Author: Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 658
Book Description
Canadian Moving Picture Digest
Author: Canadian Moving Picture Digest
Author: Canadian Moving Picture Digest
Author: Publisher:
ISBN:
Category : Canadian moving picture digest
Languages : en
Pages :
Book Description
The Canadian Moving Picture Digest [microform]
![The Canadian Moving Picture Digest [microform] PDF](https://books.google.com/books/content/images/frontcover/TMxpjwEACAAJ?fife=w80-h100)
Author: Canadian Moving Picture Digest
Author: Canadian Film Weekly; Voice of the Canadian Motion Picture Industry
Author: Publisher:
ISBN:
Category : Motion picture industry
Languages : en
Pages : 424
Book Description
Embattled Shadows
Author: Oeter MorrisPublisher: McGill-Queen's Press - MQUP
ISBN: 0773560726
Category : Performing Arts
Languages : en
Pages : 361
Book Description
Other Canadian film producers concentrated their efforts on short productions, mostly in government or commercial companies such as Associated Screen News of Montreal. The works of Gordon Spalding, Bill Oliver, and Albert Tessier are discussed in this context. Morris concludes with the founding of the National Film Board which, under the dynamic guidance of John Grierson, was to breathe new life into a moribund industry. In a postscript Morris explores some of the reasons for the unique development of Canadian film making -- particularly its use of natural settings and documentary when virtually the rest of the world's industry was following the Hollywood pattern of studio location and fictional plots -- and examines the relationship of the early industry to later developments in Canadian film making. At a time when Canada's cultural industries are struggling to survive in the wake of the Free Trade Agreement with the United States and under the threat of Free Trade with Mexico, Embattled Shadows makes essential reading.
The Moving Image
Author: Canadian Film and Video
Author: Loren R. LernerPublisher: University of Toronto Press
ISBN: 0802029884
Category : Reference
Languages : en
Pages : 1862
Book Description
This extensive bibliography and reference guide is an invaluable resource for researchers, practitioners, students, and anyone with an interest in Canadian film and video. With over 24,500 entries, of which 10,500 are annotated, it opens up the literature devoted to Canadian film and video, at last making it readily accessible to scholars and researchers. Drawing on both English and French sources, it identifies books, catalogues, government reports, theses, and periodical and newspaper articles from Canadian and non-Canadian publications from the first decade of the twentieth century to 1989. The work is bilingual; descriptive annotations are presented in the language(s) of the original publication. Canadian Film and Video / Film et vidéo canadiens provides an in-depth guide to the work of over 4000 individuals working in film and video and 5000 films and videos. The entries in Volume I cover topics such as film types, the role of government, laws and legislation, censorship, festivals and awards, production and distribution companies, education, cinema buildings, women and film, and video art. A major section covers filmmakers, video artists, cinematographers, actors, producers, and various other film people. Volume II presents an author index, a film and video title index, and a name and subject index. In the tradition of the highly acclaimed publication Art and Architecture in Canada these volumes fill a long-standing need for a comprehensive reference tool for Canadian film and video. This bibliography guides and supports the work of film historians and practitioners, media librarians and visual curators, students and researchers, and members of the general public with an interest in film and video.
Northern Getaway
Author: Dominique Brégent-HealdPublisher: McGill-Queen's Press - MQUP
ISBN: 0228014875
Category : Social Science
Languages : en
Pages : 346
Book Description
For more than a century, posters, advertisements, and brochures have characterized Canada as a desirable tourist destination offering spectacular scenery, wild animals, outdoor recreation, and state-of-the-art accommodations. However, these explicitly commercial displays are not the only marketing tools at the country’s disposal; beginning in the 1890s, film also played a role in selling Canada. In Northern Getaway Dominique Brégent-Heald investigates the connections between film and tourism during the first half of the twentieth century, exploring the economic, pedagogical, geopolitical, and socio-cultural contexts and aspirations of tourism films. From the first moving images of the 1890s through the end of the 1950s, a complex web of public and private stakeholders in Canadian tourism experimented, sometimes in collaboration with Hollywood, with a variety of film forms – 16 mm or 35 mm, feature or short films, fiction or nonfiction, professional or amateur filmmakers – to promote Canada. Spectators, particularly Americans, saw Canada as a tourist destination on screens in motion picture theatres, schools, and fairgrounds. Rooted in settler colonial representations that celebrate the nation’s unspoiled but welcoming wilderness landscapes, these films also characterize Canada as a technologically and industrially advanced settler country. Using evidence from a wide range of archival sources and drawing from current scholarship in film history and tourism studies, Northern Getaway demonstrates how Canada was an innovator in using film to shape and project a recognizable destination brand.