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Author: Martin Barnes Publisher: National Geographic Books ISBN: 0500480362 Category : Photography Languages : en Pages : 0
Book Description
This volume is a remarkable historical survey of photographic images created without a camera. Cameraless Photography presents a concise historical overview of photographic images created independently of a camera. It surveys the corresponding techniques—including photograms, chemigrams, luminograms, dye destruction prints, and more—used to create those images. The book features one hundred key images from more than one hundred and seventy years of history, ranging from the earliest experiments in chemical photography, such as those by Anna Atkins in the nineteenth century, through seminal avant-garde photograms of modernists such as Man Ray in the 1920s and 1930s to the latest digital processes by Susan Derges. Visually compelling, Cameraless Photography is an outstanding introduction to the significant cameraless processes used throughout the history of photography and the cameraless work of some of photography’s greatest names.
Author: Martin Barnes Publisher: National Geographic Books ISBN: 0500480362 Category : Photography Languages : en Pages : 0
Book Description
This volume is a remarkable historical survey of photographic images created without a camera. Cameraless Photography presents a concise historical overview of photographic images created independently of a camera. It surveys the corresponding techniques—including photograms, chemigrams, luminograms, dye destruction prints, and more—used to create those images. The book features one hundred key images from more than one hundred and seventy years of history, ranging from the earliest experiments in chemical photography, such as those by Anna Atkins in the nineteenth century, through seminal avant-garde photograms of modernists such as Man Ray in the 1920s and 1930s to the latest digital processes by Susan Derges. Visually compelling, Cameraless Photography is an outstanding introduction to the significant cameraless processes used throughout the history of photography and the cameraless work of some of photography’s greatest names.
Author: Geoffrey Batchen Publisher: DelMonico Books ISBN: 9783791355047 Category : Contact printing Languages : en Pages : 0
Book Description
"An unparalleled exploration of the art of cameraless photography, Geoffrey Batchen's Emanations offers an authoritative and lavishly illustrated history of photographs made without a camera. The book reveals the myriad approaches that artists have employed to create photographic images using only a light-sensitive surface and a source of radiation. Looking back to the invention of photography in the early 19th century up through recent cameraless works by contemporary artists, Emanations tells the story of nearly 200 years of bold experimentation in photography."--Provided by publisher.
Author: Martin Barnes Publisher: Merrell Pub Limited ISBN: 9781858945927 Category : Photography Languages : en Pages : 206
Book Description
The very first photographs of the nineteenth century were produced without the use of a camera. Today, having rediscovered camera-less techniques, a number of artists are using camera-less photography to create beautiful, startling images. Now available in an updated and fully revised edition, Shadow Catchers surveys the work of five leading practitioners – Pierre Cordier, Susan Derges, Adam Fuss, Garry Fabian Miller and Floris Neusüss – who, by casting shadows on light- sensitive paper or by chemically manipulating its surface, capture the presence of objects, figures or glowing light. The resulting pictures are consistently powerful, often with surreal effects and symbolic content. This is the first book to gather together the work of these key contemporary artists, revealing the technical processes and creative practices involved in their art. In an age of mass-produced imagery, Shadow Catchers offers a fascinating insight into a world of handcrafted photographs that are at once visually striking and intellectually stimulating.
Author: Publisher: ISBN: 9781942185338 Category : Photography Languages : en Pages : 173
Book Description
Divided into sections that represent the breadth of Alison Rossiter's (born 1953) process and vision, 'Expired Paper' offers a comprehensive look at the artist's body of cameraless photo-art?Latent, Landscapes, Pools, Pours, Dips, Blurs, Fours and Collages. Art critic Leah Ollman has been contemplating Rossiter's work for years, and her accompanying text serves as an ideal complement to the images: 'All of the works pay homage to the rich idiosyncrasies of photographic papers across history, and restore a sanctity to the photograph as object. Made without cameras, lenses or film, the works are nothing but process and materiality.' The book also includes a selection of early 20th-century photographic paper packages (which the artist has collected for over 10 years) in a separate booklet.
Author: Mike Simmons Publisher: Routledge ISBN: 1000212971 Category : Art Languages : en Pages : 180
Book Description
This book explores a range of photographic practices, including landscape and portraiture, still life and abstract, and considers techniques such as, directorial photography, photomontage and camera-less photography. With case studies and practical exercises, the reader is introduced to a structured way of developing creative solutions to the work they want to make, fusing personal ideas with knowledge, compositional elements and practical skills. The book enables informed choices to be made about the reader's personal growth as a photographer, contributing to the creation of original photographic work that is informed, meaningful and relevant. Additional reading and resources, on historical and contemporary practices, ideas and techniques, are suggested in each chapter to inspire further enquiry and experimentation.
Author: Marta Weiss Publisher: National Geographic Books ISBN: 0500480370 Category : Photography Languages : en Pages : 0
Book Description
A revealing and timely book, Making It Up is an illustrated history of staged photography. Presenting work from the earliest to the most contemporary photographers, Making It Up challenges the idea that the camera never lies. With approximately one hundred photographs supported by extended commentaries, the book illustrates that, though we often recognize the staged, constructed, or the tableau as a feature of contemporary photography, this way of working is almost as old as the practice itself. Remarkable in themselves, these photographic fictions, whether created by early practitioners such as Lewis Carroll or Roger Fenton, internationally renowned artists such as Cindy Sherman and Jeff Wall, or contemporary figures such as Hannah Starkey and Bridget Smith, find new, intriguing relevance in our Photoshopped and so-called post-truth age.
Author: Virginia Heckert Publisher: Getty Publications ISBN: 1606064371 Category : Photography Languages : en Pages : 184
Book Description
From its beginnings, photography has been shaped by the desire to understand and explore the essence of the medium. Light, Paper, Process features the work of seven artists—Alison Rossiter, Marco Breuer, James Welling, Lisa Oppenheim, Chris McCaw, John Chiara, and Matthew Brandt—who investigate the possibilities of analog photography by finding innovative, surprising, and sometimes controversial ways to push light-sensitive photographic papers and chemical processing beyond their limits. A panoply of practices emerges in the work of these artists. Some customize cameras with special lenses or produce images on paper without a camera or film. Others load paper, rather than film, in the camera or create contact-printing with sources of light other than the enlarger, while still others use expired photographic papers and extraneous materials, such as dust and sweat, selected to match the particular subject of the photograph. All of the artists share a willingness to embrace accident and chance. Trial and error contribute to an understanding of the materials and their potential, as do the attitudes of underlying curiosity and inventive interrogation. The act of making each image is like a performance, with only the photographer present. The results are stunning. This lavish publication accompanies an eponymous exhibition on view at the J. Paul Getty Museum from April 14 to September 6, 2015.
Author: Marco Antonini Publisher: ISBN: 9780500544372 Category : Camera obscuras Languages : en Pages : 0
Book Description
The first handbook to systematically detail experimental photographic techniques that manipulate conventional camera technology to create stunning images
Author: Martin Barnes
Author: Martin Barnes
Author: Geoffrey Batchen
Author: Martin Barnes
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Author: Mike Simmons
Author: Marta Weiss
Author: William Arnold
Author: Virginia Heckert
Author: Marco Antonini
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