Bulletin of the Allen Memorial Art Museum, Oberlin, Ohio PDF Download

Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 480

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Author:
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 780

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Author: Christina Nielsen
Publisher: Cambridge Scholars Publishing
ISBN: 1527565572
Category : Art
Languages : en
Pages : 260

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This collection of essays, which derive from a symposium held at the Art Institute of Chicago in 2005, tells the story of how medieval art was collected by both individuals and institutions in the American Midwest. This book will appeal to both medievalists and scholars of nineteenth- and twentieth century American history. In addition, it will also appeal to scholars who are interested in museum studies and the history of collecting. The essays in the first section, “Collecting and Displaying Medieval Art,” consider the formation of medieval art collections at influential cultural institutions in three of the most important centers of industry and culture in the Midwest: Chicago, Detroit and Cleveland. The second section, “Medieval Art as Inspiration and Education,” examines the motives of both private donors and museum professionals in forming collections and establishing period rooms and cloistered spaces at museums in Toledo, Kansas City, and St. Louis, among others. At the opposite end of the spectrum was a new trend in curatorial practice, beginning in the 1930s, that favored the dismantling of period rooms and espoused displaying historical works of art in more distinctly modern settings, a theme that pervades section three, “Medieval Art and Modernism.” An essay on medieval art in Midwestern university art museums and another one that considers the impact of works from medieval collections in special exhibitions serve as a remarkable coda to the rest of the volume. Two appendices follow this, one that provides an overview of medieval art collections in Midwestern university museums and another which provides a biographical sketch of prominent dealers of medieval art from 1900-1950.

Author: Richard Offner
Publisher:
ISBN:
Category : Miniature painting, Italian
Languages : en
Pages : 632

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Author: Richard H. Axsom
Publisher: Hudson Hills
ISBN: 9781555951238
Category : Antiques & Collectibles
Languages : en
Pages : 468

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This magnificent volume documents the printmaking career of leading pop artist, influential creator of public monuments, and bravura draftsman Claes Oldenburg. Includes an important essay on Oldenburg's career and a catalogue of his entire printed oeuvre, from limited editions to ephemera. A must for scholars and collectors. 55 b&w illustrations, 52 duotones, 381 colorplates (including 2 gatefolds.

Author: Martin S. Lindauer
Publisher: Springer Science & Business Media
ISBN: 1441992022
Category : Psychology
Languages : en
Pages : 317

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This volume explores the strengths and opportunities of old age as these are manifested by the accomplishments of aging artists, late artistic works, and elderly arts audiences. It critically examines the psychology of creativity, cognitive development, and gerontology, and will be of interest to a wide range of professionals and students in these fields.

Author: Carl Andre
Publisher: MIT Press
ISBN: 0262543974
Category : Art
Languages : en
Pages : 341

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Statements, dialogue, letters, epigrams, and poems by sculptor Carl Andre, a central figure in minimalism. Just as Carl Andre's sculptures are "cuts" of elemental materials, his writings are condensed expressions, "cuts" of language that emphasize the part rather than the whole. Andre, a central figure in minimalism and one of the most influential sculptors of our time, does not produce the usual critical essay. He has said that he is "not a writer of prose," and the texts included in Cuts—the most comprehensive collection of his writings yet published—appear in a wide variety of forms that are pithy and poetic rather than prosaic. Some texts are statements, many of them fifty words or less, written for catalog entries and press releases. Others are Socratic dialogues, interwoven statements, or in the form of questionnaires and interviews. Still others are letters—public and private, lengthy missives and postcards. Some are epigrams and maxims (for example, on Damian Hirst: I DON'T FEAR HIS SHARK. I FEAR HIS FORMALDEHYDE) and some are planar poems, words and letters arranged and rearranged into different patterns. They are organized alphabetically by subject, under such entries as "Art and Capitalism," "Childhood," "Entropy (After Smithson)," "Matter," "My Work," "Other Artists," and "Poetry," and they include Andre's reflections on Michelangelo and Duchamp, on Stein and Marx, and such contemporaries as Eva Hesse, Robert Smithson, Robert Morris, and Damien Hirst. Carl Andre's writing and its materiality—its stress on the visual and tactile qualities of language—takes its place beside his sculpture and its materiality, its revelation of "matter as matter rather than matter as symbol." Both assert the ethical and political primacy of matter in a culture that prizes the replica, the insubstantial, and the virtual. "I am not an idealist as an artist," says Andre. "I try to discover my visions in the conditions of the world. It's the conditions which are important."

Author:
Publisher: UM Libraries
ISBN:
Category : Art, East Asian
Languages : en
Pages : 166

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Author: Matthew Baigell
Publisher: Taylor & Francis
ISBN: 0429688709
Category : Art
Languages : en
Pages : 406

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Alphabetically arranged and crossreferenced entries provide background information on major American painters, sculptors, printmakers, and photographers, plus important topics and movements central to American art from the sixteenth century to the present.

Author: J. Leclant
Publisher: BRILL
ISBN: 9004296239
Category : History
Languages : en
Pages : 384

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Book Description
This fourth volume of IBIS completes the first series of this analytical bibliography of publications concerning the spread of cults of Isis published between 1940 and 1969 (nos. 1167 to 1752). Authors have sometimes been driven to look beyond the limits of the Greco-Roman world and the field of the Isiac cults stricto sensu. Such is the case with Egyptian or Egyptisizing documents carried by Greek or Phonecian-Punic commerce towards the distant western coasts of the Mediterranean basin. The Egyptophile tradition in our European culture seems to have taken its place here too. Each of the literature reviews given here is accompanied by very precise bibliographical references for the publications concerned, as well as a detailed analysis of the contents of the publication and its contribution to the general themes of research. The authors have aimed to provide the most complete and practical research tool possible. Furthermore, a number of cross-references and additional bibliographical information have been provided in the notes. A detailed index of more than 150 pages allows not only a rapid consultation of the work, but also fairly direct access to complete bibliographies on the cults of Isis, the Aegyptiaca and Egyptian influences in the Greco-Roman world. Avec ce 4e volume d'IBIS se termine la première série de cette bibliographie analytique des publications relatives à la diffusion des cultes isiaques parues entre 1940 et 1969 (nos. 1167 à 1752). Les auteurs ont été parfois entrâinés à dépasser les limites du monde gréco-romain et le domaine des cultes isiaques stricto sensu. Tel est le cas pour les documents égyptiens ou égyptisants véhiculés par le commerce grec ou phénico-punique jusque vers les côtes lointaines de l'Ouest du bassin méditerranéen. La tradition de l'égyptophilie dans notre culture européenne a semblé également devoir prendre ici sa place. Pour chacune des 585 notices sont données les références bibliographiques très précises de la publication concernée, ainsi qu'une analyse détaillée du contenu de la publication et de son apport à nos thèmes de recherches. L'objectif des auteurs a été de fournir un instrument de travail le plus complet et le plus pratique possible. Aussi, de nombreux renvois et compléments bibliographiques ont-ils été fournis pour la plupart des notices. Un index minutieux de plus de 150 pages permet non seulement une consultation rapide de l'ouvrage, mais encore la constitution en quelque sorte immédiate de bibliographies complètes sur les cultes isiaques, les Aegyptiaca et les influences égyptiennes dans le monde gréco-romain. Destiné aux spécialistes des cultes orientaux, l'IBIS sera utile également à tous ceux qui travaillent sur l'Antiquité classique.