Author: Jim Hillier
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Cahiers Du Cinema. Volume 2. 1960-1968
Cahiers Du Cinéma: 1960-1968: new wave, new cinema, re-evaluating Hollywood
Author: Jim Hillier
Publisher:
ISBN:
Category : Film criticism
Languages : en
Pages : 392
Book Description
Included in this anthology are revealing articles and interviews on the work of Godard, Resnais, Chabrol, Rohmer, Truffaut and Rivette, as well as polemical discussion of popular film-makers like Ray, Hitchcock and Losey.
Publisher:
ISBN:
Category : Film criticism
Languages : en
Pages : 392
Book Description
Included in this anthology are revealing articles and interviews on the work of Godard, Resnais, Chabrol, Rohmer, Truffaut and Rivette, as well as polemical discussion of popular film-makers like Ray, Hitchcock and Losey.
Cahiers Du Cinema, the 1960s
Cahiers Du Cinema
Author: Jim Hillier
Publisher: Psychology Press
ISBN: 0415151066
Category : Social Science
Languages : en
Pages : 363
Book Description
First published in 1986. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher: Psychology Press
ISBN: 0415151066
Category : Social Science
Languages : en
Pages : 363
Book Description
First published in 1986. Routledge is an imprint of Taylor & Francis, an informa company.
A Short History of Cahiers du Cinema
Author: Emilie Bickerton
Publisher: Verso Books
ISBN: 1844678318
Category : Performing Arts
Languages : en
Pages : 177
Book Description
Cahiers du Cinéma was the single most influential project in the history of film. Founded in 1951, it was responsible for establishing film as the ‘seventh art,’ equal to literature, painting or music, and it revolutionized film-making and writing. Its contributors would put their words into action: the likes of Godard, Truffaut, Rivette, Rohmer were to become some of the greatest directors of the age, their films part of the internationally celebrated nouvelle vague. In this authoritative new history, Emilie Bickerton explores the evolution and impact of Cahiers du Cinéma, from its early years, to its late-sixties radicalization, its internationalization, and its response to the television age of the seventies and eighties. Showing how the story of Cahiers continues to resonate with critics, practitioners and the film-going public, A Short History of Cahiers du Cinéma is a testimony to the extraordinary legacy and archive these ‘collected pages of a notebook’ have provided for the world of cinema.
Publisher: Verso Books
ISBN: 1844678318
Category : Performing Arts
Languages : en
Pages : 177
Book Description
Cahiers du Cinéma was the single most influential project in the history of film. Founded in 1951, it was responsible for establishing film as the ‘seventh art,’ equal to literature, painting or music, and it revolutionized film-making and writing. Its contributors would put their words into action: the likes of Godard, Truffaut, Rivette, Rohmer were to become some of the greatest directors of the age, their films part of the internationally celebrated nouvelle vague. In this authoritative new history, Emilie Bickerton explores the evolution and impact of Cahiers du Cinéma, from its early years, to its late-sixties radicalization, its internationalization, and its response to the television age of the seventies and eighties. Showing how the story of Cahiers continues to resonate with critics, practitioners and the film-going public, A Short History of Cahiers du Cinéma is a testimony to the extraordinary legacy and archive these ‘collected pages of a notebook’ have provided for the world of cinema.
Cahiers Du Cinéma
Author: Jim Hillier
Publisher: Psychology Press
ISBN: 9780415029889
Category : Film criticism
Languages : en
Pages : 346
Book Description
This new volume in this influential series of anthologies covers the vibrant and turbulent period in which the editorial make-up and policy of the journal changed radically, and theory, history and politics dominated critical debate.
Publisher: Psychology Press
ISBN: 9780415029889
Category : Film criticism
Languages : en
Pages : 346
Book Description
This new volume in this influential series of anthologies covers the vibrant and turbulent period in which the editorial make-up and policy of the journal changed radically, and theory, history and politics dominated critical debate.
Film Study
Author: Frank Manchel
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838631867
Category : Art
Languages : en
Pages : 988
Book Description
The four volumes of Film Study include a fresh approach to each of the basic categories in the original edition. Volume one examines the film as film; volume two focuses on the thematic approach to film; volume three draws on the history of film; and volume four contains extensive appendices listing film distributors, sources, and historical information as well as an index of authors, titles, and film personalities.
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838631867
Category : Art
Languages : en
Pages : 988
Book Description
The four volumes of Film Study include a fresh approach to each of the basic categories in the original edition. Volume one examines the film as film; volume two focuses on the thematic approach to film; volume three draws on the history of film; and volume four contains extensive appendices listing film distributors, sources, and historical information as well as an index of authors, titles, and film personalities.
Godard on Godard; Critical Writings
Author: Jean-Luc Godard
Publisher: Viking Adult
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 300
Book Description
"Jean-Luc Godard, like many of his European contemporaries, came to filmmaking through film criticism. This collection of essays and interviews, ranging from his early efforts for La Gazette du Cinema"
Publisher: Viking Adult
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 300
Book Description
"Jean-Luc Godard, like many of his European contemporaries, came to filmmaking through film criticism. This collection of essays and interviews, ranging from his early efforts for La Gazette du Cinema"
The SAGE Handbook of Film Studies
Author: James Donald
Publisher: SAGE
ISBN: 1446206823
Category : Language Arts & Disciplines
Languages : en
Pages : 538
Book Description
Written by a team of veteran scholars and exciting emerging talents, The SAGE Handbook of Film Studies maps the field internationally, drawing out regional differences in the way that systematic intellectual reflection on cinema and film has been translated into an academic discipline. It examines the conversations between Film Studies and its contributory disciplines that not only defined a new field of discourse but also modified existing scholarly traditions. It reflects on the field′s dominant paradigms and debates and evaluates their continuing salience. Finally, it looks forward optimistically to the future of the medium of film, the institution of cinema and the discipline of Film Studies at a time when the very existence of film and cinema are being called into question by new technological, industrial and aesthetic developments.
Publisher: SAGE
ISBN: 1446206823
Category : Language Arts & Disciplines
Languages : en
Pages : 538
Book Description
Written by a team of veteran scholars and exciting emerging talents, The SAGE Handbook of Film Studies maps the field internationally, drawing out regional differences in the way that systematic intellectual reflection on cinema and film has been translated into an academic discipline. It examines the conversations between Film Studies and its contributory disciplines that not only defined a new field of discourse but also modified existing scholarly traditions. It reflects on the field′s dominant paradigms and debates and evaluates their continuing salience. Finally, it looks forward optimistically to the future of the medium of film, the institution of cinema and the discipline of Film Studies at a time when the very existence of film and cinema are being called into question by new technological, industrial and aesthetic developments.
Transfigurations
Author: Asbjørn Grønstad
Publisher: Amsterdam University Press
ISBN: 908964010X
Category : Performing Arts
Languages : en
Pages : 278
Book Description
In many senses, viewers have cut their teeth on the violence in American cinema: from Anthony Perkins slashing Janet Leigh in the most infamous of shower scenes; to the 1970s masterpieces of Martin Scorsese, Sam Peckinpah and Francis Ford Coppola; to our present-day undertakings in imagining global annihilations through terrorism, war, and alien grudges. Transfigurations brings our cultural obsession with film violence into a renewed dialogue with contemporary theory. Grønstad argues that the use of violence in Hollywood films should be understood semiotically rather than viewed realistically; Tranfigurations thus alters both our methodology of reading violence in films and the meanings we assign to them, depicting violence not as a self-contained incident, but as a convoluted network of our own cultural ideologies and beliefs.
Publisher: Amsterdam University Press
ISBN: 908964010X
Category : Performing Arts
Languages : en
Pages : 278
Book Description
In many senses, viewers have cut their teeth on the violence in American cinema: from Anthony Perkins slashing Janet Leigh in the most infamous of shower scenes; to the 1970s masterpieces of Martin Scorsese, Sam Peckinpah and Francis Ford Coppola; to our present-day undertakings in imagining global annihilations through terrorism, war, and alien grudges. Transfigurations brings our cultural obsession with film violence into a renewed dialogue with contemporary theory. Grønstad argues that the use of violence in Hollywood films should be understood semiotically rather than viewed realistically; Tranfigurations thus alters both our methodology of reading violence in films and the meanings we assign to them, depicting violence not as a self-contained incident, but as a convoluted network of our own cultural ideologies and beliefs.