Author: Michael M. Ames
Publisher: UBC Press
ISBN: 9780774804837
Category : Antiques & Collectibles
Languages : en
Pages : 232
Book Description
In Cannibal Tours and Glass Boxes, Michael Ames examines the role and responsibility of museums and anthropology in the contemporary world. The author, an internationally renowned museum director, challenges popular concepts and criticisms of museums and presents an alternative perspective which reflects his study of critical social theory and his experience from many years of museum work. Based on the author’s previous book, Museums, the Public and Anthropology, this edition includes seven new essays which argue that museums and anthropologists must contextualize and critique themselves--that they must analyse and critique the social, political, and economic systems within which they work. In the new chapters, Ames looks at teh influence of consumerism and the market economy on museums and in the production of such phenomena as the world’s fairs and McDonald’s hamburger chains, referring to them as ‘museums of everyday life.’ He also discusses the moral and political ramifications of conflicting attitudes towards Aboriginal art (art or artefact?), censorship (liberating or repressive?), museum exhibits (informative or disinformative?), and postmodernism (a new theory or an old ideology?). The earlier essays outline the development of museums in the Western world, the problems faced by anthropologists in attempting to deal with the often conflicting demands of professional as opposed to public interests, the tendency to both fabricate and stereotype, and the need to establish a reciprocal rather than exploitative relationship between museums/anthropologists and Aboriginal people. Written during the course of the last decade, these essays offer an accessible, often anecdotal, journey through on eprofessional anthropologist’s concerns about, and hopes for, his discipline and its future.
Cannibal Tours and Glass Boxes
Author: Michael M. Ames
Publisher: UBC Press
ISBN: 9780774804837
Category : Antiques & Collectibles
Languages : en
Pages : 232
Book Description
In Cannibal Tours and Glass Boxes, Michael Ames examines the role and responsibility of museums and anthropology in the contemporary world. The author, an internationally renowned museum director, challenges popular concepts and criticisms of museums and presents an alternative perspective which reflects his study of critical social theory and his experience from many years of museum work. Based on the author’s previous book, Museums, the Public and Anthropology, this edition includes seven new essays which argue that museums and anthropologists must contextualize and critique themselves--that they must analyse and critique the social, political, and economic systems within which they work. In the new chapters, Ames looks at teh influence of consumerism and the market economy on museums and in the production of such phenomena as the world’s fairs and McDonald’s hamburger chains, referring to them as ‘museums of everyday life.’ He also discusses the moral and political ramifications of conflicting attitudes towards Aboriginal art (art or artefact?), censorship (liberating or repressive?), museum exhibits (informative or disinformative?), and postmodernism (a new theory or an old ideology?). The earlier essays outline the development of museums in the Western world, the problems faced by anthropologists in attempting to deal with the often conflicting demands of professional as opposed to public interests, the tendency to both fabricate and stereotype, and the need to establish a reciprocal rather than exploitative relationship between museums/anthropologists and Aboriginal people. Written during the course of the last decade, these essays offer an accessible, often anecdotal, journey through on eprofessional anthropologist’s concerns about, and hopes for, his discipline and its future.
Publisher: UBC Press
ISBN: 9780774804837
Category : Antiques & Collectibles
Languages : en
Pages : 232
Book Description
In Cannibal Tours and Glass Boxes, Michael Ames examines the role and responsibility of museums and anthropology in the contemporary world. The author, an internationally renowned museum director, challenges popular concepts and criticisms of museums and presents an alternative perspective which reflects his study of critical social theory and his experience from many years of museum work. Based on the author’s previous book, Museums, the Public and Anthropology, this edition includes seven new essays which argue that museums and anthropologists must contextualize and critique themselves--that they must analyse and critique the social, political, and economic systems within which they work. In the new chapters, Ames looks at teh influence of consumerism and the market economy on museums and in the production of such phenomena as the world’s fairs and McDonald’s hamburger chains, referring to them as ‘museums of everyday life.’ He also discusses the moral and political ramifications of conflicting attitudes towards Aboriginal art (art or artefact?), censorship (liberating or repressive?), museum exhibits (informative or disinformative?), and postmodernism (a new theory or an old ideology?). The earlier essays outline the development of museums in the Western world, the problems faced by anthropologists in attempting to deal with the often conflicting demands of professional as opposed to public interests, the tendency to both fabricate and stereotype, and the need to establish a reciprocal rather than exploitative relationship between museums/anthropologists and Aboriginal people. Written during the course of the last decade, these essays offer an accessible, often anecdotal, journey through on eprofessional anthropologist’s concerns about, and hopes for, his discipline and its future.
Cannibal Tours and Glass Boxes
Author: Michael M. Ames
Publisher: UBC Press
ISBN: 0774859733
Category : Art
Languages : en
Pages : 230
Book Description
Cannibal Tours and Glass Boxes poses a number of probing questions about the role and responsibility of museums and anthropology in the contemporary world. In it, Michael Ames, an internationally renowned museum director, challenges popular concepts and criticisms of museums and presents an alternate perspective which reflects his experiences from many years of museum work. Based on the author’s previous book, Museums, the Public and Anthropology, the new edition includes seven new essays which argue, as in the previous volume, that museums and anthropologists must contextualize and critique themselves – they must analyse and critique the social, political and economic systems within which they work. In the new essays, Ames looks at the role of consumerism and the market economy in the production of such phenomena as worlds’ fairs and McDonald’s hamburger chains, referring to them as “museums of everyday life” and indicating the way in which they, like museums, transform ideology into commonsense, thus reinforcing and perpetuating hegemonic control over how people think about and represent themselves. He also discusses the moral/political ramifications of conflicting attitudes towards Aboriginal art (is it art or artifact?); censorship (is it liberating or repressive?); and museum exhibits (are they informative or disinformative?). The earlier essays outline the development of museums in the Western world, the problems faced by anthropologists in attempting to deal with the often conflicting demands of professional as opposed to public interests, the tendency to both fabricate and stereotype, and the need to establish a reciprocal rather than exploitative relationship between museums/anthropologists and Aboriginal people. Written during the course of the last decade, these essays offer an accessible, often anecdotal, journey through one professional anthropologist’s concerns about, and hopes for, his discipline and its future.
Publisher: UBC Press
ISBN: 0774859733
Category : Art
Languages : en
Pages : 230
Book Description
Cannibal Tours and Glass Boxes poses a number of probing questions about the role and responsibility of museums and anthropology in the contemporary world. In it, Michael Ames, an internationally renowned museum director, challenges popular concepts and criticisms of museums and presents an alternate perspective which reflects his experiences from many years of museum work. Based on the author’s previous book, Museums, the Public and Anthropology, the new edition includes seven new essays which argue, as in the previous volume, that museums and anthropologists must contextualize and critique themselves – they must analyse and critique the social, political and economic systems within which they work. In the new essays, Ames looks at the role of consumerism and the market economy in the production of such phenomena as worlds’ fairs and McDonald’s hamburger chains, referring to them as “museums of everyday life” and indicating the way in which they, like museums, transform ideology into commonsense, thus reinforcing and perpetuating hegemonic control over how people think about and represent themselves. He also discusses the moral/political ramifications of conflicting attitudes towards Aboriginal art (is it art or artifact?); censorship (is it liberating or repressive?); and museum exhibits (are they informative or disinformative?). The earlier essays outline the development of museums in the Western world, the problems faced by anthropologists in attempting to deal with the often conflicting demands of professional as opposed to public interests, the tendency to both fabricate and stereotype, and the need to establish a reciprocal rather than exploitative relationship between museums/anthropologists and Aboriginal people. Written during the course of the last decade, these essays offer an accessible, often anecdotal, journey through one professional anthropologist’s concerns about, and hopes for, his discipline and its future.
Interpreting Objects and Collections
Author: Susan M. Pearce
Publisher: Psychology Press
ISBN: 0415112885
Category : Antiques & Collectibles
Languages : en
Pages : 357
Book Description
Bringing together the most significant papers on the interpretation of objects and collections, this volume examines how people relate to material culture and why they collect things.
Publisher: Psychology Press
ISBN: 0415112885
Category : Antiques & Collectibles
Languages : en
Pages : 357
Book Description
Bringing together the most significant papers on the interpretation of objects and collections, this volume examines how people relate to material culture and why they collect things.
Museums, the Public, and Anthropology
Author: Michael M. Ames
Publisher: Concept Publishing Company
ISBN:
Category : Anthropological museums and collections
Languages : en
Pages : 126
Book Description
Publisher: Concept Publishing Company
ISBN:
Category : Anthropological museums and collections
Languages : en
Pages : 126
Book Description
A Companion to Curation
Author: Brad Buckley
Publisher: John Wiley & Sons
ISBN: 1119206855
Category : Art
Languages : en
Pages : 517
Book Description
The definitive reference text on curation both inside and outside the museum A Companion to Curation is the first collection of its kind, assembling the knowledge and experience of prominent curators, artists, art historians, scholars, and theorists in one comprehensive volume. Part of the Blackwell Companion series, this much-needed book provides up-to-date information and valuable insights on the field of curatorial studies and curation in the visual arts. Accessible and engaging chapters cover diverse, contemporary methods of curation, its origin and history, current and emerging approaches within the profession, and more. This timely publication fills a significant gap in literature on the role of the curator, the art and science of curating, and the historical arc of the field from the 17th century to the present. The Companion explores topics such as global developments in contemporary indigenous art, Asian and Chinese art since the 1980s, feminist and queer feminist curatorial practices, and new curatorial strategies beyond the museum. This unique volume: Offers readers a wide range of perspectives on curating in both theory and practice Includes coverage of curation outside of the Eurocentric and Anglosphere art worlds Presents clear and comprehensible information valuable for specialists and novices alike Discusses the movements, models, people and politics of curating Provides guidance on curating in a globalized world Broad in scope and detailed in content, A Companion to Curation is an essential text for professionals engaged in varied forms of curation, teachers and students of museum studies, and readers interested in the workings of the art world, museums, benefactors, and curators.
Publisher: John Wiley & Sons
ISBN: 1119206855
Category : Art
Languages : en
Pages : 517
Book Description
The definitive reference text on curation both inside and outside the museum A Companion to Curation is the first collection of its kind, assembling the knowledge and experience of prominent curators, artists, art historians, scholars, and theorists in one comprehensive volume. Part of the Blackwell Companion series, this much-needed book provides up-to-date information and valuable insights on the field of curatorial studies and curation in the visual arts. Accessible and engaging chapters cover diverse, contemporary methods of curation, its origin and history, current and emerging approaches within the profession, and more. This timely publication fills a significant gap in literature on the role of the curator, the art and science of curating, and the historical arc of the field from the 17th century to the present. The Companion explores topics such as global developments in contemporary indigenous art, Asian and Chinese art since the 1980s, feminist and queer feminist curatorial practices, and new curatorial strategies beyond the museum. This unique volume: Offers readers a wide range of perspectives on curating in both theory and practice Includes coverage of curation outside of the Eurocentric and Anglosphere art worlds Presents clear and comprehensible information valuable for specialists and novices alike Discusses the movements, models, people and politics of curating Provides guidance on curating in a globalized world Broad in scope and detailed in content, A Companion to Curation is an essential text for professionals engaged in varied forms of curation, teachers and students of museum studies, and readers interested in the workings of the art world, museums, benefactors, and curators.
A Companion to Museum Studies
Author: Sharon Macdonald
Publisher: John Wiley & Sons
ISBN: 1444357948
Category : Business & Economics
Languages : en
Pages : 598
Book Description
A Companion to Museum Studies captures the multidisciplinary approach to the study of the development, roles, and significance of museums in contemporary society. Collects first-rate original essays by leading figures from a range of disciplines and theoretical stances, including anthropology, art history, history, literature, sociology, cultural studies, and museum studies Examines the complexity of the museum from cultural, political, curatorial, historical and representational perspectives Covers traditional subjects, such as space, display, buildings, objects and collecting, and more contemporary challenges such as visiting, commerce, community and experimental exhibition forms
Publisher: John Wiley & Sons
ISBN: 1444357948
Category : Business & Economics
Languages : en
Pages : 598
Book Description
A Companion to Museum Studies captures the multidisciplinary approach to the study of the development, roles, and significance of museums in contemporary society. Collects first-rate original essays by leading figures from a range of disciplines and theoretical stances, including anthropology, art history, history, literature, sociology, cultural studies, and museum studies Examines the complexity of the museum from cultural, political, curatorial, historical and representational perspectives Covers traditional subjects, such as space, display, buildings, objects and collecting, and more contemporary challenges such as visiting, commerce, community and experimental exhibition forms
The Smithsonian's History of America in 101 Objects
Author: Richard Kurin
Publisher: Penguin
ISBN: 0143128159
Category : History
Languages : en
Pages : 786
Book Description
The Smithsonian Institution is America's largest, most important, and most beloved repository for the objects that define our common heritage. Now Under Secretary for Art, History, and Culture Richard Kurin, aided by a team of top Smithsonian curators and scholars, has assembled a literary exhibition of 101 objects from across the Smithsonian's museums that together offer a marvelous new perspective on the history of the United States. Ranging from the earliest years of the pre-Columbian continent to the digital age, and from the American Revolution to Vietnam, each entry pairs the fascinating history surrounding each object with the story of its creation or discovery and the place it has come to occupy in our national memory. Kurin sheds remarkable new light on objects we think we know well, from Lincoln's hat to Dorothy's ruby slippers and Julia Child's kitchen, including the often astonishing tales of how each made its way into the collections of the Smithsonian. Other objects will be eye-opening new discoveries for many, but no less evocative of the most poignant and important moments of the American experience. Some objects, such as Harriet Tubman's hymnal, Sitting Bull's ledger, Cesar Chavez's union jacket, and the Enola Gay bomber, tell difficult stories from the nation's history, and inspire controversies when exhibited at the Smithsonian. Others, from George Washington's sword to the space shuttle Discovery, celebrate the richness and vitality of the American spirit. In Kurin's hands, each object comes to vivid life, providing a tactile connection to American history. Beautifully designed and illustrated with color photographs throughout, The Smithsonian's History of America in 101 Objects is a rich and fascinating journey through America's collective memory, and a beautiful object in its own right.
Publisher: Penguin
ISBN: 0143128159
Category : History
Languages : en
Pages : 786
Book Description
The Smithsonian Institution is America's largest, most important, and most beloved repository for the objects that define our common heritage. Now Under Secretary for Art, History, and Culture Richard Kurin, aided by a team of top Smithsonian curators and scholars, has assembled a literary exhibition of 101 objects from across the Smithsonian's museums that together offer a marvelous new perspective on the history of the United States. Ranging from the earliest years of the pre-Columbian continent to the digital age, and from the American Revolution to Vietnam, each entry pairs the fascinating history surrounding each object with the story of its creation or discovery and the place it has come to occupy in our national memory. Kurin sheds remarkable new light on objects we think we know well, from Lincoln's hat to Dorothy's ruby slippers and Julia Child's kitchen, including the often astonishing tales of how each made its way into the collections of the Smithsonian. Other objects will be eye-opening new discoveries for many, but no less evocative of the most poignant and important moments of the American experience. Some objects, such as Harriet Tubman's hymnal, Sitting Bull's ledger, Cesar Chavez's union jacket, and the Enola Gay bomber, tell difficult stories from the nation's history, and inspire controversies when exhibited at the Smithsonian. Others, from George Washington's sword to the space shuttle Discovery, celebrate the richness and vitality of the American spirit. In Kurin's hands, each object comes to vivid life, providing a tactile connection to American history. Beautifully designed and illustrated with color photographs throughout, The Smithsonian's History of America in 101 Objects is a rich and fascinating journey through America's collective memory, and a beautiful object in its own right.
Cannibal Culture
Author: Deborah Root
Publisher: Routledge
ISBN: 042998152X
Category : Art
Languages : en
Pages : 391
Book Description
The book examines the ways Western art and Western commerce co-opt, pigeonhole, and commodify so-called "native experiences." It raises important and uncomfortable questions about how we travel, what we buy, and how we determine cultural merit.
Publisher: Routledge
ISBN: 042998152X
Category : Art
Languages : en
Pages : 391
Book Description
The book examines the ways Western art and Western commerce co-opt, pigeonhole, and commodify so-called "native experiences." It raises important and uncomfortable questions about how we travel, what we buy, and how we determine cultural merit.
Yaqui Myths and Legends
Author:
Publisher: University of Arizona Press
ISBN: 9780816504671
Category : Social Science
Languages : en
Pages : 188
Book Description
Sixty-one tales narrated by Yaquis reflect this people's sense of the sacred and material value of their territory.
Publisher: University of Arizona Press
ISBN: 9780816504671
Category : Social Science
Languages : en
Pages : 188
Book Description
Sixty-one tales narrated by Yaquis reflect this people's sense of the sacred and material value of their territory.
One of Ours
Author: Willa Cather
Publisher: IndyPublish.com
ISBN:
Category : Fiction
Languages : en
Pages : 484
Book Description
Claude has an intuitive faith in something splendid and feels at odds with his contemporaries. The war offers him the opportunity to forget his farm and his marriage of compromise; he enlists and discovers that he has lacked. But while war demands altruism, its essence is destructive
Publisher: IndyPublish.com
ISBN:
Category : Fiction
Languages : en
Pages : 484
Book Description
Claude has an intuitive faith in something splendid and feels at odds with his contemporaries. The war offers him the opportunity to forget his farm and his marriage of compromise; he enlists and discovers that he has lacked. But while war demands altruism, its essence is destructive