Author: Basilios Psilacos
Publisher: Lulu.com
ISBN: 1446139255
Category : Religion
Languages : en
Pages : 218
Book Description
An excellent book for English-speaking students and teachers of Byzantine Music Notation. Its principles are according to referenced traditional teachers. Context includes practical exercises and theory in text book format.
Byzantine Ecclesiastical Music
Author: Basilios Psilacos
Publisher: Lulu.com
ISBN: 1446139255
Category : Religion
Languages : en
Pages : 218
Book Description
An excellent book for English-speaking students and teachers of Byzantine Music Notation. Its principles are according to referenced traditional teachers. Context includes practical exercises and theory in text book format.
Publisher: Lulu.com
ISBN: 1446139255
Category : Religion
Languages : en
Pages : 218
Book Description
An excellent book for English-speaking students and teachers of Byzantine Music Notation. Its principles are according to referenced traditional teachers. Context includes practical exercises and theory in text book format.
Byzantine Ecclesiastical Music
Byzantine Sacred Music
Author: Constantine Cavarnos
Publisher:
ISBN:
Category : Byzantine chants
Languages : en
Pages : 40
Book Description
Publisher:
ISBN:
Category : Byzantine chants
Languages : en
Pages : 40
Book Description
Greek Orthodox Music in Ottoman Istanbul
Author: Merih Erol
Publisher: Indiana University Press
ISBN: 0253018420
Category : Music
Languages : en
Pages : 289
Book Description
A study of the musical discourse among Ottoman Greek Orthodox Christians during a complicated time for them in the nineteenth and early twentieth centuries. During the late Ottoman period (1856–1922), a time of contestation about imperial policy toward minority groups, music helped the Ottoman Greeks in Istanbul define themselves as a distinct cultural group. A part of the largest non-Muslim minority within a multi-ethnic and multi-religious empire, the Greek Orthodox educated elite engaged in heated discussions about their cultural identity, Byzantine heritage, and prospects for the future, at the heart of which were debates about the place of traditional liturgical music in a community that was confronting modernity and westernization. Merih Erol draws on archival evidence from ecclesiastical and lay sources dealing with understandings of Byzantine music and history, forms of religious chanting, the life stories of individual cantors, and other popular and scholarly sources of the period. Audio examples keyed to the text are available online. “Merih Erol’s careful examination of the prominent church cantors of this period, their opinions on Byzantine, Ottoman and European musics as well as their relationship with both the Patriarchate and wealthy Greeks of Istanbul presents a detailed picture of a community trying to define their national identity during a transition. . . . Her study is unique and detailed, and her call to pluralism is timely.” —Mehmet Ali Sanlikol, author of The Musician Mehters “Overall, the book impresses me as a sophisticated work that avoids the standard nationalist views on the history of the Ottoman Greeks.” —Risto Pekka Pennanen, University of Tampere, Finland “This book is a great contribution to the fields of historical ethnomusicology, religious studies, ethnic studies, and Ottoman and Greek studies. It offers timely research during a critical period for ethnic minorities in the Middle East in general and Christians in particular as they undergo persecution and forced migration.” —Journal of the American Academy of Religion
Publisher: Indiana University Press
ISBN: 0253018420
Category : Music
Languages : en
Pages : 289
Book Description
A study of the musical discourse among Ottoman Greek Orthodox Christians during a complicated time for them in the nineteenth and early twentieth centuries. During the late Ottoman period (1856–1922), a time of contestation about imperial policy toward minority groups, music helped the Ottoman Greeks in Istanbul define themselves as a distinct cultural group. A part of the largest non-Muslim minority within a multi-ethnic and multi-religious empire, the Greek Orthodox educated elite engaged in heated discussions about their cultural identity, Byzantine heritage, and prospects for the future, at the heart of which were debates about the place of traditional liturgical music in a community that was confronting modernity and westernization. Merih Erol draws on archival evidence from ecclesiastical and lay sources dealing with understandings of Byzantine music and history, forms of religious chanting, the life stories of individual cantors, and other popular and scholarly sources of the period. Audio examples keyed to the text are available online. “Merih Erol’s careful examination of the prominent church cantors of this period, their opinions on Byzantine, Ottoman and European musics as well as their relationship with both the Patriarchate and wealthy Greeks of Istanbul presents a detailed picture of a community trying to define their national identity during a transition. . . . Her study is unique and detailed, and her call to pluralism is timely.” —Mehmet Ali Sanlikol, author of The Musician Mehters “Overall, the book impresses me as a sophisticated work that avoids the standard nationalist views on the history of the Ottoman Greeks.” —Risto Pekka Pennanen, University of Tampere, Finland “This book is a great contribution to the fields of historical ethnomusicology, religious studies, ethnic studies, and Ottoman and Greek studies. It offers timely research during a critical period for ethnic minorities in the Middle East in general and Christians in particular as they undergo persecution and forced migration.” —Journal of the American Academy of Religion
Performing Orthodox Ritual in Byzantium
Author: Andrew Walker White
Publisher: Cambridge University Press
ISBN: 1107073855
Category : Drama
Languages : en
Pages : 291
Book Description
The first full-length, interdisciplinary study of the Greek performing arts - theatre, rhetoric and ritual - between antiquity and the Renaissance.
Publisher: Cambridge University Press
ISBN: 1107073855
Category : Drama
Languages : en
Pages : 291
Book Description
The first full-length, interdisciplinary study of the Greek performing arts - theatre, rhetoric and ritual - between antiquity and the Renaissance.
A History of Byzantine music and hymnography
Author: Egon Wellesz
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 461
Book Description
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 461
Book Description
The Byzantine Chant of the Greek Orthodox Church
Author: Christos Vrionides
Publisher: Babylon, N.Y. : Byzantium Publishers
ISBN:
Category : Byzantine chants
Languages : en
Pages : 224
Book Description
Publisher: Babylon, N.Y. : Byzantium Publishers
ISBN:
Category : Byzantine chants
Languages : en
Pages : 224
Book Description
Byzantine Music and Hymnography
Author: Henry Julius Wetenhall Tillyard
Publisher: [London] : Faith Press
ISBN:
Category : Church music
Languages : en
Pages : 88
Book Description
Publisher: [London] : Faith Press
ISBN:
Category : Church music
Languages : en
Pages : 88
Book Description
Byzantine Music in the New World
Author: Sign of the Theotokos Orthodox Church. Byzantine Choruses
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Byzantine Music in Theory and in Practice
Author: Savas I. Savas
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 128
Book Description
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 128
Book Description