Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 626

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Book Description
Études sur la pré-renaissance et la renaissance anglaises.

Author: Jay L. Halio
Publisher: University of Delaware Press
ISBN: 9780874136999
Category : Drama
Languages : en
Pages : 356

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Book Description
"Jay L. Halio is internationally distinguished as an editor of Shakespeare's plays and as a critic of Shakespeare in performance. This collection, with an international list of contributors, honors both those interests and explores their interconnectedness."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Book Description

Author: Andrew Hiscock
Publisher: A&C Black
ISBN: 144117771X
Category : Literary Criticism
Languages : en
Pages : 222

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Book Description
A comprehensive introduction to Thomas Middleton's Women Beware Women - introducing its critical history, performance history, the current critical landscape and new directions in research.

Author: Michele Marrapodi
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754655046
Category : Literary Criticism
Languages : en
Pages : 310

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Book Description
Applying recent developments in new historicism and cultural materialism-along with the new perspectives opened up by the current debate on intertextuality and the construction of the theatrical text-the essays collected here reconsider the pervasive infl

Author: Herbert R. Coursen
Publisher: University of Delaware Press
ISBN: 9780874135381
Category : Performing Arts
Languages : en
Pages : 314

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Book Description
"Reading Shakespeare on Stage offers a straightforward set of criteria whereby anyone, from the first-time playgoer to the most experienced Shakespearean scholar, may evaluate his or her response to a production of one of Shakespeare's scripts. This articulation of response is not a by-product of going to the theater, but a central part of the experience. The "invitation to response" is a function of Shakespeare's stage, which was open to the audience on three sides, and is incorporated into his scripts through soliloquies, asides, and references to Shakespeare's stage and his dramaturgy." "The concept of "script" (as opposed to "text") makes possible an approach to Shakespeare's plays as plays, a function to which their literary quality is subordinate. That fact, however, does not mean that recent critical tendencies are irrelevant to the scripts. Feminist and historicist readings of the plays are "contextualized" in and by the ongoing energy system of production. It remains true, however, that many members of the growing audience for live performances can not determine what may have been strong or weak about a given production. The size and shape of the stage and the size of the auditorium, for example, define what can occur within the given space, but few spectators take that crucial factor into account. Reading Shakespeare on Stage provides the criteria for evaluation, while at the same time admitting that the criteria themselves are subject to debate and that their application emerges from the subjective psychology of perception of individual spectators."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Author: Peter H. Marshall
Publisher: Emblem Editions
ISBN: 0771056915
Category : Holy Roman Empire
Languages : en
Pages : 290

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Book Description
A captivating portrait of the crucible of magic, science, and religion at the court of the doomed dreamer Rudolf II in Renaissance Prague. At the end of the sixteenth century, the greatest philosophers, alchemists, astronomers, and mathematicians of the day flocked to Prague to work under the patronage of the Holy Roman Emperor Rudolf II. The Theatre of the World is the enchanting story of Rudolf II, an emperor more interested in the great talents and minds of his times than in the exercise of his power. Rarely leaving Prague Castle, he gathered around him a galaxy of famous figures: the Italian painter Giuseppe Arcimboldo, the Danish astronomer Tycho Brahe, the German mathematician Johannes Kepler, and the English magus John Dee. Entranced, like Hamlet, by the new Renaissance learning, Rudolf found it nearly impossible to make decisions. He faced the threats of religious discord and the Ottoman Empire, along with deepening melancholy and an ambitious younger brother. As a result, he lost his empire and nearly his sanity, but he enabled Prague to enjoy a golden age of peace and creativity before Europe was engulfed in the Thirty Years War. "The Theatre of the World" is a beguiling and dramatic human story filled with angels and devils, high art and low cunning, talismans and stars. It offers a captivating perspective on a pivotal moment in the history of Western Civilization. "From the Hardcover edition."

Author: Robert A. Logan
Publisher: A&C Black
ISBN: 1408191547
Category : Drama
Languages : en
Pages : 290

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Book Description
Christopher Marlowe's drama, The Jew of Malta, has become an increasingly popular source for scholarly scrutiny, staged productions, and, most recently, a filmed version. The play follows the sometimes tragic, sometimes comic, often outrageous fortunes of its villainous protagonist, the Jew Barabas. In recent years the play has provoked as much interpretive controversy as any work in the Marlowe canon. This unique volume is therefore especially timely, providing fresh, varied approaches to the many enigmatic elements of the play.

Author: Robert S. Miola
Publisher: Routledge
ISBN: 1135886393
Category : Literary Criticism
Languages : en
Pages : 465

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Book Description
This collection of essays and reviews represents the most significant and comprehensive writing on Shakespeare's The Comedy of Errors .This volume of critical essays also features a comprehensive critical history, a full bibliography, and photographs and reviews of major productions of the play around the world.

Author: Professor Michele Marrapodi
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409478424
Category : Literary Criticism
Languages : en
Pages : 344

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Book Description
Throwing fresh light on a much discussed but still controversial field, this collection of essays places the presence of Italian literary theories against and alongside the background of English dramatic traditions, to assess this influence in the emergence of Elizabethan theatrical convention and the innovative dramatic practices under the early Stuarts. Contributors respond anew to the process of cultural exchange, cultural transaction, and generic intertextuality involved in the debate on dramatic theory and literary kinds in the Renaissance, exploring, with special emphasis on Shakespeare's works, the level of cultural appropriation, contamination, revision, and subversion characterizing early modern English drama. Shakespeare and Renaissance Literary Theories offers a wide range of approaches and critical viewpoints of leading international scholars concerning questions which are still open to debate and which may pave the way to further groundbreaking analyses on Shakespeare's art of dramatic construction and that of his contemporaries.