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Author: Edgar Peters Bowron Publisher: Penn State Press ISBN: 0271079460 Category : Art Languages : en Pages : 203
Book Description
Although Americans have shown interest in Italian Baroque art since the eighteenth century—Thomas Jefferson bought copies of works by Salvator Rosa and Guido Reni for his art gallery at Monticello, and the seventeenth-century Bolognese school was admired by painters Benjamin West and John Singleton Copley—a widespread appetite for it only took hold in the early to mid-twentieth century. Buying Baroque tells this history through the personalities involved and the culture of collecting in the United States. The distinguished contributors to this volume examine the dealers, auction houses, and commercial galleries that provided access to Baroque paintings, as well as the collectors, curators, and museum directors who acquired and shaped American perceptions about these works, including Charles Eliot Norton, John W. Ringling, A. Everett Austin Jr., and Samuel H. Kress. These essays explore aesthetic trends and influences to show why Americans developed an increasingly sophisticated taste for Baroque art between the late eighteenth century and the 1920s, and they trace the fervent peak of interest during the 1950s and 1960s. A wide-ranging, in-depth look at the collecting of seventeenth- and eighteenth-century Italian paintings in America, this volume sheds new light on the cultural conditions that led collectors to value Baroque art and the significant effects of their efforts on America’s greatest museums and galleries. In addition to the editor, contributors include Andrea Bayer, Virginia Brilliant, Andria Derstine, Marco Grassi, Ian Kennedy, J. Patrice Marandel, Pablo Pérez d’Ors, Richard E. Spear, and Eric M. Zafran.
Author: Edgar Peters Bowron Publisher: Penn State Press ISBN: 0271079460 Category : Art Languages : en Pages : 203
Book Description
Although Americans have shown interest in Italian Baroque art since the eighteenth century—Thomas Jefferson bought copies of works by Salvator Rosa and Guido Reni for his art gallery at Monticello, and the seventeenth-century Bolognese school was admired by painters Benjamin West and John Singleton Copley—a widespread appetite for it only took hold in the early to mid-twentieth century. Buying Baroque tells this history through the personalities involved and the culture of collecting in the United States. The distinguished contributors to this volume examine the dealers, auction houses, and commercial galleries that provided access to Baroque paintings, as well as the collectors, curators, and museum directors who acquired and shaped American perceptions about these works, including Charles Eliot Norton, John W. Ringling, A. Everett Austin Jr., and Samuel H. Kress. These essays explore aesthetic trends and influences to show why Americans developed an increasingly sophisticated taste for Baroque art between the late eighteenth century and the 1920s, and they trace the fervent peak of interest during the 1950s and 1960s. A wide-ranging, in-depth look at the collecting of seventeenth- and eighteenth-century Italian paintings in America, this volume sheds new light on the cultural conditions that led collectors to value Baroque art and the significant effects of their efforts on America’s greatest museums and galleries. In addition to the editor, contributors include Andrea Bayer, Virginia Brilliant, Andria Derstine, Marco Grassi, Ian Kennedy, J. Patrice Marandel, Pablo Pérez d’Ors, Richard E. Spear, and Eric M. Zafran.
Author: Edgar Peters Bowron Publisher: Penn State Press ISBN: 0271079460 Category : Art Languages : en Pages : 203
Book Description
Although Americans have shown interest in Italian Baroque art since the eighteenth century—Thomas Jefferson bought copies of works by Salvator Rosa and Guido Reni for his art gallery at Monticello, and the seventeenth-century Bolognese school was admired by painters Benjamin West and John Singleton Copley—a widespread appetite for it only took hold in the early to mid-twentieth century. Buying Baroque tells this history through the personalities involved and the culture of collecting in the United States. The distinguished contributors to this volume examine the dealers, auction houses, and commercial galleries that provided access to Baroque paintings, as well as the collectors, curators, and museum directors who acquired and shaped American perceptions about these works, including Charles Eliot Norton, John W. Ringling, A. Everett Austin Jr., and Samuel H. Kress. These essays explore aesthetic trends and influences to show why Americans developed an increasingly sophisticated taste for Baroque art between the late eighteenth century and the 1920s, and they trace the fervent peak of interest during the 1950s and 1960s. A wide-ranging, in-depth look at the collecting of seventeenth- and eighteenth-century Italian paintings in America, this volume sheds new light on the cultural conditions that led collectors to value Baroque art and the significant effects of their efforts on America’s greatest museums and galleries. In addition to the editor, contributors include Andrea Bayer, Virginia Brilliant, Andria Derstine, Marco Grassi, Ian Kennedy, J. Patrice Marandel, Pablo Pérez d’Ors, Richard E. Spear, and Eric M. Zafran.
Author: Gail Feigenbaum Publisher: Getty Publications ISBN: 1606068911 Category : Art Languages : en Pages : 386
Book Description
This volume explores the crucial role of art dealers in creating a transatlantic art market in the late nineteenth and early twentieth centuries. “There was money in the air, ever so much money,” wrote Henry James in 1907, reflecting on the American appetite for art acquisitions. Indeed, collectors such as Henry Clay Frick and Andrew W. Mellon are credited with bringing noteworthy European art to the United States, with their collections forming the backbone of major American museums today. But what of the dealers, who possessed the expertise in art and recognized the potential of developing a new market model on both sides of the Atlantic? Money in the Air investigates the often-overlooked role of these dealers in creating an international art world. Contributors examine the histories of wellknown international firms like Duveen Brothers, M. Knoedler & Co., and Goupil & Cie and their relationships with American clients, as well as accounts of other remarkable dealers active in the transatlantic art market. Drawing on dealer archives, scholars reveal compelling findings, including previously unknown partnerships and systems of cooperation. This volume offers new perspectives on the development of art collections that formed the core of American art museums, such as the National Gallery of Art, the Metropolitan Museum of Art, and the Frick Collection.
Author: Lisandra Estevez Publisher: Cambridge Scholars Publishing ISBN: 1527568199 Category : Art Languages : en Pages : 234
Book Description
This volume gathers together recent research from leading scholars specializing in the history of collecting. American Southern art collections, both public and private, contain rich and representative holdings of Renaissance and Baroque art which remain understudied, compared to the collections bracketing the east and west coasts of the United States. This anthology considers how these works of art were acquired for both prominent public and private collections, how they have been curated and displayed in exhibitions, and how they have also been preserved historically. Individual essays address a variety of art media representative of the early modern period in Europe and the Americas. Case studies of specific works of art, collections, and collectors address the broad geographic scope of Southern collections, inclusive of Washington, DC, the Carolinas, Georgia, Alabama, Louisiana, Arkansas, and Texas.
Author: Ion Idriess Publisher: ETT Imprint ISBN: 1925706451 Category : Fiction Languages : en Pages : 331
Book Description
(Author Note) Forty Fathoms Deep is part of the story of the pearl seas of north-western Australia. In all but a few instances, I have used names well known in the pearl world of Broome, but have taken care not to hurt susceptibilities. I am conscious I have only gleaned in a field rich with romance. There is material for many books in the adventurous lives of the men who have built up the history and industry of Broome. It is to be hoped that someone more persuasive than I will induce them to sit down and write, or, failing that, sit and talk for the enlightenment and entertainment of fellow Australians. I am greatly indebted to numerous friends in Broome who have helped me with material and who went to such pains to get for me authentic data. Hail and farewell, with a warm heart, to Con and old Sebaro, and to all the divers and tenders and seamen who were so patient at explaining the many things I desired to see and know. To all, a fair wind and a hungry market when the fleets put to sea! ION L. IDRIESS.
Author: Arnaldo Cruz Publisher: NYU Press ISBN: 0814716245 Category : Political Science Languages : en Pages : 284
Book Description
The essays in this volume bring together scholars of postcolonial and lesbian and gay studies in order to examine, from multiple perspectives, the narratives that have sought to define globalization.
Author: Ian J. Bickerton Publisher: Springer Nature ISBN: 303136421X Category : History Languages : en Pages : 354
Book Description
It is almost impossible to imagine the United States without making reference to Italy. There is scarcely any aspect of American culture untouched by Italy—its history, art, architecture, fashion, film, music, the mafia, or even more viscerally its food. Italy occupies a space of near mythical proportion in the American imagination. When many Americans think of, or dream about and imagine, the good life, how and where they would like to live, they think most often of Italy; the beauty, the life-style, the romance, the excitement and sense of adventure that Italy offers. By looking at the fluid and multi-dimensional imaginative interactions Americans have with Italian culture and society, this comprehensive and robust volume offers a new and novel way of exploring the influence of Italy upon the United States. University of New South Wales historian Ian James Bickerton argues that if we wish to understand the United States, and how Americans define themselves and their nation, it is vital to examine how they imagine themselves, and he demonstrates that throughout U.S. history one of the most powerful stimulants shaping the imaginary world of Americans has been Italy.
Author: Paul Zweig Publisher: Other Press, LLC ISBN: 159051291X Category : Biography & Autobiography Languages : en Pages : 194
Book Description
Departures is Paul Zweig’s celebration of life and love. Zweig thought of himself as a sojourner, a contemporary Wandering Jew, a man with “a loose wire in his genes.” He led a number of distinct lives: as a Jewish child in Brooklyn and on a farm in the Catskills; as a literature student at Columbia; as a young exile who spent a decade in Paris transforming himself into a French intellectual, absorbing the language, sex, culture, and leftist politics; and as an American man-of-letters who produced a steady stream of poems, essays, and wide-ranging works of literary scholarship and criticism. In 1978, at the age of forty-three, he abruptly entered a new life—”the life of the dying”—which he inhabited for the next six years. His writing was guided by a steely determination to hold the more pressing and distorting sentiments—self-pity, regret, anger, fear—at bay for the sake of his lucidity, which became his way through the world of cancer. This memoir stands as a testament to the passion and spirit with which Zweig lived and to the dignity that he brought to his final years.
Author: Edgar Peters Bowron
Author: Edgar Peters Bowron
Author: Gail Feigenbaum
Author: Camille Kaminski Lewis
Author: Lisandra Estevez
Author: Ion Idriess
Author: Arnaldo Cruz
Author: 
Author: Ian J. Bickerton
Author: Paul Zweig