Author: Vicki Ann Cremona
Publisher: Springer
ISBN: 331970656X
Category : Performing Arts
Languages : en
Pages : 317
Book Description
This book shows how Carnival under British colonial rule became a locus of resistance as well as an exercise and affirmation of power. Carnival is both a space of theatricality and a site of politics, where the playful, participatory aspects are appropriated by countervailing forces seeking to influence, control, channel or redirect power. Focusing specifically on the Maltese islands, a tiny European archipelago situated at the heart of the Mediterranean, this work links the contrast between play and power to other Carnival realities across the world. It examines the question of power and identity in relation to different social classes and environments of Carnival play, from streets to ballrooms. It looks at satire and censorship, unbridled gaiety and controlled celebration. It describes the ways Carnival was appropriated as a power channel both by the British and their Maltese subjects, and ultimately how it was manipulated in the struggle for Malta’s independence.
Carnival and Power
Author: Vicki Ann Cremona
Publisher: Springer
ISBN: 331970656X
Category : Performing Arts
Languages : en
Pages : 317
Book Description
This book shows how Carnival under British colonial rule became a locus of resistance as well as an exercise and affirmation of power. Carnival is both a space of theatricality and a site of politics, where the playful, participatory aspects are appropriated by countervailing forces seeking to influence, control, channel or redirect power. Focusing specifically on the Maltese islands, a tiny European archipelago situated at the heart of the Mediterranean, this work links the contrast between play and power to other Carnival realities across the world. It examines the question of power and identity in relation to different social classes and environments of Carnival play, from streets to ballrooms. It looks at satire and censorship, unbridled gaiety and controlled celebration. It describes the ways Carnival was appropriated as a power channel both by the British and their Maltese subjects, and ultimately how it was manipulated in the struggle for Malta’s independence.
Publisher: Springer
ISBN: 331970656X
Category : Performing Arts
Languages : en
Pages : 317
Book Description
This book shows how Carnival under British colonial rule became a locus of resistance as well as an exercise and affirmation of power. Carnival is both a space of theatricality and a site of politics, where the playful, participatory aspects are appropriated by countervailing forces seeking to influence, control, channel or redirect power. Focusing specifically on the Maltese islands, a tiny European archipelago situated at the heart of the Mediterranean, this work links the contrast between play and power to other Carnival realities across the world. It examines the question of power and identity in relation to different social classes and environments of Carnival play, from streets to ballrooms. It looks at satire and censorship, unbridled gaiety and controlled celebration. It describes the ways Carnival was appropriated as a power channel both by the British and their Maltese subjects, and ultimately how it was manipulated in the struggle for Malta’s independence.
Rituals of Power and Rebellion
Masking and Power
Author: Gerard Aching
Publisher: Cultural Studies of the Americ
ISBN: 9780816640171
Category : Social Science
Languages : en
Pages : 180
Book Description
Focusing on masking as a socially significant practice in Caribbean cultures, Gerard Aching's analysis articulates masking, mimicry, and misrecognition as a means of describing and interrogating strategies of visibility and invisibility in Cuba, Trinidad and Tobago, Martinique, and beyond.
Publisher: Cultural Studies of the Americ
ISBN: 9780816640171
Category : Social Science
Languages : en
Pages : 180
Book Description
Focusing on masking as a socially significant practice in Caribbean cultures, Gerard Aching's analysis articulates masking, mimicry, and misrecognition as a means of describing and interrogating strategies of visibility and invisibility in Cuba, Trinidad and Tobago, Martinique, and beyond.
Carnival Is Woman
Author: Frances Henry
Publisher: Univ. Press of Mississippi
ISBN: 1496825489
Category : History
Languages : en
Pages : 206
Book Description
Contributions by Darrell Gerohn Baksh, Jan de Cosmo, Frances Henry, Jeff Henry, Adanna Kai Jones, Samantha Noel, Dwaine Plaza, Philip W. Scher, and Asha St. Bernard Women are performing an ever-growing role in Caribbean Carnival. Through a feminist perspective, this volume examines the presence of women in contemporary Carnival by demonstrating not only their strength in numbers, but also the ways in which women participate in the event. While decried by traditionalists, the bikinis, beads, and feathers of “pretty mas’” convey both a newly found empowerment as a gendered resistance to oppression from men. Although research on Carnivals is substantial, especially in the Americas, the subject of women in Carnival as a topic of inquiry remains fairly new. These essays address anthropological and historical facets of women and their practices in the Trinidad Carnival, including an analysis of how women’s costuming and performance have changed over time. The modern costumes, which are well within the financial means of most mas’ players, demonstrate the new power of women who can now afford these outfits. In discussing the commodification and erotization of Carnival, the book emphasizes the unveiling of the female body and the hip-rolling sexual movements called winin or it. Through display of their bodies, contemporary women in Carnival express a form of female resistance. Intent on enjoying and expressing themselves, they seem invigorated by their place in the economy, as well as their sexuality, defying the moral controls imposed on them. Through an array of methods in qualitative research, including interviews, participant observation, and ethnography, this volume explains the new power of women in the evolution of Carnival mas’ in Trinidad amid the wider Caribbean diaspora.
Publisher: Univ. Press of Mississippi
ISBN: 1496825489
Category : History
Languages : en
Pages : 206
Book Description
Contributions by Darrell Gerohn Baksh, Jan de Cosmo, Frances Henry, Jeff Henry, Adanna Kai Jones, Samantha Noel, Dwaine Plaza, Philip W. Scher, and Asha St. Bernard Women are performing an ever-growing role in Caribbean Carnival. Through a feminist perspective, this volume examines the presence of women in contemporary Carnival by demonstrating not only their strength in numbers, but also the ways in which women participate in the event. While decried by traditionalists, the bikinis, beads, and feathers of “pretty mas’” convey both a newly found empowerment as a gendered resistance to oppression from men. Although research on Carnivals is substantial, especially in the Americas, the subject of women in Carnival as a topic of inquiry remains fairly new. These essays address anthropological and historical facets of women and their practices in the Trinidad Carnival, including an analysis of how women’s costuming and performance have changed over time. The modern costumes, which are well within the financial means of most mas’ players, demonstrate the new power of women who can now afford these outfits. In discussing the commodification and erotization of Carnival, the book emphasizes the unveiling of the female body and the hip-rolling sexual movements called winin or it. Through display of their bodies, contemporary women in Carnival express a form of female resistance. Intent on enjoying and expressing themselves, they seem invigorated by their place in the economy, as well as their sexuality, defying the moral controls imposed on them. Through an array of methods in qualitative research, including interviews, participant observation, and ethnography, this volume explains the new power of women in the evolution of Carnival mas’ in Trinidad amid the wider Caribbean diaspora.
A Carnival of Revolution
Author: Padraic Kenney
Publisher: Princeton University Press
ISBN: 9780691116273
Category : History
Languages : en
Pages : 366
Book Description
This is the first history of the revolutions that toppled communism in Europe to look behind the scenes at the grassroots movements that made those revolutions happen. It looks for answers not in the salons of power brokers and famed intellectuals, not in decrepit economies--but in the whirlwind of activity that stirred so crucially, unstoppably, on the street. Melding his experience in Solidarity-era Poland with the sensibility of a historian, Padraic Kenney takes us into the hearts and minds of those revolutionaries across much of Central Europe who have since faded namelessly back into everyday life. This is a riveting story of musicians, artists, and guerrilla theater collectives subverting traditions and state power; a story of youthful social movements emerging in the 1980s in Poland, East Germany, Czechoslovakia, Hungary, and parts of Yugoslavia and the Soviet Union. Kenney argues that these movements were active well before glasnost. Some protested military or environmental policy. Others sought to revive national traditions or to help those at the margins of society. Many crossed forbidden borders to meet their counterparts in neighboring countries. They all conquered fear and apathy to bring people out into the streets. The result was a revolution unlike any other before: nonviolent, exuberant, even light-hearted, but also with a relentless political focus--a revolution that leapt from country to country in the exciting events of 1988 and 1989. A Carnival of Revolution resounds with the atmosphere of those turbulent years: the daring of new movements, the unpredictability of street demonstrations, and the hopes and regrets of the young participants. A vivid photo-essay complements engaging prose to fully capture the drama. Based on over two hundred interviews in twelve countries, and drawing on samizdat and other writings in six languages, this is among the most insightful and compelling accounts ever published of the historical milestone that ushered in our age.
Publisher: Princeton University Press
ISBN: 9780691116273
Category : History
Languages : en
Pages : 366
Book Description
This is the first history of the revolutions that toppled communism in Europe to look behind the scenes at the grassroots movements that made those revolutions happen. It looks for answers not in the salons of power brokers and famed intellectuals, not in decrepit economies--but in the whirlwind of activity that stirred so crucially, unstoppably, on the street. Melding his experience in Solidarity-era Poland with the sensibility of a historian, Padraic Kenney takes us into the hearts and minds of those revolutionaries across much of Central Europe who have since faded namelessly back into everyday life. This is a riveting story of musicians, artists, and guerrilla theater collectives subverting traditions and state power; a story of youthful social movements emerging in the 1980s in Poland, East Germany, Czechoslovakia, Hungary, and parts of Yugoslavia and the Soviet Union. Kenney argues that these movements were active well before glasnost. Some protested military or environmental policy. Others sought to revive national traditions or to help those at the margins of society. Many crossed forbidden borders to meet their counterparts in neighboring countries. They all conquered fear and apathy to bring people out into the streets. The result was a revolution unlike any other before: nonviolent, exuberant, even light-hearted, but also with a relentless political focus--a revolution that leapt from country to country in the exciting events of 1988 and 1989. A Carnival of Revolution resounds with the atmosphere of those turbulent years: the daring of new movements, the unpredictability of street demonstrations, and the hopes and regrets of the young participants. A vivid photo-essay complements engaging prose to fully capture the drama. Based on over two hundred interviews in twelve countries, and drawing on samizdat and other writings in six languages, this is among the most insightful and compelling accounts ever published of the historical milestone that ushered in our age.
Rituals of Power and Rebellion
Author: Hollis Liverpool
Publisher:
ISBN:
Category : History
Languages : en
Pages : 550
Book Description
Publisher:
ISBN:
Category : History
Languages : en
Pages : 550
Book Description
Carnival on the Page
Author: Isabelle Lehuu
Publisher: UNC Press Books
ISBN: 0807860824
Category : Language Arts & Disciplines
Languages : en
Pages : 342
Book Description
In the decades before the Civil War, American society witnessed the emergence of a new form of print culture, as penny papers, mammoth weeklies, giftbooks, fashion magazines, and other ephemeral printed materials brought exuberance and theatricality to public culture and made the practice of reading more controversial. For a short yet pivotal period, argues Isabelle Lehuu, the world of print was turned upside down. Unlike the printed works of the eighteenth century, produced to educate and refine, the new media aimed to entertain a widening yet diversified public of men and women. As they gained popularity among American readers, these new print forms provoked fierce reactions from cultural arbiters who considered them transgressive. No longer the manly art of intellectual pursuit, reading took on new meaning; reading for pleasure became an act with the power to silently disrupt the social order. Neither just an epilogue to an earlier age of scarce books and genteel culture nor merely a prologue to the late nineteenth century and its mass culture and commercial literature, the antebellum era marked a significant passage in the history of books and reading in the United States, Lehuu argues. Originally published 2000. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Publisher: UNC Press Books
ISBN: 0807860824
Category : Language Arts & Disciplines
Languages : en
Pages : 342
Book Description
In the decades before the Civil War, American society witnessed the emergence of a new form of print culture, as penny papers, mammoth weeklies, giftbooks, fashion magazines, and other ephemeral printed materials brought exuberance and theatricality to public culture and made the practice of reading more controversial. For a short yet pivotal period, argues Isabelle Lehuu, the world of print was turned upside down. Unlike the printed works of the eighteenth century, produced to educate and refine, the new media aimed to entertain a widening yet diversified public of men and women. As they gained popularity among American readers, these new print forms provoked fierce reactions from cultural arbiters who considered them transgressive. No longer the manly art of intellectual pursuit, reading took on new meaning; reading for pleasure became an act with the power to silently disrupt the social order. Neither just an epilogue to an earlier age of scarce books and genteel culture nor merely a prologue to the late nineteenth century and its mass culture and commercial literature, the antebellum era marked a significant passage in the history of books and reading in the United States, Lehuu argues. Originally published 2000. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Carnival Lights
Author: Chris Stark
Publisher: Loving Healing Press
ISBN: 1615995773
Category : Fiction
Languages : en
Pages : 267
Book Description
Minnesota Book Awards 2022 -- Finalist in Novel & Short Story "Fluid in time and place, Carnival Lights flows between one past and another, offering a heartbreaking portrait of multigenerational trauma in the lives of one Ojibwe family. This tapestry of stories is beautifully woven and gut-wrenching in its effect. Read it, and it may change you forever." -- William Kent Krueger, New York Times Bestselling author Blending fiction and fact, Carnival Lights ranges from reverie to nightmare and back again in a lyrical yet unflinching story of an Ojibwe family's struggle to hold onto their land, their culture, and each other. Carnival Lights is a timely book for a country in need of deep healing. In August 1969, two teenage Ojibwe cousins, Sher and Kris, leave their northern Minnesota reservation for the lights of Minneapolis. The girls arrive in the city with only $12, their grandfather's WWII pack, two stainless steel cups, some face makeup, gum, and a lighter. But it's the ancestral connections they are also carrying - to the land and trees, to their family and culture, to love and loss - that shapes their journey most. As they search for work, they cross paths with a gay Jewish boy, homeless white and Indian women, and men on the prowl for runaways. Making their way to the Minnesota State Fair, the Indian girls try to escape a fate set in motion centuries earlier. Set in a summer of hippie Vietnam War protests and the moon landing, Carnival Lights also spans settler arrival in the 1800s, the creation of the reservation system, and decades of cultural suppression, connecting everything from lumber barons' mansions to Nazi V-2 rockets to smuggler's tunnels in creating a narrative history of Minnesota. "Fluid in time and place, Carnival Lights flows between one past and another, offering a heartbreaking portrait of multigenerational trauma in the lives of one Ojibwe family, this tapestry of stories is beautifully woven and gut-wrenching in its effect. Read it, and it may change you forever." -- William Kent Krueger, New York Times Best Selling Author "Chris Stark's newest novel explores the evolution of violence experienced by Native women. Simultaneously graphic and gentle, Carnival Lights takes the reader on a daunting journey through generations of trauma, crafting characters that are both vulnerable and resilient." -- Sarah Deer, (Mvskoke), Distinguished Professor, University of Kansas, MacArthur Genius Award Recipient "Carnival Lights is a heartbreaking wonder of gorgeous prose and urgent story. It propels the reader at a breathless pace as history crashes down on the readers as much as it does on the book's vivid characters. The author's brilliant heart restores their dignity and via the realm of imagination, brings them home." -- Mona Susan Power, author of The Grass Dancer, a PEN/Hemingway Winner "It's not every day that one is given an inimitable gift of truth. Carnival Lights is that gift. The history books that we've all read throughout time were purposely devoid of the realities of decades of Native genocide, attempts to eradicate our culture, and the horrendous effects of the boarding school era-trauma that continues to permeate the American Indian communities today. Carnival Lights is an opportune story of how two young girls navigate these lived experiences and provides a veracity that will reach deep into your heart, creating a newfound reflection of the actualities of this historical trauma. Chris Stark, a skilled narrative artist, once again engenders storytelling that ingeniously weaves multi-generational authenticities for not only the Native communities, but also as reflected for so many others. It's time for all of us to embrace this gift of truth." -- Deb Foster, Anishinaabe, MS-MFT Executive Director for the Ain Dah Yung Center, a meeting place for American Indian homeless youth and families "There are so many moods and story currents running through this wonder of a novel that I can attribute to individual women whose lives experiences run parallel to Stark's many characters. The two female adolescences in this novel take us to high and low heights, just like a carnival ride. It's overwhelming, irrational and dangerous, and there is no one to help, just as it has been for Indigenous people from the moment colonizers stepped foot on this continent of Turtle Island. Carnival Lights is powerful storytelling. Indigenous ancestors are persistently returning, so as not to be forgotten in death and memory, and Stark puts the reader right in the center of their pain and struggles." -- Mary K. Kunesh, Minnesota Senator, Standing Rock Lakota descendant, chair of Minnesota Missing and Murdered Indigenous Women taskforce "Carnival Lights is a powerful story of resilience, an emotional rollercoaster ride and an expression of the raw truth of multigenerational trauma. Sher, a lesbian and protector, or what we call 'two-spirit, ' is particularly connected with the old ways." -- Lenny Hayes, Sisseton-Wahpeton Oyate, and Two-Spirit activist "Chris Stark weaves Native spirituality throughout Carnival Lights from the 1960s, before the Religious Freedom Act of 1978. We will lay under a fern, waiting for a drop of water to fall from the tip of the leaf with Em, feel the freedom of fleeing abuse with Kris and get to know the protector Sher who watches over Kris like a wolf. Carnival Lights reminds us that we are not alone, and we are watched over by ones we would have never known or seen if it were not for this desperate moment we are in right now. Chris Stark reminds us how important our teachings are, how our memories can comfort us in our darkest hour when we need it the most. Chris draws us into the inspiration and comfort provided to the characters at times guiding their next move." -- Babette Sandman, Ojibwe elder, White Earth Nation enrolled citizen living in Duluth "Chris Stark has done a beautiful job of incorporating this story of cousins; Sher and Kristin, within a historical and cultural narrative. The trauma that they experience is a familiar tale for many of us. I did not just read this story.... I felt this story and I journeyed with Sher and Kristin in all directions, and through many emotions. The connection to the story of Native women today is clear and brilliantly written. Chi miigwetch, Chris!" -- Nicole Matthews, ED of Minnesota Indian Women's Sexual Assault Coalition, White Earth Anishinaabe Learn more at www.ChristineStark.com From Modern History Press
Publisher: Loving Healing Press
ISBN: 1615995773
Category : Fiction
Languages : en
Pages : 267
Book Description
Minnesota Book Awards 2022 -- Finalist in Novel & Short Story "Fluid in time and place, Carnival Lights flows between one past and another, offering a heartbreaking portrait of multigenerational trauma in the lives of one Ojibwe family. This tapestry of stories is beautifully woven and gut-wrenching in its effect. Read it, and it may change you forever." -- William Kent Krueger, New York Times Bestselling author Blending fiction and fact, Carnival Lights ranges from reverie to nightmare and back again in a lyrical yet unflinching story of an Ojibwe family's struggle to hold onto their land, their culture, and each other. Carnival Lights is a timely book for a country in need of deep healing. In August 1969, two teenage Ojibwe cousins, Sher and Kris, leave their northern Minnesota reservation for the lights of Minneapolis. The girls arrive in the city with only $12, their grandfather's WWII pack, two stainless steel cups, some face makeup, gum, and a lighter. But it's the ancestral connections they are also carrying - to the land and trees, to their family and culture, to love and loss - that shapes their journey most. As they search for work, they cross paths with a gay Jewish boy, homeless white and Indian women, and men on the prowl for runaways. Making their way to the Minnesota State Fair, the Indian girls try to escape a fate set in motion centuries earlier. Set in a summer of hippie Vietnam War protests and the moon landing, Carnival Lights also spans settler arrival in the 1800s, the creation of the reservation system, and decades of cultural suppression, connecting everything from lumber barons' mansions to Nazi V-2 rockets to smuggler's tunnels in creating a narrative history of Minnesota. "Fluid in time and place, Carnival Lights flows between one past and another, offering a heartbreaking portrait of multigenerational trauma in the lives of one Ojibwe family, this tapestry of stories is beautifully woven and gut-wrenching in its effect. Read it, and it may change you forever." -- William Kent Krueger, New York Times Best Selling Author "Chris Stark's newest novel explores the evolution of violence experienced by Native women. Simultaneously graphic and gentle, Carnival Lights takes the reader on a daunting journey through generations of trauma, crafting characters that are both vulnerable and resilient." -- Sarah Deer, (Mvskoke), Distinguished Professor, University of Kansas, MacArthur Genius Award Recipient "Carnival Lights is a heartbreaking wonder of gorgeous prose and urgent story. It propels the reader at a breathless pace as history crashes down on the readers as much as it does on the book's vivid characters. The author's brilliant heart restores their dignity and via the realm of imagination, brings them home." -- Mona Susan Power, author of The Grass Dancer, a PEN/Hemingway Winner "It's not every day that one is given an inimitable gift of truth. Carnival Lights is that gift. The history books that we've all read throughout time were purposely devoid of the realities of decades of Native genocide, attempts to eradicate our culture, and the horrendous effects of the boarding school era-trauma that continues to permeate the American Indian communities today. Carnival Lights is an opportune story of how two young girls navigate these lived experiences and provides a veracity that will reach deep into your heart, creating a newfound reflection of the actualities of this historical trauma. Chris Stark, a skilled narrative artist, once again engenders storytelling that ingeniously weaves multi-generational authenticities for not only the Native communities, but also as reflected for so many others. It's time for all of us to embrace this gift of truth." -- Deb Foster, Anishinaabe, MS-MFT Executive Director for the Ain Dah Yung Center, a meeting place for American Indian homeless youth and families "There are so many moods and story currents running through this wonder of a novel that I can attribute to individual women whose lives experiences run parallel to Stark's many characters. The two female adolescences in this novel take us to high and low heights, just like a carnival ride. It's overwhelming, irrational and dangerous, and there is no one to help, just as it has been for Indigenous people from the moment colonizers stepped foot on this continent of Turtle Island. Carnival Lights is powerful storytelling. Indigenous ancestors are persistently returning, so as not to be forgotten in death and memory, and Stark puts the reader right in the center of their pain and struggles." -- Mary K. Kunesh, Minnesota Senator, Standing Rock Lakota descendant, chair of Minnesota Missing and Murdered Indigenous Women taskforce "Carnival Lights is a powerful story of resilience, an emotional rollercoaster ride and an expression of the raw truth of multigenerational trauma. Sher, a lesbian and protector, or what we call 'two-spirit, ' is particularly connected with the old ways." -- Lenny Hayes, Sisseton-Wahpeton Oyate, and Two-Spirit activist "Chris Stark weaves Native spirituality throughout Carnival Lights from the 1960s, before the Religious Freedom Act of 1978. We will lay under a fern, waiting for a drop of water to fall from the tip of the leaf with Em, feel the freedom of fleeing abuse with Kris and get to know the protector Sher who watches over Kris like a wolf. Carnival Lights reminds us that we are not alone, and we are watched over by ones we would have never known or seen if it were not for this desperate moment we are in right now. Chris Stark reminds us how important our teachings are, how our memories can comfort us in our darkest hour when we need it the most. Chris draws us into the inspiration and comfort provided to the characters at times guiding their next move." -- Babette Sandman, Ojibwe elder, White Earth Nation enrolled citizen living in Duluth "Chris Stark has done a beautiful job of incorporating this story of cousins; Sher and Kristin, within a historical and cultural narrative. The trauma that they experience is a familiar tale for many of us. I did not just read this story.... I felt this story and I journeyed with Sher and Kristin in all directions, and through many emotions. The connection to the story of Native women today is clear and brilliantly written. Chi miigwetch, Chris!" -- Nicole Matthews, ED of Minnesota Indian Women's Sexual Assault Coalition, White Earth Anishinaabe Learn more at www.ChristineStark.com From Modern History Press
Carnival Magic
Author: Amy Ephron
Publisher: National Geographic Books
ISBN: 1524740233
Category : Juvenile Fiction
Languages : en
Pages : 0
Book Description
A summer by the seashore turns into a fantastical adventure for Tess & Max in this magical tale filled with excitement, acrobatics, hypnosis, and wonder. Tess and Max are back in England for another summer with their Aunt Evie--this time by the seashore in South Devon. And they're incredibly excited about the travelling carnival that's come to town. There are rides, games, acrobats, The House of Mirrors--and even a psychic, with a beautiful wagon all her own. In a visit to the psychic's wagon, while Tess is being hypnotized, the wagon seems to move. Before Tess can shake herself out of the hypnosis, before Max can do anything, they seem to be travelling--along with the rest of the carnival--too quickly for the two of them to jump out. But where are they going and what awaits them? Will they be caught in a world different from their own? And do the Baranova twins, acrobats who miss their sister almost as much as Tess and Max miss their family, hold the keys to the mystery? Internationally bestselling author Amy Ephron returns with a companion novel to The Castle in the Mist and creates a magical tale filled with adventure, mystery, fantasy, family, and fun. Praise for Carnival Magic: "Full of wonder and real-life enchantment, Amy Ephron's Carnival Magic is a charming adventure that will make a believer out of anyone!" —Rachel Vail, author of Well, That Was Awkward and the Friendship Ring series "Tess is a thoroughly modern heroine: She's athletic, impulsive, and fearless . . . The siblings are authentic children [and] the fantastic elements are the stuff of daydreams. Perfect for classroom read-alouds." —Kirkus Reviews "The short chapters filled with mystery and action will have readers eagerly continuing to discover the secrets that await them. . . . Fans of the first book will be eager for this fun middle-grade fantasy with a classic sensibility." —Booklist "The setting is contemporary—yet the language and tone feel distinctly nostalgic. This novel, which works as a stand alone, will captivate readers who enjoy their whimsy with a dash of risk." —School Library Journal "[Carnival Magic is] a softer otherworldly take on childhood mystery, reminiscent of classics like A Secret Garden . . . [it] is in itself an escape. Tess especially follows in that lineage of strong, intelligent female characters – a sort of Lucy Pevensie/Hermione Granger hybrid who is a leader, who believes in magic." —Teen Vogue "Amy Ephron has always been a magical storyteller. . . . In Carnival Magic, the companion book to Ephron’s successful The Castle in the Mist . . . Tess and Max are teaching children and their parents about the power of thoughtful decision-making, loyalty, and self-confidence. Life lessons and carnival rides . . . the perfect beach read for all ages." —Parade “Ephron renders this magical world with such assertive beauty that readers of all ages, who are fortunate enough to believe in the power of magic, will enjoy immersing themselves in the roller-coaster fun of these stories, and come to trust, even if for a short time, that in this ‘alternate universe’ it is possible for us to come together and ‘touch the sky.’” —Jewish Journal
Publisher: National Geographic Books
ISBN: 1524740233
Category : Juvenile Fiction
Languages : en
Pages : 0
Book Description
A summer by the seashore turns into a fantastical adventure for Tess & Max in this magical tale filled with excitement, acrobatics, hypnosis, and wonder. Tess and Max are back in England for another summer with their Aunt Evie--this time by the seashore in South Devon. And they're incredibly excited about the travelling carnival that's come to town. There are rides, games, acrobats, The House of Mirrors--and even a psychic, with a beautiful wagon all her own. In a visit to the psychic's wagon, while Tess is being hypnotized, the wagon seems to move. Before Tess can shake herself out of the hypnosis, before Max can do anything, they seem to be travelling--along with the rest of the carnival--too quickly for the two of them to jump out. But where are they going and what awaits them? Will they be caught in a world different from their own? And do the Baranova twins, acrobats who miss their sister almost as much as Tess and Max miss their family, hold the keys to the mystery? Internationally bestselling author Amy Ephron returns with a companion novel to The Castle in the Mist and creates a magical tale filled with adventure, mystery, fantasy, family, and fun. Praise for Carnival Magic: "Full of wonder and real-life enchantment, Amy Ephron's Carnival Magic is a charming adventure that will make a believer out of anyone!" —Rachel Vail, author of Well, That Was Awkward and the Friendship Ring series "Tess is a thoroughly modern heroine: She's athletic, impulsive, and fearless . . . The siblings are authentic children [and] the fantastic elements are the stuff of daydreams. Perfect for classroom read-alouds." —Kirkus Reviews "The short chapters filled with mystery and action will have readers eagerly continuing to discover the secrets that await them. . . . Fans of the first book will be eager for this fun middle-grade fantasy with a classic sensibility." —Booklist "The setting is contemporary—yet the language and tone feel distinctly nostalgic. This novel, which works as a stand alone, will captivate readers who enjoy their whimsy with a dash of risk." —School Library Journal "[Carnival Magic is] a softer otherworldly take on childhood mystery, reminiscent of classics like A Secret Garden . . . [it] is in itself an escape. Tess especially follows in that lineage of strong, intelligent female characters – a sort of Lucy Pevensie/Hermione Granger hybrid who is a leader, who believes in magic." —Teen Vogue "Amy Ephron has always been a magical storyteller. . . . In Carnival Magic, the companion book to Ephron’s successful The Castle in the Mist . . . Tess and Max are teaching children and their parents about the power of thoughtful decision-making, loyalty, and self-confidence. Life lessons and carnival rides . . . the perfect beach read for all ages." —Parade “Ephron renders this magical world with such assertive beauty that readers of all ages, who are fortunate enough to believe in the power of magic, will enjoy immersing themselves in the roller-coaster fun of these stories, and come to trust, even if for a short time, that in this ‘alternate universe’ it is possible for us to come together and ‘touch the sky.’” —Jewish Journal
Carnival
Author: Elizabeth Bear
Publisher: Hachette UK
ISBN: 1473211824
Category : Fiction
Languages : en
Pages : 257
Book Description
In Old Earth's clandestine world of ambassador-spies, Michelangelo Kusanagi-Jones and Vincent Katherinessen were once a starring team. But ever since a disastrous mission, they have been living separate lives in a universe dominated by a ruthless Coalition - one that is about to reunite them. The pair are dispatched to New Amazonia as diplomatic agents. Allegedly, they are to return priceless art. Covertly, they seek to tap its energy supply. But in reality, one has his mind set on treason. And among the extraordinary women of New Amazonia, in a season of festival, betrayal, and disguise, he will find a new ally - and a force beyond any that humans have known . . .
Publisher: Hachette UK
ISBN: 1473211824
Category : Fiction
Languages : en
Pages : 257
Book Description
In Old Earth's clandestine world of ambassador-spies, Michelangelo Kusanagi-Jones and Vincent Katherinessen were once a starring team. But ever since a disastrous mission, they have been living separate lives in a universe dominated by a ruthless Coalition - one that is about to reunite them. The pair are dispatched to New Amazonia as diplomatic agents. Allegedly, they are to return priceless art. Covertly, they seek to tap its energy supply. But in reality, one has his mind set on treason. And among the extraordinary women of New Amazonia, in a season of festival, betrayal, and disguise, he will find a new ally - and a force beyond any that humans have known . . .