Author: Noel Francis Singer
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 132
Book Description
This book traces the history of dance and theatre in Burma in the courts and the countryside, and describes the various dances, plays, and musical accompaniment that evolved as a result of the country's cultural and religious mix and its changing political circumstances.
Burmese Dance and Theatre
Author: Noel Francis Singer
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 132
Book Description
This book traces the history of dance and theatre in Burma in the courts and the countryside, and describes the various dances, plays, and musical accompaniment that evolved as a result of the country's cultural and religious mix and its changing political circumstances.
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 132
Book Description
This book traces the history of dance and theatre in Burma in the courts and the countryside, and describes the various dances, plays, and musical accompaniment that evolved as a result of the country's cultural and religious mix and its changing political circumstances.
Theatre in Southeast Asia
Author: James R. BRANDON
Publisher: Harvard University Press
ISBN: 0674028740
Category : Social Science
Languages : en
Pages : 450
Book Description
An astonishing variety of theatrical performances may be seen in the eight countries of Southeast Asia-Burma, Cambodia, Indonesia, Laos, Malaysia, the Philippines, Thailand, and Vietnam. Brandon's lively, wide-ranging discussion points out interesting similarities and differences among the countries. Many of his photographs are included here.
Publisher: Harvard University Press
ISBN: 0674028740
Category : Social Science
Languages : en
Pages : 450
Book Description
An astonishing variety of theatrical performances may be seen in the eight countries of Southeast Asia-Burma, Cambodia, Indonesia, Laos, Malaysia, the Philippines, Thailand, and Vietnam. Brandon's lively, wide-ranging discussion points out interesting similarities and differences among the countries. Many of his photographs are included here.
The Cambridge Guide to Theatre
Author: Martin Banham
Publisher: Cambridge University Press
ISBN: 9780521434379
Category : Drama
Languages : en
Pages : 1268
Book Description
Provides information on the history and present practice of theater in the world.
Publisher: Cambridge University Press
ISBN: 9780521434379
Category : Drama
Languages : en
Pages : 1268
Book Description
Provides information on the history and present practice of theater in the world.
Burmese Lives
Author: Wen-Chin Chang
Publisher: Oxford University Press
ISBN: 0199335036
Category : History
Languages : en
Pages : 279
Book Description
This volume explores the life stories of ordinary Burmese by drawing on the narratives of individual subjects and using an array of interdisciplinary approaches. The constituted stories highlight the protagonists' survival strategies in everyday life that demonstrate their constant courage and frustration in dealing with numerous social injustices and adversities.
Publisher: Oxford University Press
ISBN: 0199335036
Category : History
Languages : en
Pages : 279
Book Description
This volume explores the life stories of ordinary Burmese by drawing on the narratives of individual subjects and using an array of interdisciplinary approaches. The constituted stories highlight the protagonists' survival strategies in everyday life that demonstrate their constant courage and frustration in dealing with numerous social injustices and adversities.
The History of Theatre
Author: Ann Hosein
Publisher: Encyclopaedia Britannica
ISBN: 1680480839
Category : Juvenile Nonfiction
Languages : en
Pages : 226
Book Description
This comprehensive guide to the theatre's history covers theatre arts around the globe, including ancient Eastern arts like Kabuki and more modern ones such as Bollywood. This book goes back to what we know from our earliest ancestors by examining ancient artifacts and ancient texts to find out how theatre was influenced by life and how it in turn influenced the culture of the people who came to enjoy it. The book concludes with a look at modern theatre and its current heyday as entertainment for the masses, especially in places like Broadway in New York City.
Publisher: Encyclopaedia Britannica
ISBN: 1680480839
Category : Juvenile Nonfiction
Languages : en
Pages : 226
Book Description
This comprehensive guide to the theatre's history covers theatre arts around the globe, including ancient Eastern arts like Kabuki and more modern ones such as Bollywood. This book goes back to what we know from our earliest ancestors by examining ancient artifacts and ancient texts to find out how theatre was influenced by life and how it in turn influenced the culture of the people who came to enjoy it. The book concludes with a look at modern theatre and its current heyday as entertainment for the masses, especially in places like Broadway in New York City.
World Encyclopedia of Contemporary Theatre
Author: Irving Brown (Consulting Bibliographer)
Publisher: Routledge
ISBN: 1136119000
Category : Performing Arts
Languages : en
Pages : 546
Book Description
An annotated world theatre bibliography documenting significant theatre materials published world wide since 1945, plus an index to key names throughout the six volumes of the series.
Publisher: Routledge
ISBN: 1136119000
Category : Performing Arts
Languages : en
Pages : 546
Book Description
An annotated world theatre bibliography documenting significant theatre materials published world wide since 1945, plus an index to key names throughout the six volumes of the series.
New Theatre Quarterly 63: Volume 16, Part 3
Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521789035
Category : Drama
Languages : en
Pages : 66
Book Description
New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance, that theatre studies needs a methodology, and that theatre criticism needs a language. The journal publishes news, analysis and debate within the field of theatre studies. Articles in volume 63 include: Ventriloquism: the Voices of the Dead; Bodies, Rest and Motion: from Shiva's Cosmic Dance to Chaos Theory's Biodance; Computer Intelligence in the Theatre; Burmese Nights: Myanmar's Pagoda Festival in the Age of the Hollywood Titanic; Censoring the Uncensored: the Case of Children in Uniform; Henry Irving and the Staging of Spiritualism; Boal and the Shifting Sands: Unpolitical Master Swimmer.
Publisher: Cambridge University Press
ISBN: 9780521789035
Category : Drama
Languages : en
Pages : 66
Book Description
New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance, that theatre studies needs a methodology, and that theatre criticism needs a language. The journal publishes news, analysis and debate within the field of theatre studies. Articles in volume 63 include: Ventriloquism: the Voices of the Dead; Bodies, Rest and Motion: from Shiva's Cosmic Dance to Chaos Theory's Biodance; Computer Intelligence in the Theatre; Burmese Nights: Myanmar's Pagoda Festival in the Age of the Hollywood Titanic; Censoring the Uncensored: the Case of Children in Uniform; Henry Irving and the Staging of Spiritualism; Boal and the Shifting Sands: Unpolitical Master Swimmer.
The Making of Modern Burma
Author: Thant Myint-U
Publisher: Cambridge University Press
ISBN: 9780521799140
Category : History
Languages : en
Pages : 300
Book Description
Burma has often been portrayed as a timeless place, a country of egalitarian Buddhist villages, ruled successively by autocratic kings, British colonialists and, most recently, a military dictatorship. The Making of Modern Burma argues instead that many aspects of Burmese society today, from the borders of the state to the social structure of the countryside to the very notion of a Burmese identity, are largely the creations of the nineteenth century - a period of great change - away from the Ava-based polity of early modern times, and towards the 'British Burma' of the 1900s. The book provides a sophisticated and much-needed account of the period, and as such will be an important resource for policy makers and students as a basis for understanding contemporary politics and the challenges of the modern state. It will also be read by historians interested in the British colonial expansion of the nineteenth century.
Publisher: Cambridge University Press
ISBN: 9780521799140
Category : History
Languages : en
Pages : 300
Book Description
Burma has often been portrayed as a timeless place, a country of egalitarian Buddhist villages, ruled successively by autocratic kings, British colonialists and, most recently, a military dictatorship. The Making of Modern Burma argues instead that many aspects of Burmese society today, from the borders of the state to the social structure of the countryside to the very notion of a Burmese identity, are largely the creations of the nineteenth century - a period of great change - away from the Ava-based polity of early modern times, and towards the 'British Burma' of the 1900s. The book provides a sophisticated and much-needed account of the period, and as such will be an important resource for policy makers and students as a basis for understanding contemporary politics and the challenges of the modern state. It will also be read by historians interested in the British colonial expansion of the nineteenth century.
Dance, Drama, and Theatre in Thailand
Author: Mattani Mojdara Rutnin
Publisher: University of Washington Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 372
Book Description
Publisher: University of Washington Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 372
Book Description
Communities of Imagination
Author: Catherine Diamond
Publisher: University of Hawaii Press
ISBN: 0824835840
Category : Performing Arts
Languages : en
Pages : 406
Book Description
Asian theatre is usually studied from the perspective of the major traditions of China, Japan, India, and Indonesia. Now, in this wide-ranging look at the contemporary theatre scene in Southeast Asia, Catherine Diamond shows that performance in some of the lesser known theatre traditions offers a vivid and fascinating picture of the rapidly changing societies in the region. Diamond examines how traditional, modern, and contemporary dramatic works, with their interconnected styles, stories, and ideas, are being presented for local audiences. She not only places performances in their historical and cultural contexts but also connects them to the social, political, linguistic, and religious movements of the last two decades. Each chapter addresses theatre in a different country and highlights performances exhibiting the unique conditions and concerns of a particular place and time. Most performances revolve in some manner around “contemporary modernity,” questioning what it means—for good or ill—to be a part of the globalized world. Chapters are grouped by three general and overlapping themes. The first, which includes Thailand, Vietnam, and Bali, is characterized by the increased participation of women in the performing arts—not only as performers but also as playwrights and directors. Cambodia, Singapore, and Myanmar are linked by a shared concern with the effects of censorship on theatre production. A third group, the Philippines, Laos, and Malaysia, is distinguished by a focus on nationalism: theatres are either contributing to official versions of historical and political events or creating alternative narratives that challenge those interpretations. Communities of Imagination shows the many influences of the past and how the past continues to affect cultural perceptions. It addresses major trends, suggesting why they have developed and why they are popular with the public. It also underscores how theatre continues to attract new practitioners and reflect the changing aspirations and anxieties of societies in immediate and provocative ways even as it is being marginalized by television, film, and the internet. The book will be of interest to students and scholars of theatre and performance, Asian literature, Southeast Asian studies, cultural studies, and gender studies. Travelers wishing to attend local performances as part of their experience abroad will find it an essential reference to theatres of the region.
Publisher: University of Hawaii Press
ISBN: 0824835840
Category : Performing Arts
Languages : en
Pages : 406
Book Description
Asian theatre is usually studied from the perspective of the major traditions of China, Japan, India, and Indonesia. Now, in this wide-ranging look at the contemporary theatre scene in Southeast Asia, Catherine Diamond shows that performance in some of the lesser known theatre traditions offers a vivid and fascinating picture of the rapidly changing societies in the region. Diamond examines how traditional, modern, and contemporary dramatic works, with their interconnected styles, stories, and ideas, are being presented for local audiences. She not only places performances in their historical and cultural contexts but also connects them to the social, political, linguistic, and religious movements of the last two decades. Each chapter addresses theatre in a different country and highlights performances exhibiting the unique conditions and concerns of a particular place and time. Most performances revolve in some manner around “contemporary modernity,” questioning what it means—for good or ill—to be a part of the globalized world. Chapters are grouped by three general and overlapping themes. The first, which includes Thailand, Vietnam, and Bali, is characterized by the increased participation of women in the performing arts—not only as performers but also as playwrights and directors. Cambodia, Singapore, and Myanmar are linked by a shared concern with the effects of censorship on theatre production. A third group, the Philippines, Laos, and Malaysia, is distinguished by a focus on nationalism: theatres are either contributing to official versions of historical and political events or creating alternative narratives that challenge those interpretations. Communities of Imagination shows the many influences of the past and how the past continues to affect cultural perceptions. It addresses major trends, suggesting why they have developed and why they are popular with the public. It also underscores how theatre continues to attract new practitioners and reflect the changing aspirations and anxieties of societies in immediate and provocative ways even as it is being marginalized by television, film, and the internet. The book will be of interest to students and scholars of theatre and performance, Asian literature, Southeast Asian studies, cultural studies, and gender studies. Travelers wishing to attend local performances as part of their experience abroad will find it an essential reference to theatres of the region.