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British Social Realism

British Social Realism PDF Author: Samantha Lay
Publisher: Columbia University Press
ISBN: 0231501617
Category : Performing Arts
Languages : en
Pages : 159

Book Description
British Social Realism details and explores the rich tradition of social realism in British cinema from its beginnings in the documentary movement of the 1930s to its more stylistically eclectic and generically hybrid contemporary forms. Samantha Lay examines the movements, moments and cycles of British social realist texts through a detailed consideration of practice, politics, form, style and content, using case studies of key texts including Listen to Britain, Saturday Night and Sunday Morning, Letter to Brezhnev, and Nil by Mouth. In discussing the work of many prominent realist filmmakers, the book considers the challenges for social realist film practice and production in Britain, now and in the future.

British Social Realism

British Social Realism PDF Author: Samantha Lay
Publisher: Columbia University Press
ISBN: 0231501617
Category : Performing Arts
Languages : en
Pages : 159

Book Description
British Social Realism details and explores the rich tradition of social realism in British cinema from its beginnings in the documentary movement of the 1930s to its more stylistically eclectic and generically hybrid contemporary forms. Samantha Lay examines the movements, moments and cycles of British social realist texts through a detailed consideration of practice, politics, form, style and content, using case studies of key texts including Listen to Britain, Saturday Night and Sunday Morning, Letter to Brezhnev, and Nil by Mouth. In discussing the work of many prominent realist filmmakers, the book considers the challenges for social realist film practice and production in Britain, now and in the future.

Social Realism

Social Realism PDF Author: David Forrest
Publisher: Cambridge Scholars Publishing
ISBN: 1443853062
Category : Performing Arts
Languages : en
Pages : 245

Book Description
This book presents a radical reappraisal of one of the most persistent and misunderstood aspects of British cinema: social realism. Through means of close textual analysis, David Forrest advances the case that social realism has provided British national culture with a consistent and distinctive art cinema, arguing that a theoretical re-assessment of the mode can enable it to be located within the context of broader traditions of global cinema. The book begins with the documentary movement and British wartime cinema, before moving to the British new wave and social problem cycle; the films of Ken Loach; the films of Mike Leigh; realism in the 1980s, specifically the work of Stephen Frears and Alan Clarke; before concluding with a discussion of contemporary realist cinema, specifically the work of Shane Meadows, Andrea Arnold and other recent exponents of the mode. These case studies give a thorough platform to explore the most prominent and diverse examples of realist practice in Britain over the last 80 years. The construction and critical analysis of this ‘social realist canon’ creates the conditions to reassess and look anew at this most British of cinematic traditions.

British Social Realism in the Arts since 1940

British Social Realism in the Arts since 1940 PDF Author: D. Tucker
Publisher: Springer
ISBN: 0230306381
Category : Literary Criticism
Languages : en
Pages : 222

Book Description
This is the first book of its kind to look across disciplines at this vital aspect of British art, literature and culture. It brings the various intertwined histories of social realism into historical perspective, and argues that this sometimes marginalized genre is still an important reference point for creativity in Britain.

Sex, Class and Realism

Sex, Class and Realism PDF Author: John Hill
Publisher: Bloomsbury Publishing
ISBN: 1838718087
Category : Juvenile Nonfiction
Languages : en
Pages : 228

Book Description
Hugely impressive in its scope, with introductory chapters on social history, the film industry and theories of realism, this indispensable history of these vital years contains unusually fresh discussions of films justly regards as important, alongside those unjustly ignored. The extensive filmography which accompanies Sex, Class and Realism will also prove to be an invaluable reference source in the teaching of British cinema history.

New Realism

New Realism PDF Author: David Forrest
Publisher: Edinburgh University Press
ISBN: 1474413048
Category : Performing Arts
Languages : en
Pages : 224

Book Description
The tradition of British realism has changed dramatically over the last 20 years, where films by directors such as Duane Hopkins, Joanna Hogg, Andrea Arnold, Shane Meadows and Clio Barnard have suggested a markedly poetic turn. This new realism rejects the instrumentalism and didacticism of filmmakers like Ken Loach in favour of lyrical and often ambiguous encounters with place, where the physical processes of lived experience interacts with the rhythms of everyday life. Taking these 5 filmmakers as case studies, this book seeks to explore in depth this new tradition of British cinema - and in the process, it reignites debates over realism that have concerned scholars for decades.

British Realist Theatre

British Realist Theatre PDF Author: Stephen Lacey
Publisher: Routledge
ISBN: 1134899823
Category : Performing Arts
Languages : en
Pages : 217

Book Description
The British `New Wave' of dramatists, actors and directors in the late 1950s and 1960s created a defining moment in post-war theatre. British Realist Theatre is an accessible introduction to the New Wave, providing the historical and cultural background which is essential for a true understanding of this influential and dynamic era. Drawing upon contemporary sources as well as the plays themselves, Stephen Lacey considers the plays' influences, their impact and their critical receptions. The playwrights discussed include: * Edward Bond * John Osborne * Shelagh Delaney * Harold Pinter

Film and the Working Class

Film and the Working Class PDF Author: Peter Stead
Publisher: Routledge
ISBN: 1317928423
Category : Performing Arts
Languages : en
Pages : 319

Book Description
Taking the subject chronologically from the 1890s to when the book was initially published in 1989, this book analyses those films specifically concerned with working-class conditions and struggle, and discusses them within the context of the debate on the social significance of the feature film. It concentrates on films which depict labour organizations and political activists, as well as life in working-class communities and actors with working-class identities such as James Cagney. Reviews of the original edition: ‘...fills a gap in film studies...the study of social and labour history, and the development of popular culture in Britain and the United States.’

British art cinema

British art cinema PDF Author: Paul Newland
Publisher: Manchester University Press
ISBN: 1526133148
Category : Performing Arts
Languages : en
Pages : 433

Book Description
This is the first book to provide a direct and comprehensive account of British art cinema. Film history has tended to view British filmmakers as aesthetically conservative, but the truth is they have a long tradition of experiment and artistry, both within and beyond the mainstream. Beginning with the silent period and running up to the 2010s, the book draws attention to this tradition while acknowledging that art cinema in Britain is a complex and fluid concept that needs to be considered within broader concerns. It will be of particular interest to scholars and students of British cinema history, film genre, experimental filmmaking, and British cultural history.

British Social Realism - Do They Both Belong?

British Social Realism - Do They Both Belong? PDF Author: Thomas Boesen
Publisher:
ISBN:
Category :
Languages : en
Pages : 61

Book Description


Collision of Modernities in British Odisha

Collision of Modernities in British Odisha PDF Author: Sarat Kumar Jena
Publisher: Createspace Independent Publishing Platform
ISBN: 9781979269568
Category :
Languages : en
Pages : 54

Book Description
Fakir Mohan Senapati (1843-1918) is remembered largely for his emancipation of early Odia fictional narratives both collection of short stories and novels, as well as autobiography, poetry, essay, text books, dictionary, spiritual and journalistic writing and translations into Odia which enriched early modern Odia literary canon. Perhaps, Senapati's identity may be aptly remembered more than the literary the socio-political and socio-economic changes which challenges and urgency he lived upon and accepted and refabricated around the historical time line in British Odisha when many changes were in threshold. Senapati remains the early chronicler of the 'SOCIAL REALISM' narrative tradition in Indian Literature and his fictional narratives which is a sum total of four novels and twenty short stories are set within the local Odia traditions focuses upon the hundred and more years of the tumultuous history of Odisha, emerging of colonial modernity in early 19th century and its effects during British rule. Senapati is also conscious of foreign and native encounter which simultaneously built up Odia collective identity in the past. He examines and mentions of the chronology of shifting of the power structure such as the Afghan, Mughal, and Maratha invasions long before the arrival of British East India Company (1803) in Odisha. Fakir Mohan Senapati remains a critic of the 'HYBRID' modernities - the collision of Odia modernities and British modernities during the colonial rule which influenced each other for near about hundred and fifty years and addresses important political factor responsible for demanding first a language province and then, sovereign intellectual sub-national identity. Senapati's fictional narrative may be compared with the rare classics in world literature; for Senapati's collective voice forms new waves across national and subnational boundaries in British India which is anticolonial and brings forth local resistances towards the emerging of European orders during British rule chiefly on the basis of the demands of the emerging collective Odia identity of his time. ---------------------------------------------------- Collision of Modernities in British Odisha, Vol. I, 2017, General Editor: Sarat Kumar Jena. This book contains brief modernities debate by Satya P Mohanty. Special critical section on fictional narratives of Fakir Mohan Senapati is contributed by Jitendra N Patnaik, Shubhendu Mund, and Sarat Kumar Jena. Brief analytical work on Senapati's short stories are contributed by Udayanath Sahoo, and Sarat Kumar Jena. A short memoir section on life and work of Fakir Mohan Senapati is written by Monica Das.