Author: Masanori Nagaoka
Publisher: Springer Nature
ISBN: 3030513165
Category : Social Science
Languages : en
Pages : 368
Book Description
This Open Access book explores heritage conservation ethics of post conflict and provides an important historical record of the possible reconstruction of the Bamiyan Buddha statues, which was inscribed in the UNESCO World Heritage List in Danger in 2003 as “Cultural Landscape and Archaeological Remains of the Bamiyan Valley”. With the condition that most surface of the original fragments of the Buddha statues were lost due to acts of deliberate destruction, this publication explores a reference point for conservation practitioners and policy makers around the world as they consider how to respond to on-going acts of destruction of cultural heritage. Whilst there has been an emerging debate to the ethics and nature of heritage reconstruction, this volume provides a plethora of ideas and approaches concerning the future treatment of the Bamiyan Buddha statues. It also addresses a number of fundamental questions on potential heritage reconstruction: how it will be done; who will decide; and what it should be done for. Moreover when it comes to the inscribed World Heritage properties, how can reconstructed heritage using non-original materials be considered to retain authenticity? With a view to serving as a precedent for potential decisions taken elsewhere in the world for cultural properties impacted by acts of violence and destruction, this volume introduces academic researches, experiences and observations of heritage conservation theory and practice of heritage reconstruction. It also addresses the issue not merely from the point of a material conservation philosophy but within the context of holistic strategies for the protection of human rights and promotion of peace building.
The Future of the Bamiyan Buddha Statues
Author: Masanori Nagaoka
Publisher: Springer Nature
ISBN: 3030513165
Category : Social Science
Languages : en
Pages : 368
Book Description
This Open Access book explores heritage conservation ethics of post conflict and provides an important historical record of the possible reconstruction of the Bamiyan Buddha statues, which was inscribed in the UNESCO World Heritage List in Danger in 2003 as “Cultural Landscape and Archaeological Remains of the Bamiyan Valley”. With the condition that most surface of the original fragments of the Buddha statues were lost due to acts of deliberate destruction, this publication explores a reference point for conservation practitioners and policy makers around the world as they consider how to respond to on-going acts of destruction of cultural heritage. Whilst there has been an emerging debate to the ethics and nature of heritage reconstruction, this volume provides a plethora of ideas and approaches concerning the future treatment of the Bamiyan Buddha statues. It also addresses a number of fundamental questions on potential heritage reconstruction: how it will be done; who will decide; and what it should be done for. Moreover when it comes to the inscribed World Heritage properties, how can reconstructed heritage using non-original materials be considered to retain authenticity? With a view to serving as a precedent for potential decisions taken elsewhere in the world for cultural properties impacted by acts of violence and destruction, this volume introduces academic researches, experiences and observations of heritage conservation theory and practice of heritage reconstruction. It also addresses the issue not merely from the point of a material conservation philosophy but within the context of holistic strategies for the protection of human rights and promotion of peace building.
Publisher: Springer Nature
ISBN: 3030513165
Category : Social Science
Languages : en
Pages : 368
Book Description
This Open Access book explores heritage conservation ethics of post conflict and provides an important historical record of the possible reconstruction of the Bamiyan Buddha statues, which was inscribed in the UNESCO World Heritage List in Danger in 2003 as “Cultural Landscape and Archaeological Remains of the Bamiyan Valley”. With the condition that most surface of the original fragments of the Buddha statues were lost due to acts of deliberate destruction, this publication explores a reference point for conservation practitioners and policy makers around the world as they consider how to respond to on-going acts of destruction of cultural heritage. Whilst there has been an emerging debate to the ethics and nature of heritage reconstruction, this volume provides a plethora of ideas and approaches concerning the future treatment of the Bamiyan Buddha statues. It also addresses a number of fundamental questions on potential heritage reconstruction: how it will be done; who will decide; and what it should be done for. Moreover when it comes to the inscribed World Heritage properties, how can reconstructed heritage using non-original materials be considered to retain authenticity? With a view to serving as a precedent for potential decisions taken elsewhere in the world for cultural properties impacted by acts of violence and destruction, this volume introduces academic researches, experiences and observations of heritage conservation theory and practice of heritage reconstruction. It also addresses the issue not merely from the point of a material conservation philosophy but within the context of holistic strategies for the protection of human rights and promotion of peace building.
Buddhist Monuments
Buddhist sculpture in clay
Author: Christian Luczanits
Publisher: Serindia Publications
ISBN: 9781932476026
Category : Art
Languages : en
Pages : 353
Book Description
Publisher: Serindia Publications
ISBN: 9781932476026
Category : Art
Languages : en
Pages : 353
Book Description
Lost Kingdoms: Hindu-Buddhist Sculpture of Early Southeast Asia
Author: Guy, John
Publisher: Metropolitan Museum of Art
ISBN: 1588395243
Category : Art
Languages : en
Pages : 338
Book Description
A fresh and exciting exploration of Southeast Asian history from the 5th to 9th century, seen through the lens of the region's sculpture
Publisher: Metropolitan Museum of Art
ISBN: 1588395243
Category : Art
Languages : en
Pages : 338
Book Description
A fresh and exciting exploration of Southeast Asian history from the 5th to 9th century, seen through the lens of the region's sculpture
Buddha in the Marketplace
Author: Alex John Catanese
Publisher: University of Virginia Press
ISBN: 0813943191
Category : Religion
Languages : en
Pages : 386
Book Description
Classical Tibetan Buddhist scriptures forbid the selling of Buddhist objects, and yet there is today a thriving market for Buddhist statues, paintings, and texts. In Buddha in the Marketplace, Alex John Catanese investigates this practice, which continues to be viewed as a form of "wrong livelihood" by modern Tibetan Buddhist scholars. Drawing on textual and historical sources, as well as ethnographic research conducted in the region of Amdo, Tibet, Catanese follows the trajectory of Buddhist objects from their status as noncommodities prior to the Cultural Revolution to their emergence as commodities on the open market in the modern period. The book examines why Tibetans have more recently begun to sell such objects for their personal livelihoods when their religious tradition condemns such business activities in the strongest possible terms. Addressing the various societal and religious ramifications of these commercial practices, Catanese illustrates how such activity is leading to significant cultural and economic changes, transforming the "moral economy" associated with Buddhist objects, and contributing to a reinterpretation of Tibetan Buddhist identity.
Publisher: University of Virginia Press
ISBN: 0813943191
Category : Religion
Languages : en
Pages : 386
Book Description
Classical Tibetan Buddhist scriptures forbid the selling of Buddhist objects, and yet there is today a thriving market for Buddhist statues, paintings, and texts. In Buddha in the Marketplace, Alex John Catanese investigates this practice, which continues to be viewed as a form of "wrong livelihood" by modern Tibetan Buddhist scholars. Drawing on textual and historical sources, as well as ethnographic research conducted in the region of Amdo, Tibet, Catanese follows the trajectory of Buddhist objects from their status as noncommodities prior to the Cultural Revolution to their emergence as commodities on the open market in the modern period. The book examines why Tibetans have more recently begun to sell such objects for their personal livelihoods when their religious tradition condemns such business activities in the strongest possible terms. Addressing the various societal and religious ramifications of these commercial practices, Catanese illustrates how such activity is leading to significant cultural and economic changes, transforming the "moral economy" associated with Buddhist objects, and contributing to a reinterpretation of Tibetan Buddhist identity.
Cave Temples of Dunhuang
Author: Neville Agnew
Publisher: Getty Publications
ISBN: 1606064894
Category : Art
Languages : en
Pages : 312
Book Description
The Mogao grottoes in northwestern China, located near the town of Dunhuang on the fabled Silk Road, constitute one of the world’s most significant sites of Buddhist art. Preserved in some five hundred caves carved into rock cliffs at the edge of the Gobi Desert are one thousand years of exquisite wall paintings and sculpture. Founded by Buddhist monks in the late fourth century, Mogao grew into an artistic and spiritual center whose renown extended from the Chinese capital to the far western kingdoms of the Silk Road. Among its treasures are 45,000 square meters of murals, more than 2,000 statues, and over 40,000 medieval silk paintings and illustrated manuscripts. This sumptuous catalogue accompanies an exhibition of the same name, which will run from May 7 through September 4, 2016, at the Getty Center. Organized by the Getty Conservation Institute, Getty Research Institute, Dunhuang Academy, and Dunhuang Foundation, the exhibition celebrates a decades-long collaboration between the GCI and the Dunhuang Academy to conserve this UNESCO World Heritage Site. It presents, for the first time in North America, a collection of objects from the so-called Library Cave, including illustrated sutras, prayer books, and other exquisite treasures, as well as three full-scale, handpainted replica caves. This volume includes essays by leading scholars, an illustrated portfolio on the replica caves, and comprehensive entries on all objects in the exhibition.
Publisher: Getty Publications
ISBN: 1606064894
Category : Art
Languages : en
Pages : 312
Book Description
The Mogao grottoes in northwestern China, located near the town of Dunhuang on the fabled Silk Road, constitute one of the world’s most significant sites of Buddhist art. Preserved in some five hundred caves carved into rock cliffs at the edge of the Gobi Desert are one thousand years of exquisite wall paintings and sculpture. Founded by Buddhist monks in the late fourth century, Mogao grew into an artistic and spiritual center whose renown extended from the Chinese capital to the far western kingdoms of the Silk Road. Among its treasures are 45,000 square meters of murals, more than 2,000 statues, and over 40,000 medieval silk paintings and illustrated manuscripts. This sumptuous catalogue accompanies an exhibition of the same name, which will run from May 7 through September 4, 2016, at the Getty Center. Organized by the Getty Conservation Institute, Getty Research Institute, Dunhuang Academy, and Dunhuang Foundation, the exhibition celebrates a decades-long collaboration between the GCI and the Dunhuang Academy to conserve this UNESCO World Heritage Site. It presents, for the first time in North America, a collection of objects from the so-called Library Cave, including illustrated sutras, prayer books, and other exquisite treasures, as well as three full-scale, handpainted replica caves. This volume includes essays by leading scholars, an illustrated portfolio on the replica caves, and comprehensive entries on all objects in the exhibition.
Monastery, Monument, Museum
Author: Maurizio Peleggi
Publisher: University of Hawaii Press
ISBN: 0824866096
Category : History
Languages : en
Pages : 289
Book Description
Ranging across the longue durée of Thailand’s history, Monastery, Monument, Museum is an eminently readable and original contribution to the study of the kingdom’s art and culture. Eschewing issues of dating, style, and iconography, historian Maurizio Peleggi addresses distinct types of artifacts and artworks as both the products and vehicles of cultural memory. From the temples of Chiangmai to the Emerald Buddha, from the National Museum of Bangkok to the prehistoric culture of Northeast Thailand, and from the civic monuments of the 1930s to the political artworks of the late twentieth century, even well-known artworks and monuments reveal new meanings when approached from this perspective. Part I, “Sacred Geographies,” focuses on the premodern era, when religious credence informed the cultural alteration of landscape, and devotional sites and artifacts, including visual representation of the Buddhist cosmology, were created. Part II, “Antiquities, Museums, and National History,” covers the 1830s through the 1970s, when antiquarianism, and eventually archaeology, emerged and developed in the kingdom, partly the result of a shift in the elites’ worldview and partly a response to colonial and neocolonial projects of knowledge. Part III, “Discordant Mnemoscapes,” deals with civic monuments and artworks that anchor memory of twentieth-century political events and provide stages for both their commemoration and counter-commemoration by evoking the country’s embattled political present. Monastery, Monument, Museum shows us how cultural memory represents a kind of palimpsest, the result of multiple inscriptions, reworkings, and manipulations over time. The book will be a rewarding read for historians, art historians, anthropologists, and Buddhism scholars working on Thailand and Southeast Asia generally, as well as for academic and general readers with an interest in memory and material culture.
Publisher: University of Hawaii Press
ISBN: 0824866096
Category : History
Languages : en
Pages : 289
Book Description
Ranging across the longue durée of Thailand’s history, Monastery, Monument, Museum is an eminently readable and original contribution to the study of the kingdom’s art and culture. Eschewing issues of dating, style, and iconography, historian Maurizio Peleggi addresses distinct types of artifacts and artworks as both the products and vehicles of cultural memory. From the temples of Chiangmai to the Emerald Buddha, from the National Museum of Bangkok to the prehistoric culture of Northeast Thailand, and from the civic monuments of the 1930s to the political artworks of the late twentieth century, even well-known artworks and monuments reveal new meanings when approached from this perspective. Part I, “Sacred Geographies,” focuses on the premodern era, when religious credence informed the cultural alteration of landscape, and devotional sites and artifacts, including visual representation of the Buddhist cosmology, were created. Part II, “Antiquities, Museums, and National History,” covers the 1830s through the 1970s, when antiquarianism, and eventually archaeology, emerged and developed in the kingdom, partly the result of a shift in the elites’ worldview and partly a response to colonial and neocolonial projects of knowledge. Part III, “Discordant Mnemoscapes,” deals with civic monuments and artworks that anchor memory of twentieth-century political events and provide stages for both their commemoration and counter-commemoration by evoking the country’s embattled political present. Monastery, Monument, Museum shows us how cultural memory represents a kind of palimpsest, the result of multiple inscriptions, reworkings, and manipulations over time. The book will be a rewarding read for historians, art historians, anthropologists, and Buddhism scholars working on Thailand and Southeast Asia generally, as well as for academic and general readers with an interest in memory and material culture.
In Praise of Tara
Author: Martin Willson
Publisher: Wisdom Publications
ISBN: 9780861711093
Category : Religion
Languages : en
Pages : 496
Book Description
Amongst all Buddhist deities, the most dearly loved is the blissful, beautiful, and often mischievous goddess Tara. A bodhisattva, she defied tradition when she attained omniscience in female form. As mother goddess, she embodies the feminine archetype in us all and shares a close kinship with Demeter, Inanna, and the Virgin Mary. And as deity of tantric Buddhism, she acts with lightning speed to aid those in distress and fulfill her supplicants' wishes. For centuries, Tara has inspired some of the most marvelous Buddhist literature ever written. This collection includes a history of the origin of the Tara Tantra, canonical and practice texts, and lyrical praises.
Publisher: Wisdom Publications
ISBN: 9780861711093
Category : Religion
Languages : en
Pages : 496
Book Description
Amongst all Buddhist deities, the most dearly loved is the blissful, beautiful, and often mischievous goddess Tara. A bodhisattva, she defied tradition when she attained omniscience in female form. As mother goddess, she embodies the feminine archetype in us all and shares a close kinship with Demeter, Inanna, and the Virgin Mary. And as deity of tantric Buddhism, she acts with lightning speed to aid those in distress and fulfill her supplicants' wishes. For centuries, Tara has inspired some of the most marvelous Buddhist literature ever written. This collection includes a history of the origin of the Tara Tantra, canonical and practice texts, and lyrical praises.
Buddhist Art
Author: Gilles Béguin
Publisher:
ISBN: 9789749863879
Category : Buddhist art
Languages : en
Pages : 0
Book Description
An historical and cultural journey through Buddhist art.
Publisher:
ISBN: 9789749863879
Category : Buddhist art
Languages : en
Pages : 0
Book Description
An historical and cultural journey through Buddhist art.
Buddhist Art and Architecture
Author: Robert E. Fisher
Publisher: Thames & Hudson
ISBN: 9780500202654
Category : Art
Languages : en
Pages : 216
Book Description
Buddhism is the single common thread uniting the Asian world, from India to South-East Asia and through Central Asia to China, Korea and Japan.
Publisher: Thames & Hudson
ISBN: 9780500202654
Category : Art
Languages : en
Pages : 216
Book Description
Buddhism is the single common thread uniting the Asian world, from India to South-East Asia and through Central Asia to China, Korea and Japan.