Carl Philipp Emanuel Bach Studies PDF Download

Author: Annette Richards
Publisher: Cambridge University Press
ISBN: 0521836298
Category : Music
Languages : en
Pages : 260

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Book Description
A collection of the latest work by distinguished scholars on C. P. E. Bach.

Author: Doris Bosworth Powers
Publisher: Psychology Press
ISBN: 0815321791
Category : Composers
Languages : en
Pages : 308

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Book Description
First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

Author: David Schulenberg
Publisher: Boydell & Brewer
ISBN: 1580464815
Category : Biography & Autobiography
Languages : en
Pages : 436

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Book Description
Of the four sons of J.S. Bach who became composers, Carl Philipp Emanuel (1714-88) was the most prolific, the most original, and the most influential both during and after his lifetime. This first full-length English-language study critically surveys his output, examining not only the famous keyboard sonatas and concertos but also the songs, chamber music, and sacred works, many of which resurfaced in 1999 and have not previously been evaluated. The bookalso outlines the composer's career from his student days at Leipzig and Frankfurt (Oder) to his nearly three decades as court musician to Prussian King Frederick "the Great" and his last twenty years as cantor at Hamburg. Focusing on the composer's choices within his social and historical context, the book shows how C.P.E. Bach deliberately avoided his father's style while adopting the manner of his Berlin colleagues, derived from Italian opera. Anew perspective on the composer emerges from the demonstration that C.P.E. Bach, best known for his virtuoso keyboard works, refashioned himself as a writer of vocal music and popular chamber compositions in response to changingcultural and aesthetic trends. Supplementary texts and musical examples are included on a companion website. David Schulenberg is professor of music at Wagner College and teaches historical performance at the JuilliardSchool. He is the author of The Music of Wilhelm Friedemann Bach (University of Rochester Press, 2010).

Author: Stephen L. Clark
Publisher: Oxford [England] : Clarendon Press ; New York : Oxford University Press
ISBN:
Category : Music
Languages : en
Pages : 378

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Book Description
This collection of essays reflects the growth of interest in and research on Carl Philipp Emanuel Bach (1714-88) over the last twenty years. The contributors, including Christopher Hogwood, Hans-Günter Ottenberg, Darrell M. Berg, and Rachel Wade, discuss a wide range of topics surrounding Bach including musical innovations, relationships with contemporaries, aesthetics, and influence.

Author: Daniel R. Melamed
Publisher: Oxford University Press
ISBN: 0195122313
Category : Music
Languages : en
Pages : 202

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Book Description
Subjects covered include bibliographic tools of Bach research and sources of literature; Bach's family; Bach biographies; places Bach lived and worked; Bach's teaching; the liturgy; Bach source studies and the transmission of his music; repertory and editions; genres and individual vocal and instrumental works; performance practice; the reception and analysis of Bach's music; and many others.

Author: Carl Philipp Emanuel Bach
Publisher: W W Norton & Company Incorporated
ISBN: 9780393097160
Category : Music
Languages : en
Pages : 449

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Book Description
J. S. Bach's musician son explains the technique for performing eighteenth-century compositions, discussing fingering, embellishments, bass, and accompaniment

Author: David Schulenberg
Publisher: Routledge
ISBN: 1351572806
Category : History
Languages : en
Pages : 542

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Book Description
The second son of Johann Sebastian Bach, C.P.E. Bach was an important composer in his own right, as well as a writer and performer on keyboard instruments. He composed roughly a thousand works in all the leading genres of the period, with the exception of opera, and Haydn, Mozart and Beethoven all acknowledged his influence. He was also the author of a two-volume encyclopedic book about performance on keyboard instrument. C.P.E. Bach and his music have always been the subject of significant scholarship and publication but interest has sharply increased over the past two or three decades from performers as well as music historians. This volume incorporates important writings not only on the composer and his chief works but also on theoretical issues and performance questions. The focus throughout is on relatively recent scholarship otherwise available only in hard-to-access sources.

Author: Doris Powers
Publisher: Routledge
ISBN: 1136799478
Category : Music
Languages : en
Pages : 308

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Book Description
Although he is the son of J. S. Bach, C. P. E. Bach is an important composer in his own right, this long-awaited annotated bibliography presents a complete listing of the works of C. P. E. Bach. This volume in the Routledge Music Bibliographies series includes many different aspects of his work: the editing of his father's masterpieces, his concert

Author: Robert Marshall
Publisher: Routledge
ISBN: 1135887764
Category : Music
Languages : en
Pages : 460

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Book Description
First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

Author: Annette Richards
Publisher: University of Chicago Press
ISBN: 022681677X
Category : Music
Languages : en
Pages : 347

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Book Description
This book examines the renowned portrait collection assembled by C. P. E. Bach, J. S. Bach’s second son. One of the most celebrated German composers of the eighteenth century, C. P. E. Bach spent decades assembling an extensive portrait collection of some four hundred music-related items—from oil paintings to engraved prints. The collection was dispersed after Bach’s death in 1788, but with Annette Richards’s painstaking reconstruction, the portraits once again present a vivid panorama of music history and culture, reanimating the sensibility and humor of Bach’s time. Far more than a mere multitude of faces, Richards argues, the collection was a major part of the composer’s work that sought to establish music as an object of aesthetic, philosophical, and historical study. The Temple of Fame and Friendship brings C. P. E. Bach’s collection to life, giving readers a sense of what it was like for visitors to tour the portrait gallery and experience music in rooms thick with the faces of friends, colleagues, and forebears. She uses the collection to analyze the “portraitive” aspect of Bach’s music, engaging with the influential theories of Swiss physiognomist Johann Caspar Lavater. She also explores the collection as a mode of cultivating and preserving friendship, connecting this to the culture of remembrance that resonates in Bach’s domestic music. Richards shows how the new music historiography of the late eighteenth century, rich in anecdote, memoir, and verbal portrait, was deeply indebted to portrait collecting and its negotiation between presence and detachment, fact and feeling.