Author: George Herbert Ely
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 307
Book Description
Start a journey through the tumultuous Russo-Japanese War in 'Brown of Moukden', a novel by George Herbert Ely. Step into the vibrant city of Moukden, where the streets come alive with a kaleidoscope of colors and bustling activity. Amidst the bustling crowds, a young English lad stands out, navigating the diverse cultures and captivating sights. As the story unfolds, secrets, intrigue, and the quest for survival intertwine against the backdrop of war.
Brown of Moukden
Author: George Herbert Ely
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 307
Book Description
Start a journey through the tumultuous Russo-Japanese War in 'Brown of Moukden', a novel by George Herbert Ely. Step into the vibrant city of Moukden, where the streets come alive with a kaleidoscope of colors and bustling activity. Amidst the bustling crowds, a young English lad stands out, navigating the diverse cultures and captivating sights. As the story unfolds, secrets, intrigue, and the quest for survival intertwine against the backdrop of war.
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 307
Book Description
Start a journey through the tumultuous Russo-Japanese War in 'Brown of Moukden', a novel by George Herbert Ely. Step into the vibrant city of Moukden, where the streets come alive with a kaleidoscope of colors and bustling activity. Amidst the bustling crowds, a young English lad stands out, navigating the diverse cultures and captivating sights. As the story unfolds, secrets, intrigue, and the quest for survival intertwine against the backdrop of war.
The Publisher
The Speaker
Over the Top
Author: Michael Paris
Publisher: Bloomsbury Publishing USA
ISBN: 0313057087
Category : History
Languages : en
Pages : 216
Book Description
During the Great War, books and stories for young men were frequently used as unofficial propaganda for recruitment and to sell the war to British youth as a moral crusade. Until now, this literature has been neglected by academics, but the image of the war these fictions created was remarkably enduring and, despite the appearance of post-war literature of disillusioned veterans, continued to shape the attitudes of the young well into the 1930s. This is the first detailed account of how adventure fiction represented the Great War for British boys between 1914 and the end of the war. Paris examines how such literature explained the causes of the war to boys and girls and how it encouraged young men to participate in the noble crusade on the Western Front and in other theaters. He explores the imagery of the trenches, the war in the air, and the nature of war in the Middle East and Africa. He also details the links between popular writers and the official literary propaganda campaign. The study concludes by looking at how these heroic images remained in print, enduring well into the inter-war years.
Publisher: Bloomsbury Publishing USA
ISBN: 0313057087
Category : History
Languages : en
Pages : 216
Book Description
During the Great War, books and stories for young men were frequently used as unofficial propaganda for recruitment and to sell the war to British youth as a moral crusade. Until now, this literature has been neglected by academics, but the image of the war these fictions created was remarkably enduring and, despite the appearance of post-war literature of disillusioned veterans, continued to shape the attitudes of the young well into the 1930s. This is the first detailed account of how adventure fiction represented the Great War for British boys between 1914 and the end of the war. Paris examines how such literature explained the causes of the war to boys and girls and how it encouraged young men to participate in the noble crusade on the Western Front and in other theaters. He explores the imagery of the trenches, the war in the air, and the nature of war in the Middle East and Africa. He also details the links between popular writers and the official literary propaganda campaign. The study concludes by looking at how these heroic images remained in print, enduring well into the inter-war years.
Fighting with French : A Tale of the New Army
Author: Herbert Strang
Publisher: HODDER AND STOUGHTON
ISBN:
Category :
Languages : en
Pages : 285
Book Description
Fighting with French : A Tale of the New Army At six o'clock next morning sergeant-majors and corporals went round the hall stirring up the sleepers. There were groans and grumbles, but the men turned out, and there was a general dash for the washing basins--one among twenty men--and a free fight for the razors. Our two friends had brought their own safeties and pocket mirrors, and when they had finished operating upon their downy cheeks there was a competition among their new messmates for the loan of those indispensable articles. "Your bristles will ruin a blade in no time, Ginger," said Harry, as he handed over the razor, somewhat ruefully. "Perseverance, that's all you want," replied Ginger, through the lather. "Yours 'll be as hard as mine in time." At half-past six each man seized a mug and rushed off to the cook-house across the yard for cocoa. They sat about the hall, swilling the morning beverage, grumbling at the blankets, asking one another who'd be a soldier; then they rubbed up their boots and made their beds, and were ready for the seven o'clock parade. Dressed only in their shirts and slacks they formed up in the drill-hall. There was a good deal of disorder, and the N.C.O.'s, in early-morning temper, roared above the din. It happened that Dick Kennedy was orderly officer for the week. When the men were at last ranged in ranks, dressed, and numbered by the sergeants, he posted himself in front and, with a nervous twitching of the lips, said gently— "Battalion, 'shun!" "Louder, louder!" whispered a fellow-officer who had come up behind him. "This isn't a mothers' meeting." The second lieutenant tried again. "Battalion, 'shun! Advance in fours from the right. Form fours!" Some of the men knew what to do, but many of the new recruits looked about them blankly. "You don't know the movements?" said the lieutenant. "Well, when I say 'form fours,' even numbers take one pace to the left with the left foot and one pace to the right with the right. Now, form fours!" The result was disorder--jostling in the ranks, cries of "Who're you a-shoving of!" "Sorry! My mistake!" said Kennedy, with a smile. "We'll try again. I should have said, 'one pace to the rear with the left foot.' Now then, form fours!" His cheerfulness won the men's sympathy, and the order being now correctly carried out, one or two of them cheered. "Silence in the ranks!" roared Kennedy. "Right! Quick march!" and the battalion marched off. The day's work began with a run for three-quarters of an hour, to the bank of a river some two miles away. A "run" so called, for it consisted of slow and quick march and doubling in turn. At eight o'clock they were back in the hall for breakfast: tea, bread and bacon, sausage or cheese. The provisions were good, the men had healthy appetites, and at 9.15, when the battalion orders of the day were read, they were contented and cheerful.
Publisher: HODDER AND STOUGHTON
ISBN:
Category :
Languages : en
Pages : 285
Book Description
Fighting with French : A Tale of the New Army At six o'clock next morning sergeant-majors and corporals went round the hall stirring up the sleepers. There were groans and grumbles, but the men turned out, and there was a general dash for the washing basins--one among twenty men--and a free fight for the razors. Our two friends had brought their own safeties and pocket mirrors, and when they had finished operating upon their downy cheeks there was a competition among their new messmates for the loan of those indispensable articles. "Your bristles will ruin a blade in no time, Ginger," said Harry, as he handed over the razor, somewhat ruefully. "Perseverance, that's all you want," replied Ginger, through the lather. "Yours 'll be as hard as mine in time." At half-past six each man seized a mug and rushed off to the cook-house across the yard for cocoa. They sat about the hall, swilling the morning beverage, grumbling at the blankets, asking one another who'd be a soldier; then they rubbed up their boots and made their beds, and were ready for the seven o'clock parade. Dressed only in their shirts and slacks they formed up in the drill-hall. There was a good deal of disorder, and the N.C.O.'s, in early-morning temper, roared above the din. It happened that Dick Kennedy was orderly officer for the week. When the men were at last ranged in ranks, dressed, and numbered by the sergeants, he posted himself in front and, with a nervous twitching of the lips, said gently— "Battalion, 'shun!" "Louder, louder!" whispered a fellow-officer who had come up behind him. "This isn't a mothers' meeting." The second lieutenant tried again. "Battalion, 'shun! Advance in fours from the right. Form fours!" Some of the men knew what to do, but many of the new recruits looked about them blankly. "You don't know the movements?" said the lieutenant. "Well, when I say 'form fours,' even numbers take one pace to the left with the left foot and one pace to the right with the right. Now, form fours!" The result was disorder--jostling in the ranks, cries of "Who're you a-shoving of!" "Sorry! My mistake!" said Kennedy, with a smile. "We'll try again. I should have said, 'one pace to the rear with the left foot.' Now then, form fours!" His cheerfulness won the men's sympathy, and the order being now correctly carried out, one or two of them cheered. "Silence in the ranks!" roared Kennedy. "Right! Quick march!" and the battalion marched off. The day's work began with a run for three-quarters of an hour, to the bank of a river some two miles away. A "run" so called, for it consisted of slow and quick march and doubling in turn. At eight o'clock they were back in the hall for breakfast: tea, bread and bacon, sausage or cheese. The provisions were good, the men had healthy appetites, and at 9.15, when the battalion orders of the day were read, they were contented and cheerful.
The Golden Galleon
Author: Robert Leighton
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 254
Book Description
Peter Trollope was a barber-surgeon. He carried on his useful art (for in his deft hands it was in truth an art) at the sign of the Pestle and Mortar, down against Sutton Pool. He was a great man in Plymouth town, by reason of his entertaining talk and his skill alike in surgery and in hairdressing; and his little shop was the lounging-place of all the idle young gallants of the port, who came in to discuss the latest news from London, to gossip about their neighbours' affairs and about the ships, or to learn the tricks and fashions in the new art of taking tobacco. Men who had received sword-wounds in street frays or damaged skulls in tavern brawls came to him to have their hurts dressed and plastered; he had a famous tincture[Pg 14] for the toothache, a certain remedy for melancholy, and at curing the common ailments of children and old women no doctor in the town could beat him. Mariners just home after a long voyage came to him to have their overgrown locks shorn and their beards singed. Poor workmen and apprentices came to him to be polled for twopence, were soon trimmed round as a cheese, and dismissed with a hearty "God speed you, my master!" There were many high and mighty gentlemen among his customers too, I do assure you; for he had starched the beard of the great Sir Walter Raleigh, curled the moustachios of brave Sir Francis Drake, and tied up the lovelocks of courtly Sir Anthony Killigrew.
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 254
Book Description
Peter Trollope was a barber-surgeon. He carried on his useful art (for in his deft hands it was in truth an art) at the sign of the Pestle and Mortar, down against Sutton Pool. He was a great man in Plymouth town, by reason of his entertaining talk and his skill alike in surgery and in hairdressing; and his little shop was the lounging-place of all the idle young gallants of the port, who came in to discuss the latest news from London, to gossip about their neighbours' affairs and about the ships, or to learn the tricks and fashions in the new art of taking tobacco. Men who had received sword-wounds in street frays or damaged skulls in tavern brawls came to him to have their hurts dressed and plastered; he had a famous tincture[Pg 14] for the toothache, a certain remedy for melancholy, and at curing the common ailments of children and old women no doctor in the town could beat him. Mariners just home after a long voyage came to him to have their overgrown locks shorn and their beards singed. Poor workmen and apprentices came to him to be polled for twopence, were soon trimmed round as a cheese, and dismissed with a hearty "God speed you, my master!" There were many high and mighty gentlemen among his customers too, I do assure you; for he had starched the beard of the great Sir Walter Raleigh, curled the moustachios of brave Sir Francis Drake, and tied up the lovelocks of courtly Sir Anthony Killigrew.
Children's Fiction 1900–1950
Author: John Cooper
Publisher: Routledge
ISBN: 0429807538
Category : Literary Criticism
Languages : en
Pages : 576
Book Description
First published in 1998, this volume explores how the genre of school stories had become firmly established by the turn of the twentieth century, having been built on the foundations laid by writers such as Thomas Hughes and F.W. Farrar. Stories for girls were also taking on a more exciting complexion, inspired by the ‘Katy’ books of Susan Coolidge. The first five decades of the twentieth century saw further developments in children’s fiction. In this comprehensive volume, John and Jonathan Cooper examine each decade in turn, with alphabetically arranged entries on popular children’s writers that published works in English during that period. 206 different authors are covered, many from the United States and Canada. Each entry provides information on the author’s pseudonyms, date of birth, nationality, titles of works, place and date of publication and the publisher’s name. The artist responsible for a book’s illustrations is also identified where possible. With over 200 illustrations of cover designs and dustwrappers, many of which are now rare and have never before been published, this book will delight collectors, dealers, scholars, librarians, parents and all those who simply enjoy reading children’s fiction.
Publisher: Routledge
ISBN: 0429807538
Category : Literary Criticism
Languages : en
Pages : 576
Book Description
First published in 1998, this volume explores how the genre of school stories had become firmly established by the turn of the twentieth century, having been built on the foundations laid by writers such as Thomas Hughes and F.W. Farrar. Stories for girls were also taking on a more exciting complexion, inspired by the ‘Katy’ books of Susan Coolidge. The first five decades of the twentieth century saw further developments in children’s fiction. In this comprehensive volume, John and Jonathan Cooper examine each decade in turn, with alphabetically arranged entries on popular children’s writers that published works in English during that period. 206 different authors are covered, many from the United States and Canada. Each entry provides information on the author’s pseudonyms, date of birth, nationality, titles of works, place and date of publication and the publisher’s name. The artist responsible for a book’s illustrations is also identified where possible. With over 200 illustrations of cover designs and dustwrappers, many of which are now rare and have never before been published, this book will delight collectors, dealers, scholars, librarians, parents and all those who simply enjoy reading children’s fiction.
Outlook
Author: Alfred Emanuel Smith
Publisher:
ISBN:
Category :
Languages : en
Pages : 1156
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1156
Book Description
Left Out
Author: Kimberley Reynolds
Publisher: Oxford University Press
ISBN: 0191072141
Category : Literary Criticism
Languages : en
Pages : 339
Book Description
Left Out presents an alternative and corrective history of writing for children in the first half of the twentieth century. Between 1910 and 1949 a number of British publishers, writers, and illustrators included children's literature in their efforts to make Britain a progressive, egalitarian, and modern society. Some came from privileged backgrounds, others from the poorest parts of the poorest cities in the land; some belonged to the metropolitan intelligentsia or bohemia, others were working-class autodidacts, but all sought to use writing for children and young people to create activists, visionaries, and leaders among the rising generation.Together they produced a significant number of both politically and aesthetically radical publications for children and young people. This 'radical children's literature' was designed to ignite and underpin the work of making a new Britain for a new kind of Briton. While there are many dedicated studies of children's literature and childrens' writers working in other periods, the years 1910-1949 have previous received little critical attention. In this study, Kimberley Reynolds shows that the accepted characterisation of inter-war children's literature as retreatist, anti-modernist, and apolitical is too sweeping and that the relationship between children's literature and modernism, left-wing politics, and progressive education has been neglected.
Publisher: Oxford University Press
ISBN: 0191072141
Category : Literary Criticism
Languages : en
Pages : 339
Book Description
Left Out presents an alternative and corrective history of writing for children in the first half of the twentieth century. Between 1910 and 1949 a number of British publishers, writers, and illustrators included children's literature in their efforts to make Britain a progressive, egalitarian, and modern society. Some came from privileged backgrounds, others from the poorest parts of the poorest cities in the land; some belonged to the metropolitan intelligentsia or bohemia, others were working-class autodidacts, but all sought to use writing for children and young people to create activists, visionaries, and leaders among the rising generation.Together they produced a significant number of both politically and aesthetically radical publications for children and young people. This 'radical children's literature' was designed to ignite and underpin the work of making a new Britain for a new kind of Briton. While there are many dedicated studies of children's literature and childrens' writers working in other periods, the years 1910-1949 have previous received little critical attention. In this study, Kimberley Reynolds shows that the accepted characterisation of inter-war children's literature as retreatist, anti-modernist, and apolitical is too sweeping and that the relationship between children's literature and modernism, left-wing politics, and progressive education has been neglected.
With the Dyaks of Borneo: A Tale of the Head Hunters
Author: F. S. Brereton
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 352
Book Description
F.S. Brereton's 'With the Dyaks of Borneo: A Tale of the Head Hunters' is a thrilling adventure novel that is set in the mysterious and dangerous jungles of Borneo. The book follows the story of a group of explorers who find themselves entangled with the indigenous Dyak people, known for their head hunting practices. Brereton's descriptive writing style brings the lush landscapes of Borneo to life, allowing readers to immerse themselves in the exotic setting of the story. The novel is filled with suspense, action, and cultural insights, making it a captivating read for those interested in adventure literature. Published in 1912, the book is a product of its time when colonialism and exploration were popular themes in literature. Brereton's firsthand knowledge of the region and its inhabitants adds depth and authenticity to the narrative, providing a glimpse into a world that was largely unknown to Western audiences. 'With the Dyaks of Borneo' is a must-read for fans of classic adventure fiction and those fascinated by the cultures of Southeast Asia.
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 352
Book Description
F.S. Brereton's 'With the Dyaks of Borneo: A Tale of the Head Hunters' is a thrilling adventure novel that is set in the mysterious and dangerous jungles of Borneo. The book follows the story of a group of explorers who find themselves entangled with the indigenous Dyak people, known for their head hunting practices. Brereton's descriptive writing style brings the lush landscapes of Borneo to life, allowing readers to immerse themselves in the exotic setting of the story. The novel is filled with suspense, action, and cultural insights, making it a captivating read for those interested in adventure literature. Published in 1912, the book is a product of its time when colonialism and exploration were popular themes in literature. Brereton's firsthand knowledge of the region and its inhabitants adds depth and authenticity to the narrative, providing a glimpse into a world that was largely unknown to Western audiences. 'With the Dyaks of Borneo' is a must-read for fans of classic adventure fiction and those fascinated by the cultures of Southeast Asia.