Author: Mark Joseph Johnson
Publisher: Ashgate Publishing, Ltd.
ISBN: 9781409427407
Category : Architecture
Languages : en
Pages : 334
Book Description
The fourteen essays in this collection demonstrate a wide variety of approaches to the study of Byzantine architecture, a reflection of both newer trends and traditional scholarship in the field. Three papers examine Early Christian monuments, two of which expand the inquiry into their architectural afterlives. Others discuss later monuments in Byzantine territory and monuments in territories related to Byzantium such as Serbia, Armenia, and Norman Italy. No Orthodox Church being complete without interior decoration, two papers discuss issues connected to frescoes in late medieval Balkan churches. Finally, one study investigates the continued influence of Byzantine palace architecture long after the fall of Constantinople.
Approaches to Byzantine Architecture and Its Decoration
The Oxford Handbook of Byzantine Art and Architecture
Author: Ellen C. Schwartz
Publisher: Oxford University Press
ISBN: 0197572200
Category : History
Languages : en
Pages : 665
Book Description
Byzantine art has been an underappreciated field, often treated as an adjunct to the arts of the medieval West, if considered at all. In illustrating the richness and diversity of art in the Byzantine world, this handbook will help establish the subject as a distinct field worthy of serious inquiry. Essays consider Byzantine art as art made in the eastern Mediterranean world, including the Balkans, Russia, the Near East and north Africa, between the years 330 and 1453. Much of this art was made for religious purposes, created to enhance and beautify the Orthodox liturgy and worship space, as well as to serve in a royal or domestic context. Discussions in this volume will consider both aspects of this artistic creation, across a wide swath of geography and a long span of time. The volume marries older, object-based considerations of themes and monuments which form the backbone of art history, to considerations drawing on many different methodologies-sociology, semiotics, anthropology, archaeology, reception theory, deconstruction theory, and so on-in an up-to-date synthesis of scholarship on Byzantine art and architecture. The Oxford Handbook of Byzantine Art and Architecture is a comprehensive overview of a particularly rich field of study, offering a window into the world of this fascinating and beautiful period of art.
Publisher: Oxford University Press
ISBN: 0197572200
Category : History
Languages : en
Pages : 665
Book Description
Byzantine art has been an underappreciated field, often treated as an adjunct to the arts of the medieval West, if considered at all. In illustrating the richness and diversity of art in the Byzantine world, this handbook will help establish the subject as a distinct field worthy of serious inquiry. Essays consider Byzantine art as art made in the eastern Mediterranean world, including the Balkans, Russia, the Near East and north Africa, between the years 330 and 1453. Much of this art was made for religious purposes, created to enhance and beautify the Orthodox liturgy and worship space, as well as to serve in a royal or domestic context. Discussions in this volume will consider both aspects of this artistic creation, across a wide swath of geography and a long span of time. The volume marries older, object-based considerations of themes and monuments which form the backbone of art history, to considerations drawing on many different methodologies-sociology, semiotics, anthropology, archaeology, reception theory, deconstruction theory, and so on-in an up-to-date synthesis of scholarship on Byzantine art and architecture. The Oxford Handbook of Byzantine Art and Architecture is a comprehensive overview of a particularly rich field of study, offering a window into the world of this fascinating and beautiful period of art.
The Sacred Architecture of Byzantium
Author: Nicholas N. Patricios
Publisher: Bloomsbury Publishing
ISBN: 075569399X
Category : Architecture
Languages : en
Pages : 506
Book Description
The churches of the Byzantine era were built to represent heaven on earth. Architecture, art and liturgy were intertwined in them to a degree that has never been replicated elsewhere, and the symbolism of this relationship had deep and profound meanings. Sacred buildings and their spiritual art underpinned the Eastern liturgical rites, which in turn influenced architectural design and the decoration which accompanied it. Nicholas N Patricios here offers a comprehensive survey, from the age of Constantine to the fall of Constantinople, of the nexus between buildings, worship and art. His identification of seven distinct Byzantine church types, based on a close analysis of 370 church building plans, will have considerable appeal to Byzantinists, lay and scholarly. Beyond categorizing and describing the churches themselves, which are richly illustrated with photographs, plans and diagrams, the author interprets the sacred liturgy that took place within these holy buildings, tracing the development of the worship in conjunction with architectural advances made up to the 15th century. Focusing on buildings located in twenty-two different locations, this sumptuous book is an essential guide to individual features such as the synthronon, templon and ambo and also to the wider significance of Byzantine art and architecture.
Publisher: Bloomsbury Publishing
ISBN: 075569399X
Category : Architecture
Languages : en
Pages : 506
Book Description
The churches of the Byzantine era were built to represent heaven on earth. Architecture, art and liturgy were intertwined in them to a degree that has never been replicated elsewhere, and the symbolism of this relationship had deep and profound meanings. Sacred buildings and their spiritual art underpinned the Eastern liturgical rites, which in turn influenced architectural design and the decoration which accompanied it. Nicholas N Patricios here offers a comprehensive survey, from the age of Constantine to the fall of Constantinople, of the nexus between buildings, worship and art. His identification of seven distinct Byzantine church types, based on a close analysis of 370 church building plans, will have considerable appeal to Byzantinists, lay and scholarly. Beyond categorizing and describing the churches themselves, which are richly illustrated with photographs, plans and diagrams, the author interprets the sacred liturgy that took place within these holy buildings, tracing the development of the worship in conjunction with architectural advances made up to the 15th century. Focusing on buildings located in twenty-two different locations, this sumptuous book is an essential guide to individual features such as the synthronon, templon and ambo and also to the wider significance of Byzantine art and architecture.
A Lost Art Rediscovered
Author: Sharon E. J. Gerstel
Publisher: Penn State University Press
ISBN: 9780271021430
Category : Decoration and ornament, Architectural
Languages : en
Pages : 0
Book Description
A Lost Art Rediscovered includes a fully illustrated catalogue of all known tiles produced in the region of Constantinople, including the substantial collection owned by the Walters Art Museum, as well as those belonging to museums and private collections around the world. Some tiles included in the catalogue are now lost; the discovery of others is reported here for the first time. A series of scholarly essays gives the ceramics their rightful place in the study of Byzantine art and treats aspects of patronage, manufacture, function, ornament, and cultural significance. This comprehensive publication heralds the first large-scale, permanent installation of the Byzantine tiles in the collection of the Walters Art Museum. Book jacket.
Publisher: Penn State University Press
ISBN: 9780271021430
Category : Decoration and ornament, Architectural
Languages : en
Pages : 0
Book Description
A Lost Art Rediscovered includes a fully illustrated catalogue of all known tiles produced in the region of Constantinople, including the substantial collection owned by the Walters Art Museum, as well as those belonging to museums and private collections around the world. Some tiles included in the catalogue are now lost; the discovery of others is reported here for the first time. A series of scholarly essays gives the ceramics their rightful place in the study of Byzantine art and treats aspects of patronage, manufacture, function, ornament, and cultural significance. This comprehensive publication heralds the first large-scale, permanent installation of the Byzantine tiles in the collection of the Walters Art Museum. Book jacket.
Byzantium Rediscovered
Author: J. B. Bullen
Publisher: Phaidon Press
ISBN: 9780714846385
Category : Design
Languages : en
Pages : 0
Book Description
The revival of the art and architecture of the Byzantine Empire.
Publisher: Phaidon Press
ISBN: 9780714846385
Category : Design
Languages : en
Pages : 0
Book Description
The revival of the art and architecture of the Byzantine Empire.
Byzantine Architecture and Decoration
Author: John Arnott Hamilton
Publisher:
ISBN:
Category : Architecture, Byzantine
Languages : en
Pages : 382
Book Description
Publisher:
ISBN:
Category : Architecture, Byzantine
Languages : en
Pages : 382
Book Description
Art and Architecture of the Synagogue in Byzantine Palaestina
Author: Asaf Friedman
Publisher: Cambridge Scholars Publishing
ISBN: 1527535053
Category : Art
Languages : en
Pages : 173
Book Description
The Byzantine era was a time of the formation of the Abrahamic religions and a battleground for people’s hearts and minds. This book shows that, during the time of the Byzantine Empire, the synagogues in Palaestina developed a visual language adhering to traditional literary sources. Until now, scholars believed that Judaism was oblivious to all art forms, regarding them as mere “decoration.” This book shows that, contrary to those beliefs, Jewish art was, in fact, flourishing in this period. The visual language that emerged is a trope that utilizes literal and figurative readings to arrive at an inquisitive mixture—a probing language that facilitates learning. It is a visual language of “becoming,” of inward introspection and outward scrutiny. This new analysis goes beyond the limits of compositional rules, and requires an analytical, as well as emotive, thought process, to form a cultural interpretation that reveals the hidden language. This means that some parts of Judaism and some parts of Christianity were in agreement despite the commandment of “Thou shalt not make unto thee any graven image,” and operated under the assumption that paintings were not necessarily the creation of idols. Thus, we see that the modern movements of art and architecture were not the first to deal with images through themes such as abstraction and denotation. The language developed during the Byzantine period could rival the best of such visual languages.
Publisher: Cambridge Scholars Publishing
ISBN: 1527535053
Category : Art
Languages : en
Pages : 173
Book Description
The Byzantine era was a time of the formation of the Abrahamic religions and a battleground for people’s hearts and minds. This book shows that, during the time of the Byzantine Empire, the synagogues in Palaestina developed a visual language adhering to traditional literary sources. Until now, scholars believed that Judaism was oblivious to all art forms, regarding them as mere “decoration.” This book shows that, contrary to those beliefs, Jewish art was, in fact, flourishing in this period. The visual language that emerged is a trope that utilizes literal and figurative readings to arrive at an inquisitive mixture—a probing language that facilitates learning. It is a visual language of “becoming,” of inward introspection and outward scrutiny. This new analysis goes beyond the limits of compositional rules, and requires an analytical, as well as emotive, thought process, to form a cultural interpretation that reveals the hidden language. This means that some parts of Judaism and some parts of Christianity were in agreement despite the commandment of “Thou shalt not make unto thee any graven image,” and operated under the assumption that paintings were not necessarily the creation of idols. Thus, we see that the modern movements of art and architecture were not the first to deal with images through themes such as abstraction and denotation. The language developed during the Byzantine period could rival the best of such visual languages.
Approaches to Byzantine Architecture and its Decoration
Author: Mark J. Johnson
Publisher: Routledge
ISBN: 1351957643
Category : Architecture
Languages : en
Pages : 287
Book Description
The fourteen essays in this collection demonstrate a wide variety of approaches to the study of Byzantine architecture and its decoration, a reflection of both newer trends and traditional scholarship in the field. The variety is also a reflection of Professor Curcic’s wide interests, which he shares with his students. These include the analysis of recent archaeological discoveries; recovery of lost monuments through archival research and onsite examination of material remains; reconsidering traditional typological approaches often ignored in current scholarship; fresh interpretations of architectural features and designs; contextualization of monuments within the landscape; tracing historiographic trends; and mining neglected written sources for motives of patronage. The papers also range broadly in terms of chronology and geography, from the Early Christian through the post-Byzantine period and from Italy to Armenia. Three papers examine Early Christian monuments, and of these two expand the inquiry into their architectural afterlives. Others discuss later monuments in Byzantine territory and monuments in territories related to Byzantium such as Serbia, Armenia, and Norman Italy. No Orthodox church being complete without interior decoration, two papers discuss issues connected to frescoes in late medieval Balkan churches. Finally, one study investigates the continued influence of Byzantine palace architecture long after the fall of Constantinople.
Publisher: Routledge
ISBN: 1351957643
Category : Architecture
Languages : en
Pages : 287
Book Description
The fourteen essays in this collection demonstrate a wide variety of approaches to the study of Byzantine architecture and its decoration, a reflection of both newer trends and traditional scholarship in the field. The variety is also a reflection of Professor Curcic’s wide interests, which he shares with his students. These include the analysis of recent archaeological discoveries; recovery of lost monuments through archival research and onsite examination of material remains; reconsidering traditional typological approaches often ignored in current scholarship; fresh interpretations of architectural features and designs; contextualization of monuments within the landscape; tracing historiographic trends; and mining neglected written sources for motives of patronage. The papers also range broadly in terms of chronology and geography, from the Early Christian through the post-Byzantine period and from Italy to Armenia. Three papers examine Early Christian monuments, and of these two expand the inquiry into their architectural afterlives. Others discuss later monuments in Byzantine territory and monuments in territories related to Byzantium such as Serbia, Armenia, and Norman Italy. No Orthodox church being complete without interior decoration, two papers discuss issues connected to frescoes in late medieval Balkan churches. Finally, one study investigates the continued influence of Byzantine palace architecture long after the fall of Constantinople.
Byzantine Architecture and Decoration
Author: John Arnott Hamilton
Publisher:
ISBN:
Category : Architecture, Byzantine
Languages : en
Pages : 262
Book Description
Publisher:
ISBN:
Category : Architecture, Byzantine
Languages : en
Pages : 262
Book Description
Architectural Sculpture in the Byzantine Negev
Author: Karni Golan
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110631768
Category : Social Science
Languages : en
Pages : 714
Book Description
This book presents a study and catalogue of the early Christian stone architectural decorations from the Negev Desert (Israel). This work is based on the largest sample of decorated architectural elements from the Byzantine Negev (4th–7th century CE) to have been comparatively studied. The analysis provides a key for the characteristics of these aniconic, carved decorations, and an in-depth examination of their symbolic meaning.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110631768
Category : Social Science
Languages : en
Pages : 714
Book Description
This book presents a study and catalogue of the early Christian stone architectural decorations from the Negev Desert (Israel). This work is based on the largest sample of decorated architectural elements from the Byzantine Negev (4th–7th century CE) to have been comparatively studied. The analysis provides a key for the characteristics of these aniconic, carved decorations, and an in-depth examination of their symbolic meaning.