Author: Craig Stewart Walker
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773520740
Category : Canadian drama
Languages : en
Pages : 481
Book Description
Over the last two decades Canadian drama has emerged as an important presence in international theatre. In The Buried Astrolabe Craig Walker offers a critical introduction to contemporary Canadian playwriting, providing a context for the study of Canadian drama and showing how it developed from Western European philosophical, literary, and dramatic traditions.
Buried Astrolabe
Author: Craig Stewart Walker
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773520740
Category : Canadian drama
Languages : en
Pages : 481
Book Description
Over the last two decades Canadian drama has emerged as an important presence in international theatre. In The Buried Astrolabe Craig Walker offers a critical introduction to contemporary Canadian playwriting, providing a context for the study of Canadian drama and showing how it developed from Western European philosophical, literary, and dramatic traditions.
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773520740
Category : Canadian drama
Languages : en
Pages : 481
Book Description
Over the last two decades Canadian drama has emerged as an important presence in international theatre. In The Buried Astrolabe Craig Walker offers a critical introduction to contemporary Canadian playwriting, providing a context for the study of Canadian drama and showing how it developed from Western European philosophical, literary, and dramatic traditions.
Premodern Ecologies in the Modern Literary Imagination
Author: Vin Nardizzi
Publisher: University of Toronto Press
ISBN: 1487504144
Category : Literary Criticism
Languages : en
Pages : 357
Book Description
Premodern Ecologies in the Modern Literary Imagination explores how the cognitive and physical landscapes in which scholars conduct research, write, and teach have shaped their understandings of medieval and Renaissance English literary "oecologies." The collection strives to practice what Ursula K. Heise calls "eco-cosmopolitanism," a method that imagines forms of local environmentalism as a defense against the interventions of open-market global networks. It also expands the idea's possibilities and identifies its limitations through critical studies of premodern texts, artefacts, and environmental history. The essays connect real environments and their imaginative (re)creations and affirm the urgency of reorienting humanity's responsiveness to, and responsibility for, the historical links between human and non-human existence. The discussion of ways in which meditation on scholarly place and time can deepen ecocritical work offers an innovative and engaging approach that will appeal to both ecocritics generally and to medieval and early modern scholars.
Publisher: University of Toronto Press
ISBN: 1487504144
Category : Literary Criticism
Languages : en
Pages : 357
Book Description
Premodern Ecologies in the Modern Literary Imagination explores how the cognitive and physical landscapes in which scholars conduct research, write, and teach have shaped their understandings of medieval and Renaissance English literary "oecologies." The collection strives to practice what Ursula K. Heise calls "eco-cosmopolitanism," a method that imagines forms of local environmentalism as a defense against the interventions of open-market global networks. It also expands the idea's possibilities and identifies its limitations through critical studies of premodern texts, artefacts, and environmental history. The essays connect real environments and their imaginative (re)creations and affirm the urgency of reorienting humanity's responsiveness to, and responsibility for, the historical links between human and non-human existence. The discussion of ways in which meditation on scholarly place and time can deepen ecocritical work offers an innovative and engaging approach that will appeal to both ecocritics generally and to medieval and early modern scholars.
Astrolabes in Medieval Cultures
Author:
Publisher: BRILL
ISBN: 9004387862
Category : History
Languages : en
Pages : 516
Book Description
First published as a special issue of the journal Medieval Encounters (vol. 23, 2017), this volume, edited by Josefina Rodríguez-Arribas, Charles Burnett, Silke Ackermann, and Ryan Szpiech, brings together fifteen studies on various aspects of the astrolabe in medieval cultures. The astrolabe, developed in antiquity and elaborated throughout the Middle Ages, was used for calculation, teaching, and observation, and also served astrological and medical purposes. It was the most popular and prestigious of the mathematical instruments, and was found equally among practitioners of various sciences and arts as among princes in royal courts. By considering sources and instruments from Muslim, Christian, and Jewish contexts, this volume provides state-of-the-art research on the history and use of the astrolabe throughout the Middle Ages. Contributors are Silke Ackermann, Emilia Calvo, John Davis, Laura Fernández Fernández, Miquel Forcada, Azucena Hernández, David A. King, Taro Mimura, Günther Oestmann, Josefina Rodríguez-Arribas, Sreeramula Rajeswara Sarma, Petra G. Schmidl, Giorgio Strano, Flora Vafea, and Johannes Thomann.
Publisher: BRILL
ISBN: 9004387862
Category : History
Languages : en
Pages : 516
Book Description
First published as a special issue of the journal Medieval Encounters (vol. 23, 2017), this volume, edited by Josefina Rodríguez-Arribas, Charles Burnett, Silke Ackermann, and Ryan Szpiech, brings together fifteen studies on various aspects of the astrolabe in medieval cultures. The astrolabe, developed in antiquity and elaborated throughout the Middle Ages, was used for calculation, teaching, and observation, and also served astrological and medical purposes. It was the most popular and prestigious of the mathematical instruments, and was found equally among practitioners of various sciences and arts as among princes in royal courts. By considering sources and instruments from Muslim, Christian, and Jewish contexts, this volume provides state-of-the-art research on the history and use of the astrolabe throughout the Middle Ages. Contributors are Silke Ackermann, Emilia Calvo, John Davis, Laura Fernández Fernández, Miquel Forcada, Azucena Hernández, David A. King, Taro Mimura, Günther Oestmann, Josefina Rodríguez-Arribas, Sreeramula Rajeswara Sarma, Petra G. Schmidl, Giorgio Strano, Flora Vafea, and Johannes Thomann.
The Cambridge Companion to Canadian Literature
Author: Eva-Marie Kröller
Publisher: Cambridge University Press
ISBN: 1108394124
Category : Literary Criticism
Languages : en
Pages :
Book Description
This fully revised second edition of The Cambridge Companion to Canadian Literature offers a comprehensive introduction to major writers, genres and topics. For this edition several chapters have been completely rewritten to reflect major developments in Canadian literature since 2004. Surveys of fiction, drama and poetry are complemented by chapters on Aboriginal writing, autobiography, literary criticism, writing by women and the emergence of urban writing. Areas of research that have expanded since the first edition include environmental concerns and questions of sexuality which are freshly explored across several different chapters. A substantial chapter on francophone writing is included. Authors such as Margaret Atwood, noted for her experiments in multiple literary genres, are given full consideration, as is the work of authors who have achieved major recognition, such as Alice Munro, recipient of the Nobel Prize for literature.
Publisher: Cambridge University Press
ISBN: 1108394124
Category : Literary Criticism
Languages : en
Pages :
Book Description
This fully revised second edition of The Cambridge Companion to Canadian Literature offers a comprehensive introduction to major writers, genres and topics. For this edition several chapters have been completely rewritten to reflect major developments in Canadian literature since 2004. Surveys of fiction, drama and poetry are complemented by chapters on Aboriginal writing, autobiography, literary criticism, writing by women and the emergence of urban writing. Areas of research that have expanded since the first edition include environmental concerns and questions of sexuality which are freshly explored across several different chapters. A substantial chapter on francophone writing is included. Authors such as Margaret Atwood, noted for her experiments in multiple literary genres, are given full consideration, as is the work of authors who have achieved major recognition, such as Alice Munro, recipient of the Nobel Prize for literature.
History of Literature in Canada
Author: Reingard M. Nischik
Publisher: Camden House
ISBN: 9781571133595
Category : History
Languages : en
Pages : 622
Book Description
The development of literature in Canada with an eye to its multicultural, multiethnic, multilingual nature. From modest colonial beginnings, literature in Canada has arrived at the center stage of world literature. Works by English-Canadian writers -- both established writers such as Margaret Atwood and new talents such as Yann Martel -- make regular appearances on international bestseller lists. French-Canadian literature has also found its own voice in the North American and francophone worlds. "CanLit" has likewise developed into a staple of academic interest, pursued in Canadian Studies programs in Canada and around the world. This volume draws on the expertise of scholars from Canada, Germany, Austria, and France, tracing Canadian literature from the indigenous oral tradition to thedevelopment of English-Canadian and French-Canadian literature since colonial times. Conceiving of Canada as a single but multifaceted culture, it accounts for specific characteristics of English- and French-Canadian literatures, such as the vital role of the short story in English Canada or that of the chanson in French Canada. Yet special attention is also paid to Aboriginal literature and to the pronounced transcultural, ethnically diverse character ofmuch contemporary Canadian literature, thus moving clearly beyond the traditions of the two founding nations. Contributors: Reingard M. Nischik, Eva Gruber, Iain M. Higgins, Guy Laflèche, Dorothee Scholl, Gwendolyn Davies, Tracy Ware, Fritz Peter Kirsch, Julia Breitbach, Lorraine York, Marta Dvorak, Jerry Wasserman, Ursula Mathis-Moser, Doris G. Eibl, Rolf Lohse, Sherrill Grace, Caroline Rosenthal, Martin Kuester, Nicholas Bradley, Anne Nothof, Georgiana Banita, Gilles Dupuis, and Andrea Oberhuber. Reingard M. Nischik is Professor of American Literature at the University of Constance, Germany.
Publisher: Camden House
ISBN: 9781571133595
Category : History
Languages : en
Pages : 622
Book Description
The development of literature in Canada with an eye to its multicultural, multiethnic, multilingual nature. From modest colonial beginnings, literature in Canada has arrived at the center stage of world literature. Works by English-Canadian writers -- both established writers such as Margaret Atwood and new talents such as Yann Martel -- make regular appearances on international bestseller lists. French-Canadian literature has also found its own voice in the North American and francophone worlds. "CanLit" has likewise developed into a staple of academic interest, pursued in Canadian Studies programs in Canada and around the world. This volume draws on the expertise of scholars from Canada, Germany, Austria, and France, tracing Canadian literature from the indigenous oral tradition to thedevelopment of English-Canadian and French-Canadian literature since colonial times. Conceiving of Canada as a single but multifaceted culture, it accounts for specific characteristics of English- and French-Canadian literatures, such as the vital role of the short story in English Canada or that of the chanson in French Canada. Yet special attention is also paid to Aboriginal literature and to the pronounced transcultural, ethnically diverse character ofmuch contemporary Canadian literature, thus moving clearly beyond the traditions of the two founding nations. Contributors: Reingard M. Nischik, Eva Gruber, Iain M. Higgins, Guy Laflèche, Dorothee Scholl, Gwendolyn Davies, Tracy Ware, Fritz Peter Kirsch, Julia Breitbach, Lorraine York, Marta Dvorak, Jerry Wasserman, Ursula Mathis-Moser, Doris G. Eibl, Rolf Lohse, Sherrill Grace, Caroline Rosenthal, Martin Kuester, Nicholas Bradley, Anne Nothof, Georgiana Banita, Gilles Dupuis, and Andrea Oberhuber. Reingard M. Nischik is Professor of American Literature at the University of Constance, Germany.
James Reaney on the Grid
Author: Stan Dragland
Publisher: The Porcupine's Quill
ISBN: 0889844526
Category : Literary Criticism
Languages : en
Pages : 324
Book Description
‘Set up a trellis for flowering plants to climb all over: it’s there but unseen, supporting all that floral leaf-green beauty.’ In James Reaney on the Grid, Stan Dragland examines an artist fiercely loyal to his artistic practice, deploying the metaphor of the grid to explore the inherited literary patterns and archetypes underpinning works of London poet, playwright and educator James Reaney. With extensive references to Reaney’s considerable oeuvre (from early publications such as A Suit of Nettles and The Box Social to what is arguably his master work, The Donnellys), and to an eclectic collection of theorists, artists and contemporaries whose ideas inform and respond to Reaney’s, Dragland seeks to reveal not only what Reaney’s work is about but also what it does. In so doing, he takes readers by the hand in a surprisingly personal ramble through the processes and productions of one of Southern Ontario’s most influential writers.
Publisher: The Porcupine's Quill
ISBN: 0889844526
Category : Literary Criticism
Languages : en
Pages : 324
Book Description
‘Set up a trellis for flowering plants to climb all over: it’s there but unseen, supporting all that floral leaf-green beauty.’ In James Reaney on the Grid, Stan Dragland examines an artist fiercely loyal to his artistic practice, deploying the metaphor of the grid to explore the inherited literary patterns and archetypes underpinning works of London poet, playwright and educator James Reaney. With extensive references to Reaney’s considerable oeuvre (from early publications such as A Suit of Nettles and The Box Social to what is arguably his master work, The Donnellys), and to an eclectic collection of theorists, artists and contemporaries whose ideas inform and respond to Reaney’s, Dragland seeks to reveal not only what Reaney’s work is about but also what it does. In so doing, he takes readers by the hand in a surprisingly personal ramble through the processes and productions of one of Southern Ontario’s most influential writers.
Text & Presentation, 2005
Author: Stratos E. Constantinidis
Publisher: McFarland
ISBN: 0786455403
Category : Performing Arts
Languages : en
Pages : 273
Book Description
Text & Presentation is an annual publication devoted to all aspects of theatre scholarship. It represents a selection of the best research presented at the international, interdisciplinary Comparative Drama Conference. This anthology includes papers from the 29th annual conference held in Northridge, California. Topics covered include drama in Ireland, Greece, England, Eastern Europe, Korea, Japan and North America.
Publisher: McFarland
ISBN: 0786455403
Category : Performing Arts
Languages : en
Pages : 273
Book Description
Text & Presentation is an annual publication devoted to all aspects of theatre scholarship. It represents a selection of the best research presented at the international, interdisciplinary Comparative Drama Conference. This anthology includes papers from the 29th annual conference held in Northridge, California. Topics covered include drama in Ireland, Greece, England, Eastern Europe, Korea, Japan and North America.
Transgressive Itineraries
Author: Marc Maufort
Publisher: Peter Lang
ISBN: 9789052011783
Category : Drama
Languages : en
Pages : 256
Book Description
The fast-growing body of postcolonial drama is progressively gaining its just recognition in the twentieth-century canon of English-language plays. From the vantage point of various samplings along the Trans-Pacific axis linking English Canada, Australia and New Zealand, this monograph seeks to document the significance of this emerging postcolonial theater. More specifically, it examines the myriad ways in which, over the last two decades, representative mainstream, ethnic and First Nations playwrights have dramatized Europe's «Other» in its multiple guises. In their efforts to match new content with innovative form, these artists have followed transgressive itineraries, redrawing the boundaries of conventional Western stage realism. Their new aesthetics often relies on techniques akin to Homi Bhabha's notions of hybridity and mimicry. The present study offers detailed analyses of the modes of hybridization through which Judith Thompson, Louis Nowra, Tomson Highway, Jack Davis, Hone Kouka, and other prominent writers have articulated subtle forms of psychic, grotesque, and mythic magic realism. Their legacy will undoubtedly affect the postcolonial dramaturgies of the twenty-first century.
Publisher: Peter Lang
ISBN: 9789052011783
Category : Drama
Languages : en
Pages : 256
Book Description
The fast-growing body of postcolonial drama is progressively gaining its just recognition in the twentieth-century canon of English-language plays. From the vantage point of various samplings along the Trans-Pacific axis linking English Canada, Australia and New Zealand, this monograph seeks to document the significance of this emerging postcolonial theater. More specifically, it examines the myriad ways in which, over the last two decades, representative mainstream, ethnic and First Nations playwrights have dramatized Europe's «Other» in its multiple guises. In their efforts to match new content with innovative form, these artists have followed transgressive itineraries, redrawing the boundaries of conventional Western stage realism. Their new aesthetics often relies on techniques akin to Homi Bhabha's notions of hybridity and mimicry. The present study offers detailed analyses of the modes of hybridization through which Judith Thompson, Louis Nowra, Tomson Highway, Jack Davis, Hone Kouka, and other prominent writers have articulated subtle forms of psychic, grotesque, and mythic magic realism. Their legacy will undoubtedly affect the postcolonial dramaturgies of the twenty-first century.
The Broadview Anthology of Drama, Volume 1: From Antiquity Through the Eighteenth Century
Author: Craig S. Walker
Publisher: Broadview Press
ISBN: 155111139X
Category : Drama
Languages : en
Pages : 866
Book Description
The Broadview Anthology of Drama: Plays from the Western Theatre is a chronological presentation of 43 plays in two volumes, ranging from the ancient theatre world to the present day. Each chapter focuses on a specific period and begins with an insightful introduction sketching the historical and theatrical landscape of that period. Contextualization for each play is provided through a thorough account of the literary and dramatic background of the play along with clear and comprehensive annotation. In addition, the editors have provided a glossary of terms used in the anthology to better equip students with a vocabulary for discussing the world of the stage.
Publisher: Broadview Press
ISBN: 155111139X
Category : Drama
Languages : en
Pages : 866
Book Description
The Broadview Anthology of Drama: Plays from the Western Theatre is a chronological presentation of 43 plays in two volumes, ranging from the ancient theatre world to the present day. Each chapter focuses on a specific period and begins with an insightful introduction sketching the historical and theatrical landscape of that period. Contextualization for each play is provided through a thorough account of the literary and dramatic background of the play along with clear and comprehensive annotation. In addition, the editors have provided a glossary of terms used in the anthology to better equip students with a vocabulary for discussing the world of the stage.
The Emblems of James Reaney
Author: Thomas Gerry
Publisher: The Porcupine's Quill
ISBN: 1180134265
Category : Literary Criticism
Languages : en
Pages : 204
Book Description
The literary emblem can trace its roots back to sixteenth-century English collections, which sought to reconcile classical philosophy with Christian doctrine. Consisting of images and verses, emblems challenged readers to use their wit and knowledge to deduce the connection between the visual and the textual. In The Emblems of James Reaney, former Reaney student and professor Thomas Gerry draws on his own considerable wit and knowledge to help readers understand the myth, mystery and meaning behind ten literary emblems, published in 1972 as ‘Two Chapters from an Emblem Book’ by poet, playwright and painter James Reaney. Gerry conducts an exhaustive investigation of the ‘magnetic arrangement’ that links each emblem with some of Reaney’s best-known fiction, poetry, drama and painting. His detailed analysis of the visual and verbal aspects of each emblem draws on alchemy, biblical mythology and Haitian voodoo. By referring to the influence and inspiration that Reaney drew from William Blake, Edmund Spenser, Northrop Frye and Carl Jung, Gerry reveals the overall cycle of meaning behind the emblems and shows how Reaney marries the opposing concepts of art and experience into a unified artistic vision. The Emblems of James Reaney presents a fascinating organizational scheme within which to study some of Reaney’s most beloved works, encouraging readers to frolic in the playbox of Reaney’s imagination and to revisit his work – and Canadian literature – with new eyes.
Publisher: The Porcupine's Quill
ISBN: 1180134265
Category : Literary Criticism
Languages : en
Pages : 204
Book Description
The literary emblem can trace its roots back to sixteenth-century English collections, which sought to reconcile classical philosophy with Christian doctrine. Consisting of images and verses, emblems challenged readers to use their wit and knowledge to deduce the connection between the visual and the textual. In The Emblems of James Reaney, former Reaney student and professor Thomas Gerry draws on his own considerable wit and knowledge to help readers understand the myth, mystery and meaning behind ten literary emblems, published in 1972 as ‘Two Chapters from an Emblem Book’ by poet, playwright and painter James Reaney. Gerry conducts an exhaustive investigation of the ‘magnetic arrangement’ that links each emblem with some of Reaney’s best-known fiction, poetry, drama and painting. His detailed analysis of the visual and verbal aspects of each emblem draws on alchemy, biblical mythology and Haitian voodoo. By referring to the influence and inspiration that Reaney drew from William Blake, Edmund Spenser, Northrop Frye and Carl Jung, Gerry reveals the overall cycle of meaning behind the emblems and shows how Reaney marries the opposing concepts of art and experience into a unified artistic vision. The Emblems of James Reaney presents a fascinating organizational scheme within which to study some of Reaney’s most beloved works, encouraging readers to frolic in the playbox of Reaney’s imagination and to revisit his work – and Canadian literature – with new eyes.