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Author: Simon Franklin Publisher: Taylor & Francis ISBN: 1040237312 Category : History Languages : en Pages : 352
Book Description
The Christian culture of Rus (the medieval precursor of modern Russia, Ukraine and Belarus) is sometimes presented either as a reflection of an indigenous spirituality wrapped in borrowed (Byzantine) forms or, by contrast, as merely a provincial version of its Byzantine original. The essays in this volume start from the premise that neither view is adequate. The history of culture - even of a self-consciously imitative culture - involves a continual process of inevitable 'mistranslation', as the imported models are reshaped and reinterpreted according to local resources, circumstances and preconceptions. These essays explore aspects of the 'translation of culture' on several levels: from the semantic processes of the actual translation of written texts from Greek into Slavonic, through to larger issues of ideology and identity. They consider both the initial stages of such 'translation' (from Byzantium to Rus) and some of the subsequent 'retranslations' of the Byzantine heritage in the culture of Rus and - eventually - of Russia.
Author: Simon Franklin Publisher: Taylor & Francis ISBN: 1040237312 Category : History Languages : en Pages : 352
Book Description
The Christian culture of Rus (the medieval precursor of modern Russia, Ukraine and Belarus) is sometimes presented either as a reflection of an indigenous spirituality wrapped in borrowed (Byzantine) forms or, by contrast, as merely a provincial version of its Byzantine original. The essays in this volume start from the premise that neither view is adequate. The history of culture - even of a self-consciously imitative culture - involves a continual process of inevitable 'mistranslation', as the imported models are reshaped and reinterpreted according to local resources, circumstances and preconceptions. These essays explore aspects of the 'translation of culture' on several levels: from the semantic processes of the actual translation of written texts from Greek into Slavonic, through to larger issues of ideology and identity. They consider both the initial stages of such 'translation' (from Byzantium to Rus) and some of the subsequent 'retranslations' of the Byzantine heritage in the culture of Rus and - eventually - of Russia.
Author: Maria Taroutina Publisher: Penn State Press ISBN: 0271082550 Category : Art Languages : en Pages : 761
Book Description
In The Icon and the Square, Maria Taroutina examines how the traditional interests of institutions such as the crown, the church, and the Imperial Academy of Arts temporarily aligned with the radical, leftist, and revolutionary avant-garde at the turn of the twentieth century through a shared interest in the Byzantine past, offering a counternarrative to prevailing notions of Russian modernism. Focusing on the works of four different artists—Mikhail Vrubel, Vasily Kandinsky, Kazimir Malevich, and Vladimir Tatlin—Taroutina shows how engagement with medieval pictorial traditions drove each artist to transform his own practice, pushing beyond the established boundaries of his respective artistic and intellectual milieu. She also contextualizes and complements her study of the work of these artists with an examination of the activities of a number of important cultural associations and institutions over the course of several decades. As a result, The Icon and the Square gives a more complete picture of Russian modernism: one that attends to the dialogue between generations of artists, curators, collectors, critics, and theorists. The Icon and the Square retrieves a neglected but vital history that was deliberately suppressed by the atheist Soviet regime and subsequently ignored in favor of the secular formalism of mainstream modernist criticism. Taroutina’s timely study, which coincides with the centennial reassessments of Russian and Soviet modernism, is sure to invigorate conversation among scholars of art history, modernism, and Russian culture.
Author: Simon Franklin Publisher: Routledge ISBN: Category : History Languages : en Pages : 360
Book Description
The Christian culture of Rus (the medieval precursor of modern Russia, Ukraine and Belarus) is sometimes presented either as a reflection of an indigenous spirituality wrapped in borrowed (Byzantine) forms or, by contrast, as merely a provincial version of its Byzantine original. The essays in this volume start from the premise that neither view is adequate. The history of culture - even of a self-consciously imitative culture - involves a continual process of inevitable 'mistranslation', as the imported models are reshaped and reinterpreted according to local resources, circumstances and preconceptions. These essays explore aspects of the 'translation of culture' on several levels: from the semantic processes of the actual translation of written texts from Greek into Slavonic, through to larger issues of ideology and identity. They consider both the initial stages of such 'translation' (from Byzantium to Rus) and some of the subsequent 'retranslations' of the Byzantine heritage in the culture of Rus and - eventually - of Russia.
Author: Jonathan Shepard Publisher: Routledge ISBN: 1351890050 Category : History Languages : en Pages : 564
Book Description
This volume aims to clarify the context for the expansion of Western Europe by focusing on what had been the greatest power in early medieval Europe, the Byzantine empire, and on the continuing strengths and expansion of the Orthodox world. Byzantine 'orthodoxy' offered a format for faith, hope and fear in various combinations, involving religious beliefs and an idealised world-order. Its multifaceted nature helps explain Byzantium's success - the resilience of the earthly empire and the appeal of its religious organisation and rites to other societies. The volume reprints a set of key studies, combining classic treatments of Byzantine and Slavic history with far-reaching explorations of the extent of those worlds. Part I focuses on the empire in its heyday: some studies illustrate the sense of manifest destiny bolstering the imperial order until - and even beyond - Constantinople's fall to the fourth crusaders in 1204. The spread of the Byzantines' cult enlarged their trading zone northwards across Rus, while Byzantine-based merchants were more active than is generally realised in the Eastern Mediterranean. Part II includes an overview of the 'fragmentation' following 1204. Studies show how Byzantine rites and ideals of rulership were adopted by Serb and Bulgarian dynasts. Particular attention is paid to Rus: although subjugated by the Mongols, Rus churchmen, monks and leading princes all drew on Byzantine religious texts and imagery. From the later fifteenth century Moscow's rulers began to be portrayed as new guardians of religious correctness, even as the World's End supposedly drew nigh. The Introduction contextualises the studies included here, highlighting the significance (and not just in terms of rivalry) of the Byzantine Orthodox world for developments in Western Europe.
Author: Simon Franklin
Author: Simon Franklin
Author: John Meyendorff
Author: John Meyendorff
Author: Alexander N. Konrad
Author: Maria Taroutina
Author: Simon Franklin
Author: George Vernadsky
Author: Monica White
Author: Dimitri Obolensky
Author: Jonathan Shepard