Author: Mordechai RechtmanPublisher:
ISBN:
Category : Concertos (Bassoon)
Languages : en
Pages : 10
Book Description
Cadenzas to Mozart Bassoon concerto in B♭, KV191
Author: Mordechai RechtmanPublisher:
ISBN:
Category : Concertos (Bassoon)
Languages : en
Pages : 10
Book Description
A Study of the Classical Woodwind Cadenza and Methodology for the Composition of Cadenzas for the Mozart Bassoon Concerto in B Flat Major K191 (186e)
Author: Lindsey M. BartlettThe Bassoon
Author: Will JansenHistorical Performance Practice in Cadenzas for Mozart's Concerto for Bassoon, K. 191 (186e)
Author: Sarah Anne WildeyPublisher:
ISBN:
Category :
Languages : en
Pages : 150
Book Description
Mozart's Concerto for Bassoon, K. 191 has long been an important part of the Classical era bassoon repertory. Few composers of the Classical period wrote for the bassoon as a solo instrument, and even fewer still paired it with an orchestral backing. K. 191 not only is unique within the bassoon repertory, but also stands out in the compositional career of Mozart as being his first completed wind concerto, composed at the age of eighteen. Mozart did not write cadenzas for K. 191; therefore a large part of the performance itself is untouched by Mozart's hand. Depending on personal (or teacher) preference, the performer may write an original cadenza for the performance or use an existing cadenza written by a well-known bassoonist or composer. In either case, the cadenza is removed stylistically from Mozart and almost always removed from the Classical period. While there are many guides on how to write a cadenza in the Classical style, there are none specific to the bassoon and its capabilities, strengths, or weaknesses during this period. Also lacking is an informational resource that critiques cadenzas on how they adhere to or stray from Classical performance practice, and more specifically to the performance abilities of the bassoon. A document that analyzes the abilities of the Classical era bassoon would be a useful guide in an era where accurate performance practice is increasingly sought after, even expected, in live performance.
The Double Reed
Author: The British Catalogue of Music
Author: A Chronological History of Australian Composers and Their Compositions - Vol. 4 1999-2013
Author: Stephen PleskunPublisher: Xlibris Corporation
ISBN: 1493135376
Category : Music
Languages : en
Pages : 953
Book Description
In this 4th and fi nal volume of a series that includes more than 800 composers and over 30,000 compositions Stephen traces the history and development of Classical music in Australia. From obscure and forgotten composers to those who attained an international reputation this volume reveals their output, unique experiences and travails. The foundation and demise of music ensembles, institutions, venues and festivals is part of the story and included in the narrative are performers, conductors, entrepreneurs, educators, administrators, instrument makers, musicologists, music critics and philanthropists. A concise yet comprehensive picture of Australian music making can be found in any given year.
The Shepherd's Calendar
Author: Alan RidoutPublisher:
ISBN:
Category : Bassoon ensembles
Languages : en
Pages : 98
Book Description
Author: 
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