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Author: Becki Ross Publisher: University of Toronto Press ISBN: 1442697229 Category : History Languages : en Pages : 818
Book Description
After the Second World War, Vancouver emerged as a hotbed of striptease talent. In Burlesque West,the first critical history of this notorious striptease scene, Becki Ross delves into the erotic entertainment industry at the northern end of the dancers' west coast tour - the North-South route from Los Angeles to Vancouver that provided rotating work for dancers and variety for club clientele. Drawing on extensive archival materials and fifty first-person accounts of former dancers, strip-club owners, booking agents, choreographers, and musicians, Ross reveals stories that are deeply flavoured with an era before "striptease fell from grace because the world stopped dreaming," in the words of ex-dancer Lindalee Tracey. Though jobs in this particular industry are often perceived as having little in common with other sorts of work, retired dancers' accounts resonate surprisingly with those of contemporary service workers, including perceptions of unionization and workplace benefits and hazards. Ross also traces the sanitization and subsequent integration of striptease style and neo-burlesque trends into mass culture, examining continuity and change to ultimately demonstrate that Vancouver's glitzy nightclub scene, often condemned as a quasi-legal strain of urban blight, in fact greased the economic engine of the post-war city. Provocative and challenging, Burlesque West combines the economic, the social, the sexual, and the personal, and is sure to intellectually tantalize.
Author: Becki Ross Publisher: University of Toronto Press ISBN: 1442697229 Category : History Languages : en Pages : 818
Book Description
After the Second World War, Vancouver emerged as a hotbed of striptease talent. In Burlesque West,the first critical history of this notorious striptease scene, Becki Ross delves into the erotic entertainment industry at the northern end of the dancers' west coast tour - the North-South route from Los Angeles to Vancouver that provided rotating work for dancers and variety for club clientele. Drawing on extensive archival materials and fifty first-person accounts of former dancers, strip-club owners, booking agents, choreographers, and musicians, Ross reveals stories that are deeply flavoured with an era before "striptease fell from grace because the world stopped dreaming," in the words of ex-dancer Lindalee Tracey. Though jobs in this particular industry are often perceived as having little in common with other sorts of work, retired dancers' accounts resonate surprisingly with those of contemporary service workers, including perceptions of unionization and workplace benefits and hazards. Ross also traces the sanitization and subsequent integration of striptease style and neo-burlesque trends into mass culture, examining continuity and change to ultimately demonstrate that Vancouver's glitzy nightclub scene, often condemned as a quasi-legal strain of urban blight, in fact greased the economic engine of the post-war city. Provocative and challenging, Burlesque West combines the economic, the social, the sexual, and the personal, and is sure to intellectually tantalize.
Author: Jane Delacour Publisher: ISBN: Category : Languages : en Pages : 92
Book Description
Bourbon Street in New Orleans was a glamorous place with a long-held reputation for a good time. While the rest of America was getting more conservative, Bourbon Street became more salacious. Burlesque dancers filled the stages as live bands played to entice tourists inside the darkened bars. Evangeline the Oyster Girl was already a headling act in 1949, rising seductively out of her oyster shell, her erotic ballet filled the seats. Evangeline's star continued to rise until a new act rolled into town. Divina the Aqua Tease also had a water theme to her act which was now going to take the spotlight off of Evangeline. Divina wanted to be the new headliner, but Evangeline had other plans. New Orleans own 'Historian Jane' wrote this short read to showcase the amazing women who made Bourbon Street the place to be. 'Historian Jane' is a historian, tour guide, researcher, and author living in New Orleans where she shares the bad ass women who made New Orleans the cultural gem it has been for over 300 years.
Author: Jeremy Agnew Publisher: McFarland ISBN: 0786486457 Category : History Languages : en Pages : 244
Book Description
Miners, loggers, railroad men, and others flooded into the American West after the discovery of gold in 1848, and entertainers seeking to fill the demand for distraction from the workers' daily toil soon followed. Actors, actresses and traveling troupes crisscrossed the American frontier, performing in tents, saloons, fancy theaters, and the open air. This exploration of the heyday of popular theater in the Old West chronicles its emergence and growth from 1850 to the early twentieth century. Here is the story of the men and women who provided myriad types of entertainment in the Old West, and brought excitement, laughter and tears to generations of pioneers.
Author: Jill Watts Publisher: Oxford University Press ISBN: 9780195347678 Category : Biography & Autobiography Languages : en Pages : 404
Book Description
"Why don't you come up and see me sometime?" Mae West invited and promptly captured the imagination of generations. Even today, years after her death, the actress and author is still regarded as the pop archetype of sexual wantonness and ribald humor. But who was this saucy starlet, a woman who was controversial enough to be jailed, pursued by film censors and banned from the airwaves for the revolutionary content of her work, and yet would ascend to the status of film legend? Sifting through previously untapped sources, author Jill Watts unravels the enigmatic life of Mae West, tracing her early years spent in the Brooklyn subculture of boxers and underworld figures, and follows her journey through burlesque, vaudeville, Broadway and, finally, Hollywood, where she quickly became one of the big screen's most popular--and colorful--stars. Exploring West's penchant for contradiction and her carefully perpetuated paradoxes, Watts convincingly argues that Mae West borrowed heavily from African American culture, music, dance and humor, creating a subversive voice for herself by which she artfully challenged society and its assumptions regarding race, class and gender. Viewing West as a trickster, Watts demonstrates that by appropriating for her character the black tradition of double-speak and "signifying," West also may have hinted at her own African-American ancestry and the phenomenon of a black woman passing for white. This absolutely fascinating study is the first comprehensive, interpretive account of Mae West's life and work. It reveals a beloved icon as a radically subversive artist consciously creating her own complex image.
Author: Tino Balio Publisher: Univ of California Press ISBN: 9780520203341 Category : Business & Economics Languages : en Pages : 500
Book Description
The advent of color, big musicals, the studio system, and the beginning of institutionalized censorship made the thirties the defining decade for Hollywood. The year 1939, celebrated as "Hollywood's greatest year," saw the release of such memorable films as Gone with the Wind, The Wizard of Oz, and Stagecoach. It was a time when the studios exercised nearly absolute control over their product as well as over such stars as Bette Davis, Clark Gable, and Humphrey Bogart. In this fifth volume of the award-winning series History of the American Cinema, Tino Balio examines every aspect of the filmmaking and film exhibition system as it matured during the Depression era.
Author: Joe Masteroff Publisher: Newmarket Press ISBN: 9781557043832 Category : Performing Arts Languages : en Pages : 0
Book Description
The four 1998 Tony Awards given to the Roundabout Theatre's production of Cabaret add to the eight Tonys the musical won in 1966 and the eight Oscars the film version garnered in 1972. Surely one of the most acclaimed and beloved plays of all time, this modern classic is honored for the first time in a lavishly illustrated book. Here is the complete musical book by Joe Masteroff and all the words of the songs written by John Kander and Fred Ebb. It is illustrated with more than 100 photographs and drawings (including 74 in full color) of the original cast of the Roundabout 's smash Broadway production by Joan Marcus, never-before- published backstage photographs by Rivka Katvan, and archival photos of past productions. The accompanying text explores the evolution of the play in all its incarnations, from the 1930 stories of Christopher Isherwood to two films and three stage adaptations. Here are all the fantastic artists who have brought this play to life: Julie Harris (the original Sally Bowles), Joel Grey, Liza Minnelli, Natasha Richardson, Alan Cumming, Ron Rifkin, and directors Hal Prince, Bob Fosse, Sam Mendes, and Rob Marshall. Also featured are original drawings by costume designer William Ivey Long and set designer Robert Brill. For theatre lovers and film fans, for those who've seen the play and those who haven't, this book is an exclusive insider's glimpse into a stage and film phenomenon, one of the most astonishing artistic achievements of our time.
Author: James L. Neibaur Publisher: McFarland ISBN: 1476609993 Category : Performing Arts Languages : en Pages : 220
Book Description
From 1917 to 1919, Joseph Schenck produced a series of Comique comedies starring master movie comedian Roscoe "Fatty" Arbuckle and featuring an apprentice, Joseph Frank "Buster" Keaton. These films were initially deemed significant by modern archivists for representing the first movie appearances of Keaton, widely considered one of the most important figures in motion picture history. But the Comique films also remain the most important of Arbuckle's career because they feature him at the height of his cinematic genius and powers. The 14 short comedies starring Arbuckle and Keaton are incredibly important to the history of cinema and are analyzed in this book. After two chapters of biographical introductions, the rest of the book discusses their collaborative efforts and reveals the way in which the films evolved from Arbuckle's wild slapstick to feature more of the subtlety and cleverness of Keaton. Closing sections discuss what became of Arbuckle and Keaton afterward, commenting significantly on the scandal that undermined Arbuckle's career.
Author: Becki Ross
Author: Becki Ross
Author: Jane Delacour
Author: Jeremy Agnew
Author: Jill Watts
Author: Justus Nieland
Author: Rachel Shteir
Author: Tino Balio
Author: Joe Masteroff
Author: James L. Neibaur
Author: