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Author: John Whitney Hall Publisher: Univ of California Press ISBN: 9780520028883 Category : History Languages : en Pages : 396
Book Description
The Muromachi age may well emerge in the eyes of historians as one of the most seminal periods in Japanese history. So concluded the participants in the 1973 Conference on Japan. The proceedings, as edited for this volume, reveal this new interpretation of the Muromachi age (1334-1573), which was among the most neglected and misunderstood chapters in Japanese history. Both Western and Japanese scholars looked upon the period chiefly as an interlude between a classical era (the Heian period) and an early modern age (the Tokugawa period), the interim being regarded as a time of social confusion and institutional decay. As they learned more, historians saw the Muromachi age giving rise to new patterns that became important elements in a distinctly Japanese tradition; e.g., the arts of noh drama, suiboku painting, landscape gardening and the tea ceremony were perfected during Muromachi times.The volume brings together the work of Japanese and American specialists and shows that many features of Edo-period culture were anticipated by Muromachi developments. Although the volume was first published nearly three decades ago, it remains of great interest for anyone wanting to know more about Japan's historical development.
Author: John Whitney Hall Publisher: Univ of California Press ISBN: 9780520028883 Category : History Languages : en Pages : 396
Book Description
The Muromachi age may well emerge in the eyes of historians as one of the most seminal periods in Japanese history. So concluded the participants in the 1973 Conference on Japan. The proceedings, as edited for this volume, reveal this new interpretation of the Muromachi age (1334-1573), which was among the most neglected and misunderstood chapters in Japanese history. Both Western and Japanese scholars looked upon the period chiefly as an interlude between a classical era (the Heian period) and an early modern age (the Tokugawa period), the interim being regarded as a time of social confusion and institutional decay. As they learned more, historians saw the Muromachi age giving rise to new patterns that became important elements in a distinctly Japanese tradition; e.g., the arts of noh drama, suiboku painting, landscape gardening and the tea ceremony were perfected during Muromachi times.The volume brings together the work of Japanese and American specialists and shows that many features of Edo-period culture were anticipated by Muromachi developments. Although the volume was first published nearly three decades ago, it remains of great interest for anyone wanting to know more about Japan's historical development.
Author: Michele Marra Publisher: University of Hawaii Press ISBN: 9780824815561 Category : Literary Criticism Languages : en Pages : 258
Book Description
"Filled with insights, original conclusions, and alternate readings of historical evidence.... What Michele Marra has done is to illuminate the political intent in artistic creation and thus add new depth to our historical understanding." --Japan Times
Author: Haruo Shirane Publisher: Columbia University Press ISBN: 0231504535 Category : Fiction Languages : en Pages : 601
Book Description
Haruo Shirane's critically acclaimed Traditional Japanese Literature: An Anthology, Beginnings to 1600, contains key examples of both high and low styles of poetry, drama, prose fiction, and essays. For this abridged edition, Shirane retains substantial excerpts from such masterworks as The Tale of Genji, The Tales of the Heike, The Pillow Book, the Man'yoshu, and the Kokinshu. He preserves his comprehensive survey of secular and religious anecdotes (setsuwa) as well as classical poems with extensive commentary. He features no drama; selections from influential war epics; and notable essays on poetry, fiction, history, and religion. Texts are interwoven to bring into focus common themes, styles, and allusions while inviting comparison and debate. The result is a rich encounter with ancient and medieval Japanese culture and history. Each text and genre is enhanced by extensive introductions that provide sociopolitical and cultural context. The anthology is organized by period, genre, and topic—an instructor-friendly structure—and a comprehensive bibliography guides readers toward further study. Praise for Traditional Japanese Literature: An Anthology, Beginnings to 1600 "Haruo Shirane has done a splendid job at this herculean task."—Joshua Mostow, University of British Columbia "A comprehensive and innovative anthology.... All of the introductions are excellent."—Journal of Asian Studies "One of those impressive, erudite, must-have titles for anyone interested in Asian literature."—Bloomsbury Review "An anthology that comprises superb translations of an exceptionally wide range of texts.... Highly recommended."—Choice "A wealth of material."—Monumenta Nipponica
Author: Jill Tilden Publisher: Laurence King ISBN: Category : Art Languages : en Pages : 232
Book Description
Presents 12 articles, each exploring the diversity of ideas and images found within Asian art. The contributions - from scholars, dealers and curators - analyze a range of media, including painting, calligraphy, carpets, textiles, frescos, furniture, metalwork, ceramics and temple architecture.
Author: Shelley Fenno Quinn Publisher: University of Hawaii Press ISBN: 9780824818272 Category : Performing Arts Languages : en Pages : 524
Book Description
The great noh actor, theorist, and playwright Zeami Motokiyo (ca. 1363-1443) is one of the major figures of world drama. His critical treatises have attracted international attention ever since their publication in the early 1900s. His corpus of work and ideas continues to offer a wealth of insights on issues ranging from the nature of dramatic illusion and audience interest to tactics for composing successful plays to issues of somaticity and bodily training. Shelley Fenno Quinn's impressive interpretive examination of Zeami's treatises addresses all of these areas as it outlines the development of the playwright's ideas on how best to cultivate attunement between performer and audience. Quinn begins by tracing Zeami's transformation of the largely mimetic stage art of his father's troupe into a theater of poiesis in which the playwright and actors aim for performances wherein dance and chant are re-keyed to the evocative power of literary memory. prosodies and associated auras with the flow of dance and chant led to the creation of a dramatic prototype that engaged and depended on the audience as never before.Later chapters examine a performance configuration created by Zeami (the nikyoku santal) as articulated in his mature theories on the training of the performer. Drawing on possible reference points from Buddhist and Daoist thought, the author argues that Zeami came to treat the nikyoku santai as a set of guidelines for bracketing the subjectivity of the novice actor, thereby allowing the actor to reach a certain skill level or threshold from which his freedom as an artist might begin.
Author: John Whitney Hall
Author: John Whitney Hall
Author: Harvard-Yenching Library
Author: Michele Marra
Author: Haruo Shirane
Author: Takeshi Sekiya
Author: 反町茂雄
Author: Jill Tilden
Author: Sotheby & Co. (London, England)
Author: Shelley Fenno Quinn
Author: