Bronzes of South India PDF Download

Author: P. R. Srinivasan
Publisher:
ISBN:
Category : Bronze sculpture, Indic
Languages : en
Pages : 878

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Author: Vidya Dehejia
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 168

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Author: C. Sivaramamurti
Publisher:
ISBN:
Category : Bronzes
Languages : en
Pages : 196

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Book Description

Author: Vidya Dehejia
Publisher:
ISBN: 9788188204106
Category : Bronze sculpture, Indic
Languages : en
Pages : 255

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This Sumptuous Book Is A Significant Addition To The Literature On The Exquisite Temple Bronzes Of The Chola Period, From The Ninth To The Thirteenth Centuries, A Time Of Unparalleled Creativity In The History Of The Indian Subcontinent. During The Golden

Author: Irā Nākacāmi
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 196

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Author: C. Sivaramamurti
Publisher:
ISBN:
Category : Bronzes, Indian
Languages : en
Pages : 92

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Author: Vidya Dehejia
Publisher: Princeton University Press
ISBN: 0691202591
Category : Art
Languages : en
Pages : 337

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Book Description
The first book to put the sacred and sensuous bronze statues from India’s Chola dynasty in social context From the ninth through the thirteenth century, the Chola dynasty of southern India produced thousands of statues of Hindu deities, whose physical perfection was meant to reflect spiritual beauty and divine transcendence. During festivals, these bronze sculptures—including Shiva, referred to in a saintly vision as “the thief who stole my heart”—were adorned with jewels and flowers and paraded through towns as active participants in Chola worship. In this richly illustrated book, leading art historian Vidya Dehejia introduces the bronzes within the full context of Chola history, culture, and religion. In doing so, she brings the bronzes and Chola society to life before our very eyes. Dehejia presents the bronzes as material objects that interacted in meaningful ways with the people and practices of their era. Describing the role of the statues in everyday activities, she reveals not only the importance of the bronzes for the empire, but also little-known facets of Chola life. She considers the source of the copper and jewels used for the deities, proposing that the need for such resources may have influenced the Chola empire’s political engagement with Sri Lanka. She also investigates the role of women patrons in bronze commissions and discusses the vast public records, many appearing here in translation for the first time, inscribed on temple walls. From the Cholas’ religious customs to their agriculture, politics, and even food, The Thief Who Stole My Heart offers an expansive and complete immersion in a community still accessible to us through its exquisite sacred art. Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC

Author:
Publisher: Deutsches Bergbau-Museum
ISBN:
Category : Art metal-work
Languages : en
Pages : 152

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This book takes a look at the nature and 'health' of one of India's most unique and beautiful traditional craft traditions: the bronze icon industry of Tamil Nadu. The book is written from the perspective of an anthopologist and gives a view of human behavior through the lens of material culture. It is a most valuable contribution of ethnoarchaeology to archaeometallurgy. This book came about when Professor Thomas E. Levy, University of California, San Diego, and his wife, Alina Levy, native Indian, decided to seek out the hereditary bronze casters of Swamimalai with the aim trying to learn how traditional metal production and workshops were organized today. As an archaeologist interested in ancient metal production in the Middle East, Thomas E. Levy and his wife thought the living traditional metal craft industries of India could provide an opportunity to better understand ancient metal production found at sites he had excavated in Israel and Jordan. The Levys studied many workshops and decided to document the familiy-owned bronze icon manufactory of one of India's most distinguished hereditary bronze casters - Devasenapathy Sthapathy and Sons, Sri Jayam Industries. The great great grandfather of the three brothers who own this workshop was awarded a prize for excellence in handicrafts from Britain's Queen Victoria. The observation, interactions and study of the workshop family finally resulted in the joint venture of this book.

Author: T. G. Aravamuthan
Publisher: Asian Educational Services
ISBN: 9788120608009
Category : History
Languages : en
Pages : 186

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Book Description

Author: Jason Felch
Publisher: HMH
ISBN: 0547538022
Category : Art
Languages : en
Pages : 397

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A “thrilling, well-researched” account of years of scandal at the prestigious Getty Museum (Ulrich Boser, author of The Gardner Heist). In recent years, several of America’s leading art museums have voluntarily given up their finest pieces of classical art to the governments of Italy and Greece. Why would they be moved to such unheard-of generosity? The answer lies at the Getty, one of the world’s richest and most troubled museums, and scandalous revelations that it had been buying looted antiquities for decades. Drawing on a trove of confidential museum records and candid interviews, these two journalists give us a fly-on-the-wall account of the inner workings of a world-class museum, and tell a story of outlandish characters and bad behavior that could come straight from the pages of a thriller. “In an authoritative account, two reporters who led a Los Angeles Times investigation reveal the details of the Getty Museum’s illicit purchases, from smugglers and fences, of looted Greek and Roman antiquities. . . . The authors offer an excellent recap of the museum’s misdeeds, brimming with tasty details of the scandal that motivated several of America’s leading art museums to voluntarily return to Italy and Greece some 100 classical antiquities worth more than half a billion dollars.” —Publishers Weekly, starred review “An astonishing and penetrating look into a veiled world where beauty and art are in constant competition with greed and hypocrisy. This engaging book will cast a fresh light on many of those gleaming objects you see in art museums.” —Jonathan Harr, author of The Lost Painting