspiration and comfort provided to the characters at times guiding their next move." -- Babette Sandman, Ojibwe elder, White Earth Nation enrolled citizen living in Duluth "Chris Stark has done a beautiful job of incorporating this story of cousins; Sher and Kristin, within a historical and cultural narrative. The trauma that they experience is a familiar tale for many of us. I did not just read this story.... I felt this story and I journeyed with Sher and Kristin in all directions, and through many emotions. The connection to the story of Native women today is clear and brilliantly written. Chi miigwetch, Chris!" -- Nicole Matthews, ED of Minnesota Indian Women's Sexual Assault Coalition, White Earth Anishinaabe Learn more at www.ChristineStark.com From Modern History Press
Author: Milla Cozart Riggio Publisher: Routledge ISBN: 1134487800 Category : History Languages : en Pages : 344
Book Description
This beautifully illustrated volume features work by leading writers and experts on carnival from around the world, and includes two stunning photo essays by acclaimed photographers Pablo Delano and Jeffrey Chock. Editor Milla Cozart Riggio presents a body of work that takes the reader on a fascinating journey exploring the various aspects of carnival - its traditions, its history, its music, its politics - and prefaces each section with an illuminating essay. Traditional carnival theory, based mainly on the work of Mikhail Bakhtin and Victor Turner, has long defined carnival as inversive or subversive. The essays in this groundbreaking anthology collectively reverse that trend, offering a re-definition of 'carnival' that focuses not on the hierarchy it temporarily displaces or negates, but a one that is rooted in the actual festival event. Carnival details its new theory in terms of a carnival that is at once representative and distinctive: The Carnival of Trinidad - the most copied yet least studied major carnival in the world.
Author: Michaeline Crichlow Publisher: Routledge ISBN: 1135751366 Category : Social Science Languages : en Pages : 198
Book Description
Drawing on rich insights from cultural, post-structural and postcolonial studies, this book demands that we rethink Carnival and the carnivalesque as not just celebratory moments or even as critical subtext, but also as insightful performatives of social life anywhere, given the entangled times and spaces of these performances. The authors review Carnival’s performative aspects not merely as a calendrical festival, but rather center attention on the relationship between carnival and everyday life, and on how people negotiate their social spaces and possibilities in the context of modern power. The book therefore seeks to highlight the knotted time-spaces of power and to demonstrate the dynamic interplay between state spaces and people’s spaces that are being weaved by carnival's interlocutors. It demonstrates how Carnival and the Carnivalesque become analytic optics through which the relations of power in the social and political life of subjects who seek to tacitically or strategically vary their given identities, can be productively engaged. This book was originally published as a special issue of Social Identities: Journal for the Study of Race, Nation and Culture.
Author: Vicki Ann Cremona
Author: Vicki Ann Cremona
Author: Gerard Aching
Author: Hollis Liverpool
Author: Hollis Liverpool
Author: Hollis U. Liverpool
Author: Frances Henry
Author: Chris Stark
Author: Milla Cozart Riggio
Author: 
Author: Michaeline Crichlow