Author: David W. Lewis
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 128
Book Description
The Art of Bromoil & Transfer
Bromoil Printing and Bromoil Transfer
Author: Emil Mayer
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 208
Book Description
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 208
Book Description
Gumoil Photographic Printing, Revised Edition
Author: Karl Koenig
Publisher: Taylor & Francis
ISBN: 1136090290
Category : Photography
Languages : en
Pages : 115
Book Description
There is renewed interest among art photographers in a number of historic printing techniques because of the remarkable effects they produce. The reader will discover how to create beautifully tinted mono- and polychromatic gum and oil images using the author's version of this 19th century technique. Step-by-step illustrated instructions with directions for further experimentation provide a perfect source for learning this new, yet old, printing technique. Gumoil printing involves contact-printing a positive transparency onto gum-coated paper. Oil paint is then applied and rubbed into nongummed areas of the print. With bleach etching, mono- and polychromatic variations are possible. A chapter on digital printing combines the new and the historic, making this technique even more accessible for the art photographer.
Publisher: Taylor & Francis
ISBN: 1136090290
Category : Photography
Languages : en
Pages : 115
Book Description
There is renewed interest among art photographers in a number of historic printing techniques because of the remarkable effects they produce. The reader will discover how to create beautifully tinted mono- and polychromatic gum and oil images using the author's version of this 19th century technique. Step-by-step illustrated instructions with directions for further experimentation provide a perfect source for learning this new, yet old, printing technique. Gumoil printing involves contact-printing a positive transparency onto gum-coated paper. Oil paint is then applied and rubbed into nongummed areas of the print. With bleach etching, mono- and polychromatic variations are possible. A chapter on digital printing combines the new and the historic, making this technique even more accessible for the art photographer.
New Dimensions in Photo Processes
Author: Laura Blacklow
Publisher: Taylor & Francis
ISBN: 1351802372
Category : Photography
Languages : en
Pages : 468
Book Description
New Dimensions in Photo Processes invites artists in all visual media to discover contemporary approaches to historical techniques. Painters, printmakers, and photographers alike will find value in this practical book, as these processes require little to no knowledge of photography, digital means, or chemistry. Easy to use in a studio or lab, this edition highlights innovative work by internationally respected artists, such as Robert Rauschenberg, Chuck Close, Mike and Doug Starn, and Emmet Gowin. In addition to including new sun-printing techniques, such as salted paper and lumen printing, this book has been updated throughout, from pinhole camera and digital methods of making color separations and contact negatives to making water color pigments photo-sensitive and more. With step-by-step instructions and clear safety precautions, New Dimensions in Photo Processes will teach you how to: Reproduce original photographic art, collages, and drawings on paper, fabric, metal, and other unusual surfaces. Safely mix chemicals and apply antique light-sensitive emulsions by hand. Create imagery in and out of the traditional darkroom and digital studio. Relocate photo imagery and make prints from real objects, photocopies, and pictures from magazines and newspapers, as well as from your digitial files and black and white negatives. Alter black and white photographs, smart phone images, and digital prints.
Publisher: Taylor & Francis
ISBN: 1351802372
Category : Photography
Languages : en
Pages : 468
Book Description
New Dimensions in Photo Processes invites artists in all visual media to discover contemporary approaches to historical techniques. Painters, printmakers, and photographers alike will find value in this practical book, as these processes require little to no knowledge of photography, digital means, or chemistry. Easy to use in a studio or lab, this edition highlights innovative work by internationally respected artists, such as Robert Rauschenberg, Chuck Close, Mike and Doug Starn, and Emmet Gowin. In addition to including new sun-printing techniques, such as salted paper and lumen printing, this book has been updated throughout, from pinhole camera and digital methods of making color separations and contact negatives to making water color pigments photo-sensitive and more. With step-by-step instructions and clear safety precautions, New Dimensions in Photo Processes will teach you how to: Reproduce original photographic art, collages, and drawings on paper, fabric, metal, and other unusual surfaces. Safely mix chemicals and apply antique light-sensitive emulsions by hand. Create imagery in and out of the traditional darkroom and digital studio. Relocate photo imagery and make prints from real objects, photocopies, and pictures from magazines and newspapers, as well as from your digitial files and black and white negatives. Alter black and white photographs, smart phone images, and digital prints.
Carbon Transfer Printing
Author: Sandy King
Publisher: CRC Press
ISBN: 0429757263
Category : Photography
Languages : en
Pages : 378
Book Description
Carbon Transfer Printing is a book about one of the earliest photographic processes that provided the first permanent printing methods, available in one form or another for over 150 years. This book reviews the extensive history of carbon transfer and related pigment processes in both monochrome and color, to serve as point source for a new carbon printer to begin to master the craft of carbon printing, as well as provide new material for experienced carbon printers so they can expand their techniques. The book includes never-before-published information on pre-sensitizing carbon tissue with newly identified compounds, information on the safe use and disposal of hexavalent chromium compounds, and simplified methods of producing 3-color carbon prints. Carbon Transfer Printing is divided into two parts, illustrated with 175 photographs. Part One is a complete how-to on the carbon transfer process, from simple to complex, with a troubleshooting guide and an extensive chapter on digital negatives. Part Two is devoted to contemporary carbon printers who share their methods and secrets to creating their beautiful carbon prints. Topics that the book covers are: Key events in carbon’s history How to organize the carbon workplace Sections on necessary supplies and equipment A step-by-step digital method of making high quality digital negatives Simple and advanced methods of carbon printing How to make carbon tissue, including several methods of pre-sensitizing How to choose UV light sources for printing in carbon Step-by-step processing directions How to prepare final support papers Troubleshooting carbon Multi-layer printing to add tone, or make a full color carbon print Finishing and final presentation of carbon prints A gallery of images and advice from contemporary carbon printers Carbon Transfer Printing is designed for both the beginning carbon enthusiast as well as for the advanced practitioner. Backed with extensive research on carbon printing from books, journals, and magazine articles from the 1800s to present day, and the extensive personal experience in carbon printing of the authors, there is enough information in this book to provide inspiration and proof of both the glorious past of carbon printmaking and its enduring importance to a new generation of image makers who value the handmade print.
Publisher: CRC Press
ISBN: 0429757263
Category : Photography
Languages : en
Pages : 378
Book Description
Carbon Transfer Printing is a book about one of the earliest photographic processes that provided the first permanent printing methods, available in one form or another for over 150 years. This book reviews the extensive history of carbon transfer and related pigment processes in both monochrome and color, to serve as point source for a new carbon printer to begin to master the craft of carbon printing, as well as provide new material for experienced carbon printers so they can expand their techniques. The book includes never-before-published information on pre-sensitizing carbon tissue with newly identified compounds, information on the safe use and disposal of hexavalent chromium compounds, and simplified methods of producing 3-color carbon prints. Carbon Transfer Printing is divided into two parts, illustrated with 175 photographs. Part One is a complete how-to on the carbon transfer process, from simple to complex, with a troubleshooting guide and an extensive chapter on digital negatives. Part Two is devoted to contemporary carbon printers who share their methods and secrets to creating their beautiful carbon prints. Topics that the book covers are: Key events in carbon’s history How to organize the carbon workplace Sections on necessary supplies and equipment A step-by-step digital method of making high quality digital negatives Simple and advanced methods of carbon printing How to make carbon tissue, including several methods of pre-sensitizing How to choose UV light sources for printing in carbon Step-by-step processing directions How to prepare final support papers Troubleshooting carbon Multi-layer printing to add tone, or make a full color carbon print Finishing and final presentation of carbon prints A gallery of images and advice from contemporary carbon printers Carbon Transfer Printing is designed for both the beginning carbon enthusiast as well as for the advanced practitioner. Backed with extensive research on carbon printing from books, journals, and magazine articles from the 1800s to present day, and the extensive personal experience in carbon printing of the authors, there is enough information in this book to provide inspiration and proof of both the glorious past of carbon printmaking and its enduring importance to a new generation of image makers who value the handmade print.
Chemical Pictures the Wet Plate Collodion Book
Author: Quinn Jacobson
Publisher:
ISBN: 9781482659948
Category : Ambrotype
Languages : en
Pages : 118
Book Description
This book covers everything you need to know about wet-plate collodion photography. Quinn teaches you how to make direct positive images on glass and metal plates; Ambrotypes, Tintypes, and Alumitypes.
Publisher:
ISBN: 9781482659948
Category : Ambrotype
Languages : en
Pages : 118
Book Description
This book covers everything you need to know about wet-plate collodion photography. Quinn teaches you how to make direct positive images on glass and metal plates; Ambrotypes, Tintypes, and Alumitypes.
The Keepers of Light
Author: William Crawford
Publisher: Morgan & Morgan, Incorporated
ISBN:
Category : Architecture
Languages : en
Pages : 362
Book Description
Publisher: Morgan & Morgan, Incorporated
ISBN:
Category : Architecture
Languages : en
Pages : 362
Book Description
Alternative Photographic Processes
Author: Randall Webb
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 170
Book Description
"Amply illustrated...provides an overview of alternative printing processes, such as salt printing and photo etching....Takes a straightforward, how-to approach to each of these unique and often complicated processes in a series of short chapters. Each chapter provides some historical background, a shopping list, and then outlines the method of making prints....Valuable to anyone who wishes to make photographs safely and competently....Recommended for both public and academic libraries."--"Library Journal. "
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 170
Book Description
"Amply illustrated...provides an overview of alternative printing processes, such as salt printing and photo etching....Takes a straightforward, how-to approach to each of these unique and often complicated processes in a series of short chapters. Each chapter provides some historical background, a shopping list, and then outlines the method of making prints....Valuable to anyone who wishes to make photographs safely and competently....Recommended for both public and academic libraries."--"Library Journal. "
In the Darkroom
Author: Sarah Kennel
Publisher: Thames & Hudson
ISBN:
Category : Photography
Languages : en
Pages : 112
Book Description
A concise introduction to the twenty-seven most common photographic and photomechanical processes, from albumen print to Woodburytype.
Publisher: Thames & Hudson
ISBN:
Category : Photography
Languages : en
Pages : 112
Book Description
A concise introduction to the twenty-seven most common photographic and photomechanical processes, from albumen print to Woodburytype.
Jill Enfield’s Guide to Photographic Alternative Processes
Author: Jill Enfield
Publisher: Routledge
ISBN: 1315390345
Category : Photography
Languages : en
Pages : 826
Book Description
Jill Enfield’s Guide to Photographic Alternative Processes, 2nd edition, is packed with stunning imagery, how-to recipes, techniques and historical information for emulating the ethereal, dream-like feel of alternative processing. This fully updated edition covers alternative processing from its historical roots through to digital manipulation and contemporary techniques and how to combine them. It features several new techniques alongside new approaches to older techniques, including hand painting on silver gelatin prints, ceramics and photography, cyanotypes, wet plate collodion, digital prints and many more. Enfield showcases the different styles and methods of contemporary artists together with suggestions for vegan and vegetarian friendly alternative processing, transforming 2D images to 3D installations, and how to apply darkroom techniques to digital captures. Professionals, students and hobbyists will discover how to bring new life and imagination to their imagery. Whether in a darkroom using traditional chemicals, at the kitchen sink with pantry staples, or in front of the computer re-creating techniques digitally, you will learn how to add a richness and depth to your photography like never before.
Publisher: Routledge
ISBN: 1315390345
Category : Photography
Languages : en
Pages : 826
Book Description
Jill Enfield’s Guide to Photographic Alternative Processes, 2nd edition, is packed with stunning imagery, how-to recipes, techniques and historical information for emulating the ethereal, dream-like feel of alternative processing. This fully updated edition covers alternative processing from its historical roots through to digital manipulation and contemporary techniques and how to combine them. It features several new techniques alongside new approaches to older techniques, including hand painting on silver gelatin prints, ceramics and photography, cyanotypes, wet plate collodion, digital prints and many more. Enfield showcases the different styles and methods of contemporary artists together with suggestions for vegan and vegetarian friendly alternative processing, transforming 2D images to 3D installations, and how to apply darkroom techniques to digital captures. Professionals, students and hobbyists will discover how to bring new life and imagination to their imagery. Whether in a darkroom using traditional chemicals, at the kitchen sink with pantry staples, or in front of the computer re-creating techniques digitally, you will learn how to add a richness and depth to your photography like never before.