Cantata No. 209 -- Non sa che sia dolore PDF Download

Author: Johann Sebastian Bach
Publisher: Alfred Music
ISBN: 9781457484315
Category : Music
Languages : en
Pages : 28

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Book Description
A Solo Cantata for Soprano Voice with Orchestralaccompaniment, composed by Johann Sebastian Bach.

Author: J. S. Bach
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Book Description

Author: Johann Sebastian Bach
Publisher:
ISBN:
Category : Solo cantatas, Secular (High voice)
Languages : de
Pages : 40

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Book Description

Author: Alfred Dürr
Publisher: OUP Oxford
ISBN: 0191058130
Category : Music
Languages : en
Pages : 984

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Book Description
This is the only English translation of this important book by the world's most distinguished Bach scholar. This work is widely regarded as the most authoritative and comprehensive treatment of the Bach cantatas. It begins with a historical survey of the seventeenth-century background to the cantatas, and performance practice issues. The core of the book is a work-by-work study in which each cantata in turn is represented by its libretto, a synopsis of its movements, and a detailed analytical commentary. This format makes it extremely useful as a reference work for anyone listening to, performing in, or studying any of the Bach cantatas. All the cantata librettos are given in German-English parallel text. For the English edition the text has been carefully revised to bring it up to date, taking account of recent Bach scholarship.

Author: Peter Williams
Publisher: Cambridge University Press
ISBN: 1107139252
Category : Biography & Autobiography
Languages : en
Pages : 721

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Book Description
Peter Williams revisits Bach's biography through the lens of his music, revealing the development of the composer's interests and priorities.

Author: emusicquest
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 828

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Book Description

Author: Horace J. Maxile, Jr.
Publisher: Taylor & Francis
ISBN: 1000631478
Category : Education
Languages : en
Pages : 154

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Book Description
Race and Gender in the Western Music History Survey: A Teacher’s Guide provides concrete information and approaches that will help instructors include women and people of color in the typical music history survey course and the foundational music theory classes. This book provides a reconceptualization of the principles that shape the decisions instructors should make when crafting the syllabus. It offers new perspectives on canonical composers and pieces that take into account musical, cultural, and social contexts where women and people of color are present. Secondly, it suggests new topics of study and pieces by composers whose work fits into a more inclusive narrative of music history. A thematic approach parallels the traditional chronological sequencing in Western music history classes. Three themes include people and communities that suffer from various kinds of exclusion: Locales & Locations; Forms & Factions; Responses & Reception. Each theme is designed to uncover a different cultural facet that is often minimized in traditional music history classrooms but which, if explored, lead to topics in which other perspectives and people can be included organically in the curriculum, while not excluding canonical composers.

Author: E.M.G. Hand-made Gramophones, ltd., London
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 296

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Book Description

Author: Bettina Varwig
Publisher: Oxford University Press
ISBN: 0190943890
Category : Music
Languages : en
Pages : 417

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Book Description
This book a offers a multitude of provocative new perspectives on one of the most iconic composers in the Western classical tradition. Its collective rethinking of some of our most cherished narratives and deeply held beliefs about Johann Sebastian Bach will allow readers to see the man in a new light and to hear his music with new ears.

Author: Michael Talbot
Publisher: Routledge
ISBN: 1351575163
Category : Music
Languages : en
Pages : 308

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Book Description
As shown by the ever-increasing volume of recordings, editions and performances of the vast repertory of secular cantatas for solo voice produced, primarily in Italy, in the second half of the seventeenth century and the first half of the eighteenth century, this long neglected genre has at last 'come of age'. However, scholarly interest is currently lagging behind musical practice: incredibly, there has been no general study of the Baroque cantata since Eugen Schmitz's handbook of 1914, and although many academic theses have examined microscopically the cantatas of individual composers, there has been little opportunity to view these against the broader canvas of the genre as a whole. The contributors in this volume choose aspects of the cantata relevant to their special interests in order to say new things about the works, whether historical, analytical, bibliographical, discographical or performance-based. The prime focus is on Italian-born composers working between 1650 and 1750 (thus not Handel), but the opportunity is also taken in one chapter (by Graham Sadler) to compare the French cantata tradition with its Italian parent in association with a startling new claim regarding the intended instrumentation. Many key figures are considered, among them Tomaso Albinoni, Giovanni Bononcini, Giovanni Legrenzi, Benedetto Marcello, Alessandro Scarlatti, Alessandro Stradella, Leonardo Vinci and Antonio Vivaldi. The poetic texts of the cantatas, all too often treated as being of little intrinsic interest, are given their due weight. Space is also found for discussions of the history of Baroque solo cantatas on disc and of the realization of the continuo in cantata arias - a topic more complex and contentious than may at first be apparent. The book aims to stimulate interest in, and to win converts to, this genre, which in its day equalled the instrumental sonata in importance, and in which more than a few composers invested a major part of their creativity.