A History of Byzantine music and hymnography PDF Download

Author: Egon Wellesz
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 461

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Author: Basilios Psilacos
Publisher: Lulu.com
ISBN: 1446139255
Category : Religion
Languages : en
Pages : 218

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Book Description
An excellent book for English-speaking students and teachers of Byzantine Music Notation. Its principles are according to referenced traditional teachers. Context includes practical exercises and theory in text book format.

Author: Henry Julius Wetenhall Tillyard
Publisher: [London] : Faith Press
ISBN:
Category : Church music
Languages : en
Pages : 88

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Author: Christian Troelsgård
Publisher: Museum Tusculanum
ISBN: 9788763531580
Category : Performing Arts
Languages : en
Pages : 141

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Book Description
The medieval chant of Byzantium is but little-known, although a large body of music has been preserved in neumatic notation. This book discusses such topics as chant transmission before the neumes, the varieties of Byzantine musical notations, words and music in Byzantine chant, and Byzantine and Western neu-matic notations, modes and melody.

Author: Merih Erol
Publisher: Indiana University Press
ISBN: 0253018420
Category : Music
Languages : en
Pages : 289

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Book Description
A study of the musical discourse among Ottoman Greek Orthodox Christians during a complicated time for them in the nineteenth and early twentieth centuries. During the late Ottoman period (1856–1922), a time of contestation about imperial policy toward minority groups, music helped the Ottoman Greeks in Istanbul define themselves as a distinct cultural group. A part of the largest non-Muslim minority within a multi-ethnic and multi-religious empire, the Greek Orthodox educated elite engaged in heated discussions about their cultural identity, Byzantine heritage, and prospects for the future, at the heart of which were debates about the place of traditional liturgical music in a community that was confronting modernity and westernization. Merih Erol draws on archival evidence from ecclesiastical and lay sources dealing with understandings of Byzantine music and history, forms of religious chanting, the life stories of individual cantors, and other popular and scholarly sources of the period. Audio examples keyed to the text are available online. “Merih Erol’s careful examination of the prominent church cantors of this period, their opinions on Byzantine, Ottoman and European musics as well as their relationship with both the Patriarchate and wealthy Greeks of Istanbul presents a detailed picture of a community trying to define their national identity during a transition. . . . Her study is unique and detailed, and her call to pluralism is timely.” —Mehmet Ali Sanlikol, author of The Musician Mehters “Overall, the book impresses me as a sophisticated work that avoids the standard nationalist views on the history of the Ottoman Greeks.” —Risto Pekka Pennanen, University of Tampere, Finland “This book is a great contribution to the fields of historical ethnomusicology, religious studies, ethnic studies, and Ottoman and Greek studies. It offers timely research during a critical period for ethnic minorities in the Middle East in general and Christians in particular as they undergo persecution and forced migration.” —Journal of the American Academy of Religion

Author: Chrysovalantis Kyriacou
Publisher: Rowman & Littlefield
ISBN: 1793621993
Category : History
Languages : en
Pages : 243

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Book Description
Chrysovalantis Kyriacou examines how memories of the pre-Christian past, Christian militarism, power struggles, and ethnoreligious encounters have left their long-term imprint on Cypriot culture. One of the most impressive examples of this phenomenon is the preservation and transformative adaptation of Byzantine heroic themes, motifs, and symbols in Cypriot folk songs. By combining a variety of written sources and archaeological material in his interdisciplinary examination, the author reconstructs the image of the Byzantine warrior hero in the songs, recovering the mentalities of overshadowed social protagonists and stressing the role of subaltern communities as active agents in the shaping of history.

Author: Bissera Pentcheva
Publisher: Taylor & Francis
ISBN: 135178689X
Category : Architecture
Languages : en
Pages : 273

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Book Description
Aural architecture identifies those features of a building that can be perceived by the act of listening in them. Emerging from the challenge to reconstruct sonic and spatial experiences of the deep past, this book invites readers into the complex world of the Byzantine liturgy, experienced in its chanted form in interiors covered with monumental mosaics and frescoes. The multidisciplinary collection of ten essays explores the intersection of Byzantine liturgy, music, acoustics, and architecture in the Late Antique churches of Constantinople, Jerusalem and Rome, and reflects on the role digital technology can play in re-creating aspects of the sensually rich performance of the divine word.

Author: William Oliver Strunk
Publisher:
ISBN: 9780393332766
Category : Church music
Languages : en
Pages : 0

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Book Description
In this companion volume to Essays on Music in the Western World, Oliver Strunk focuses on the area of study that has dominated his interest for the last thirty years--the chant and liturgy of the Eastern Orthodox church.

Author: Andrew Walker White
Publisher: Cambridge University Press
ISBN: 1107073855
Category : Drama
Languages : en
Pages : 291

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Book Description
The first full-length, interdisciplinary study of the Greek performing arts - theatre, rhetoric and ritual - between antiquity and the Renaissance.

Author: Iannis Xenakis
Publisher: Pendragon Press
ISBN: 9781576470794
Category : Juvenile Nonfiction
Languages : en
Pages : 410

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Book Description
Pendragon Press is proud to offer this new, revised, and expanded edition of Formalized Music, Iannis Xenakis's landmark book of 1971. In addition to three totally new chapters examining recent breakthroughs in music theory, two original computer programs illustrating the actual realization of newly proposed methods of composition, and an appendix of the very latest developments of stochastic synthesis as an invitation to future exploration, Xenakis offers a very critical self-examination of his theoretical propositions and artistic output of the past thirty-five years. This edition of Formalized Music is an essential tool for understanding the man and the thought processes of one of this century's most important and revolutionary musical figures.