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Author: Maximiliaan P.J. Martens Publisher: ISBN: Category : Art Languages : en Pages : 330
Book Description
This illustrated and wide-ranging study brings Bruges' Renaissance to life. It opens in the 1480s, when artist Gerard David settled in Bruges and Hans Mernling was painting some of his greatest masterpieces, and ends in 1584, when Pieter Pourbus, the most important painter working in Bruges in the second half of the sixteenth century, died in the port city. Essays by a team of experts explore the artistic developments of the intervening nine decades, with a focus on the spread of ideas from the Italian Renaissance to northern Europe. Through trade, the migration of artists, and the circulation of art works, new intellectual and aesthetic standards seeped into local artists' work, resulting in the glorious images that are so beautifully reproduced in this volume.
Author: Maximiliaan P.J. Martens Publisher: ISBN: Category : Art Languages : en Pages : 330
Book Description
This illustrated and wide-ranging study brings Bruges' Renaissance to life. It opens in the 1480s, when artist Gerard David settled in Bruges and Hans Mernling was painting some of his greatest masterpieces, and ends in 1584, when Pieter Pourbus, the most important painter working in Bruges in the second half of the sixteenth century, died in the port city. Essays by a team of experts explore the artistic developments of the intervening nine decades, with a focus on the spread of ideas from the Italian Renaissance to northern Europe. Through trade, the migration of artists, and the circulation of art works, new intellectual and aesthetic standards seeped into local artists' work, resulting in the glorious images that are so beautifully reproduced in this volume.
Author: Paul Huvenne Publisher: ISBN: 9789055442348 Category : Art Languages : en Pages : 319
Book Description
This illustrated and wide-ranging study brings Bruges' Renaissance to life. It opens in the 1480s, when artist Gerard David settled in Bruges and Hans Mernling was painting some of his greatest masterpieces, and ends in 1584, when Pieter Pourbus, the most important painter working in Bruges in the second half of the sixteenth century, died in the port city. Essays by a team of experts explore the artistic developments of the intervening nine decades, with a focus on the spread of ideas from the Italian Renaissance to northern Europe. Through trade, the migration of artists, and the circulation of art works, new intellectual and aesthetic standards seeped into local artists' work, resulting in the glorious images that are so beautifully reproduced in this volume.
Author: Julie De Groot Publisher: Leuven University Press ISBN: 9462703175 Category : History Languages : en Pages : 322
Book Description
Domestic materiality in a remarkable European city How did citizens in Bruges create a home? What did an ordinary domestic interior look like in the sixteenth century? And more importantly: how does one study the domestic culture of bygone times by analysing documents such as probate inventories? These questions seem straightforward, yet few endeavours are more challenging than reconstructing a sixteenth-century domestic reality from written sources. This book takes full advantage of the inventory and convincingly frames household objects in their original context of use. Meticulously connecting objects, people and domestic spaces, the book introduces the reader to the rich material world of Bruges citizens in the Renaissance, their sensory engagement, their religious practice, the role of women, and other social factors. By weaving insights from material culture studies with urban history, At Home in Renaissance Bruges offers an appealing and holistic mixture of in-depth socio-economic, cultural and material analysis. In its approach the book goes beyond heavy-handed theories and stereotypes about the exquisite taste of aristocratic elites, focusing instead on the domestic materiality of Bruges’ middling groups. Evocatively illustrated with contemporary paintings from Bruges and beyond, this monograph shows a nuanced picture of domestic materiality in a remarkable European city.
Author: Maryan W. Ainsworth Publisher: Metropolitan Museum of Art ISBN: 0810964821 Category : Painting, Renaissance Languages : en Pages : 246
Book Description
This study is an important new account of the life and work of the flemish master Petrus Christus. It is the first volume to focus specifically on the physical characteristics of his works as criteria for judging attribution, dating, and the extent to which he was indebted to Jan Van Eyck and other artists for the development of his technique and style.
Author: Jean C. Wilson Publisher: Penn State Press ISBN: 9780271044071 Category : Art Languages : en Pages : 286
Book Description
Wilson (art history, State U. of New York-Binghamton) examines the origins and nature of the demand for painting in Bruges over the course of the 15th century. She traces the combined influences of the opulent Burgundian court, an affluent urban bourgeoisie, and an increasingly expanding community of painters, and the effects of this dynamic social configuration on the newly emerging art of oil painting, the community of painters, and their workshop and marketing practices. Superb bandw illustrations throughout. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Andrew Brown Publisher: Cambridge University Press ISBN: 1108318096 Category : History Languages : en Pages : 796
Book Description
Bruges was undoubtedly one of the most important cities in medieval Europe. Bringing together specialists from both archaeology and history, this 'total' history presents an integrated view of the city's history from its very beginnings, tracing its astonishing expansion through to its subsequent decline in the sixteenth century. The authors' analysis of its commercial growth, industrial production, socio-political changes, and cultural creativity is grounded in an understanding of the city's structure, its landscape and its built environment. More than just a biography of a city, this book places Bruges within a wider network of urban and rural development and its history in a comparative framework, thereby offering new insights into the nature of a metropolis.
Author: Barbara G. Lane Publisher: ISBN: 9781905375196 Category : Painting, Flemish Languages : en Pages : 0
Book Description
Hans Memling was the leading painter in Bruges during the last quarter of the fifteenth century, receiving commissions from patrons in England, Germany and Italy as well as Flanders itself. For the Romantics of the nineteenth century, he ranked even above Jan van Eyck as the greatest of the Flemish primitives. By the middle of the twentieth century, however, his exalted reputation had declined sharply under the shadow of his presumed teacher, Rogier van der Weyden. In 1953, Panofsky labelled Memling a major minor master, leading subsequent writers to consider him unworthy of serious study. It was only in 1994, the five-hundredth anniversary of his death, that the major exhibition on Memling in Bruges launched a veritable flood of publications on his life and work, finally granting him the recognition he deserves.This book contributes to the ongoing reappraisal of Memling by addressing some of the tantalizing problems that remain unresolved despite much recent study of his work. Beginning with the question of his training, the text follows him on his Wanderjahre from his native Germany to Bruges, where he became a citizen in 1465. It then considers his activities as a master painter in Bruges, concentrating on the late fifteenth and early sixteenth centuries, including the work of such major artists as Leonardo da Vinci and Raphael.
Author: Maximiliaan P.J. Martens
Author: Maximiliaan P.J. Martens
Author: Paul Huvenne
Author: Maximiliaan P. J. Martens
Author: Julie De Groot
Author: Metropolitan Museum of Art (New York, N.Y.)
Author: 
Author: Maryan W. Ainsworth
Author: Jean C. Wilson
Author: Andrew Brown
Author: Barbara G. Lane