Author: Reginald Le MayPublisher: CUP Archive
ISBN:
Category : Art
Languages : en
Pages : 290
Book Description
A Concise History of Buddhist Art in Siam
Author: Reginald Le MayPublisher: CUP Archive
ISBN:
Category : Art
Languages : en
Pages : 290
Book Description
Japan in a Nutshell
Author: Professor SolomonPublisher:
ISBN: 9780912509068
Category : Travel
Languages : en
Pages : 151
Book Description
Bulletin
Author: Ancient Indonesian Bronzes
Author: Publisher: Brill Archive
ISBN: 9789004088207
Category : Art
Languages : en
Pages : 200
Book Description
Catalogus van de tentoonstelling die een overzicht geeft van bronzen, zilveren en gouden beeldjes en cultusobjecten uit Indonesië (600 - 1600 n.C.).
Early Buddhist Art of China and Central Asia, Volume 1 Later Han, Three Kingdoms and Western Chin in China and Bactria to Shan-shan in Central Asia
Author: Marylin Martin RhiePublisher: BRILL
ISBN: 9047430751
Category : History
Languages : en
Pages : 924
Book Description
A comprehensive analysis of the earliest Buddhist art of China, Bactria, and the Southern Silk Road in Central Asia from ca. 1st - 4th century A.D., elucidating the inter-relationships, history, religious elements, sources, dating and chronology.
The Buddha Image
Author: Yuvraj KrishanPublisher: Bharatiya Vidya Bhavan
ISBN: 9788121505659
Category : Art
Languages : en
Pages : 176
Book Description
Illustrations: 247 b/w illustrations Description: This book deals with crucial though controversial questions in Buddhist art: the origin of the Buddha image and the iconography of the Buddha images. The earliest Buddhist art of Sanchi and Bharhut is aniconic : The Buddha is represented in symbols only. In the later Buddhist art of Gandhara and Mathura, the Buddha is represented in human form: he is the principal subject of sculptural art. The book seeks to explore the geographical area in which the image of the Buddha first emerged and whether the Buddhist doctrines-Hinayana or Mahayana-had anything to do with this transformation. The Buddha image, as developed eventually at Sarnath, became the model for the Buddha images in whole of Asia, south-east, central and eastern Asia. The iconographic features of the Buddha image are superficially an aberration, being in apparent conflict with the doctrine. The Buddha had cut off his hair at the time of his renunciation; the rules of the order enjoin that a monk must be tonsured and must discard and eschew all riches. However, in his images, the Buddha has hair on his head; later he is also endowed with a crown and jewels. After an exhaustive examination of the views of various scholars, the book answers these questions and resolves the controversies on the basis of literary, numismatic and epigraphic sources. More importantly it makes use of the valuable evidence from the contemporaneous Jaina art : Aniconism of early Jaina art and the iconographic features of Jaina images. The implications of this study are also important : Does India owe idolatry to Buddhism? Was this of foreign inspiration? Was the Buddha image fashioned after the Vedic Brahma and whether the Buddha's usnisa and Buddhist art motifs are rooted in the Vedic tradition? The book is profusely illustrated and provides rich and stimulating fare to students of Indian art in general and of Buddhist art in particular.
The ECPH Encyclopedia of Mining and Metallurgy
Author: Xu KuangdiPublisher: Springer Nature
ISBN: 9819920868
Category :
Languages : en
Pages : 2429
Book Description
Early Buddhist Art of China and Central Asia, Volume 2 The Eastern Chin and Sixteen Kingdoms Period in China and Tumshuk, Kucha and Karashahr in Central Asia (2 vols)
Author: Marylin Martin RhiePublisher: BRILL
ISBN: 900439186X
Category : Art
Languages : en
Pages : 1635
Book Description
Volume two of Marylin Rhie’s widely acclaimed and formative multi-volume work presents a comprehensive, scholarly and detailed study of the Buddhist art of China and Central Asia from 316-439 A.D. during the formative early periods of Buddhism in the Eastern Chin and Sixteen Kingdoms Period. Using texts translated from the Chinese together with stylistic and technical analyses, the chronology and sources of the art are more clearly defined than in previous studies for the regions of South and North China (other than Kansu) and the important sites of Tumshuk, Kucha and Karashahr on the Northern Silk Route in eastern Central Asia. Furthermore, by incorporating extensive religious and historical materials, this work not only contributes to clarifying the regional characteristics of the art, but also offers new insights into the broader, interregional relationships of this politically fragmented period.
Early Buddhist Art of China and Central Asia, Volume 3
Author: Marylin Martin RhiePublisher: BRILL
ISBN: 9004190198
Category : Art
Languages : en
Pages : 1017
Book Description
This book, third in a series on the early Buddhist art of China and Central Asia, centers on Buddhist art from the Western Ch'in (385-431 A.D.) in eastern Kansu (northwest China), primarily from the cave temples of Ping-ling ssu and Mai-chi shan. A detailed chronological and iconographic study of sculptures and wall paintings in Cave 169 at Ping-ling ssu particularly yields a chronological framework for unlocking the difficult issues of dating early fifth century Chinese Buddhist art, and offers some new insights into textual sources in the Lotus, Hua-yen and Amitabha sutras. Further, this study introduces the iconographpy of the five Buddhas and its relation to the art of Gandhara and the famous five colossal T'an-yao caves at Yün-kang.
Early Buddhist Art of China and Central Asia, Volume 3
Author: Marylin M. RhiePublisher: BRILL
ISBN: 9004184007
Category : Art
Languages : en
Pages : 1018
Book Description
Presenting new studies on the chronology and iconography of Buddhist art during the Western Ch'in (385-431 A.D.) in northwest China, including Ping-ling ssu and Mai-chi shan, this book addresses issues of dating, textual sources, the five-Buddhas, and relation with Gandhara.