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Author: Mervyn Cooke Publisher: Cambridge University Press ISBN: 9780521446334 Category : Music Languages : en Pages : 132
Book Description
Widely regarded as one of the greatest choral works of the twentieth century, Britten's War Requiem was first performed at the consecration of the new Coventry Cathedral in 1962. It provocatively juxtaposes the vivid anti-war poetry of Wilfred Owen with the Latin Requiem Mass in a passionate outcry against man's inhumanity to man. This handbook explores the background to Britten's use of the Owen texts, charting the development of the composer's lifelong pacifist beliefs and (in a chapter contributed by Philip Reed of the Britten-Pears Library, Aldeburgh) detailing the process of composition from hitherto unpublished correspondence and manuscript sources. The musical structure is investigated, and the work's compositional idiom related to Britten's output as a whole. A concluding chapter surveys the fluctuating critical responses to the score, and includes discussion of the composer's legendary 1963 recording and Derek Jarman's controversial interpretation on film.
Author: Mervyn Cooke Publisher: Cambridge University Press ISBN: 9780521446334 Category : Music Languages : en Pages : 132
Book Description
Widely regarded as one of the greatest choral works of the twentieth century, Britten's War Requiem was first performed at the consecration of the new Coventry Cathedral in 1962. It provocatively juxtaposes the vivid anti-war poetry of Wilfred Owen with the Latin Requiem Mass in a passionate outcry against man's inhumanity to man. This handbook explores the background to Britten's use of the Owen texts, charting the development of the composer's lifelong pacifist beliefs and (in a chapter contributed by Philip Reed of the Britten-Pears Library, Aldeburgh) detailing the process of composition from hitherto unpublished correspondence and manuscript sources. The musical structure is investigated, and the work's compositional idiom related to Britten's output as a whole. A concluding chapter surveys the fluctuating critical responses to the score, and includes discussion of the composer's legendary 1963 recording and Derek Jarman's controversial interpretation on film.
Author: Charles Villiers Stanford Publisher: A-R Editions, Inc. ISBN: 1987200268 Category : Music Languages : en Pages : 257
Book Description
Charles Villiers Stanford wrote two cycles of songs for baritone with orchestra and chorus, setting nautical verses by the popular poet Henry Newbolt. From its premiere at the Leeds Musical Festival in October 1904, Songs of the Sea was a great success; Songs of the Fleet followed in 1910 and was transparently modeled on it (even quoting from the earlier work). Both works became very popular among amateur choral societies. Songs of the Sea was published in full score a year after its composition; it now appears in a critical edition for the first time in the present volume, which also includes the first publication of the orchestral version of Songs of the Fleet. Both works demonstrate Stanfords mastery of orchestral technique and sureness of touch. Newbolts texts alternate between heroic and sentimental moods; Stanford responded with music that is dramatic and atmosphericindeed, with some of the most remarkable textures of his whole oeuvre.
Author: Philip Rupprecht Publisher: Cambridge University Press ISBN: 1139441280 Category : Music Languages : en Pages : 370
Book Description
Blending insights from linguistic and social theories of speech, ritual and narrative with music-analytic and historical criticism, Britten's Musical Language offers interesting perspectives on the composer's fusion of verbal and musical utterance in opera and song and provides close interpretative studies of the major scores.
Author: Alex Ross Publisher: Farrar, Straus and Giroux ISBN: 1429932880 Category : Music Languages : en Pages : 706
Book Description
Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.
Author: Daniel Albright Publisher: University of Chicago Press ISBN: 022679122X Category : Literary Criticism Languages : en Pages : 313
Book Description
"The late Daniel Albright was one of the preeminent scholars of musical and literary modernism, leaving behind a rich body of work before his untimely passing. In the essays contained in Music's Monisms, he shows how musical phenomena, like literary ones, can be fruitfully investigated through the lens of monism, the philosophical belief that things that appear to be two are actually one. Albright shows how, in music, despite its many binaries-diatonic vs. chromatic, staccato vs. legato, major vs. minor, tonal vs. atonal-there is always a larger system at work that aims to reconcile all tension and resolve all conflict. Albright identifies a "radical monism" in the work of modernist poets such as T. S. Eliot and musical works by Wagner, Debussy, Britten, Schoenberg, and Stravinsky, and also delves into figures such as Maeterlinck, Rimbaud, and Yeats along the way. Through a series of close readings of musical and literary works, Albright advances powerful philosophical arguments that not only shed light on these specific figures but also aesthetic experience in general"--
Author: Maggi Hambling Publisher: Unicorn Publishing Group ISBN: 9781910065228 Category : Installations (Art) Languages : en Pages : 0
Book Description
Maggi Hambling is one of Britain's most celebrated and controversial contemporary artists. Her best-known works are her public sculpture of Oscar Wilde in London and The Scallop, celebrating composer Benjamin Britten, on the beach at Aldeburgh. But her paintings are just as remarkable, stirring emotions through broad, intense brush strokes and an unflinchingly direct engagement with her subject matter. Possessing a candor and emotiveness that is at odds with much contemporary art, Hambling's paintings are distinct and unforgettable. War Requiem for the first time brings together Hambling's many paintings of battlefields and the victims of war. Though fiercely contemporary, the paintings nonetheless feel timeless and speak to conflicts everywhere--from the most ancient to those in the here and now. Published to accompany an exhibit of Hambling's work last summer at SNAP: Art at the Aldeburgh Festival, War Requiem stands as a bold testament to the anguish and absurdity of war. Essays by noted art historian James Cahill draw upon extensive interviews with the artist and help to place War Requiem within the larger context of Hambling's oeuvre. As the centennial of World War I brings inevitable public reflection about war and history, War Requiem offers a stark reminder of the costs of conflict.
Author: John Bridcut Publisher: ISBN: 9780571228409 Category : Composers Languages : en Pages : 334
Book Description
Britten's Children confronts the edgy subject of the composer's obsessional yet strangely innocent relationships with adolescent boys. One of the hallmarks of Benjamin Britten's music is his use of boys' voices, and John Bridcut uses this to create a fresh prism through which to view the composer's life. Interweaving discussion of the music he wrote for and about children with interviews with the boys whom Britten befriended, Bridcut explores the influence of these unique friendships - notably with the late David Hemmings - and how they helped Britten maintain links with his own happy childhood. In a remarkable part of the book Bridcut tells for the first time the full story of Britten's love affair in the 1930s with the 18-year-old German Wulff Scherchen, son of the conductor Hermann Scherchen. As Paul Hoggart of The Times commented, 'this type of love belonged to an emotional landscape that has vanished for ever, and we are the poorer for it'. Since making the film, the author has extended his research to include friendships Britten had with children which have not previously been documented.The documentary Britten's Children won the Royal Philharmonic Society's 2005 Award for Creative Communication: 'this serious and beautiful film explored one aspect of a composer's life in great depth. Avoiding the temptation of sensationalism, Britten's Children was imaginatively researched and both touching and revelatory'.
Author: Graham Elliott Publisher: OUP Oxford ISBN: 0191541710 Category : Music Languages : en Pages : 186
Book Description
Since Britten's death in 1976, numerous articles and books have been written about his life and work. Much has been made of the strong influences of his pacifism and his homosexuality. It is often suggested that Britten felt himself to be an outsider from 'normal' society, and that this accounts for the his concern to portray the 'outsider' in his operas. There is no doubt that this is an important aspect of Britten's art, but the present work attempts to show that his music embraces much wider and more universal concerns, and in addressing those concerns there is a clearly defined pattern of spiritual influence. Part One of the book examines Britten's early life, and the strong presence which the Church had in his childhood and adolescence. It explores the way in which certain spiritual influences were first manifested, and how, like the more specifically musical 'themes' which Donald Mitchell has noted, they can be traced throughout Britten's life and work. The author was privileged to have conversations with two clergymen who were influential in Britten's life, as well as gathering valuable insights through a long series of conversations with Sir Peter Pears. Part Two examines a wide range of the composer's music in which a spiritual dimension can be traced. The specifically liturgical music has received rather less critical notice than Britten's larger works. The music is discussed here, and shown to possess musical characteristics in common with the larger works. Britten could not be described as a conventional Christian; still less is it true to describe him, as Eric Walter White has done, as 'keen, wherever possible, to work within the framework of the Church of England'. Nevertheless, his spirituality was rooted in the religious experience of his childhood. This book seeks to demonstrate that Britten retained a sense of the Christian values absorbed in childhood and adolescence, and that these - along with the specifically Christian heritage of plainsong - were strongly influential in his choice and treatment of themes.
Author: Mervyn Cooke
Author: Mervyn Cooke
Author: Kaia Solveig Preus
Author: Charles Villiers Stanford
Author: Philip Rupprecht
Author: Alex Ross
Author: Daniel Albright
Author: Maggi Hambling
Author: Heather Wiebe
Author: John Bridcut
Author: Graham Elliott