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Author: John Strachan Publisher: Routledge ISBN: 9781138751200 Category : Languages : en Pages : 0
Book Description
This set offers a representitive collection of the verse satire of the Romantic period, published between the mid-1780s and the mid-1830s. As well as two single-author volumes, from William Gifford and Thomas Moore, there is also a wealth of rare, unedited material.
Author: John Strachan Publisher: Routledge ISBN: 9781138751200 Category : Languages : en Pages : 0
Book Description
This set offers a representitive collection of the verse satire of the Romantic period, published between the mid-1780s and the mid-1830s. As well as two single-author volumes, from William Gifford and Thomas Moore, there is also a wealth of rare, unedited material.
Author: John Strachan Publisher: Routledge ISBN: 1000748111 Category : Literary Criticism Languages : en Pages : 595
Book Description
This set offers a representitive collection of the verse satire of the Romantic period, published between the mid-1780s and the mid-1830s. As well as two single-author volumes, from William Gifford and Thomas Moore, there is also a wealth of rare, unedited material.
Author: John Strachan Publisher: Taylor & Francis ISBN: 1000743918 Category : Literary Criticism Languages : en Pages : 2177
Book Description
This set offers a representitive collection of the verse satire of the Romantic period, published between the mid-1780s and the mid-1830s. As well as two single-author volumes, from William Gifford and Thomas Moore, there is also a wealth of rare, unedited material.
Author: John Strachan Publisher: Routledge ISBN: 1000712613 Category : Literary Criticism Languages : en Pages : 2184
Book Description
This set offers a representitive collection of the verse satire of the Romantic period, published between the mid-1780s and the mid-1830s. As well as two single-author volumes, from William Gifford and Thomas Moore, there is also a wealth of rare, unedited material.
Author: John Strachan Publisher: Routledge ISBN: 1000748103 Category : Literary Criticism Languages : en Pages : 425
Book Description
This set offers a representitive collection of the verse satire of the Romantic period, published between the mid-1780s and the mid-1830s. As well as two single-author volumes, from William Gifford and Thomas Moore, there is also a wealth of rare, unedited material.
Author: Mary Fairclough Publisher: Springer ISBN: 1137593156 Category : Literary Criticism Languages : en Pages : 270
Book Description
This book investigates the science of electricity in the long eighteenth century and its textual life in literary and political writings. Electricity was celebrated as a symbol of enlightened progress, but its operation and its utility were unsettlingly obscure. As a result, debates about the nature of electricity dovetailed with discussions of the relation between body and soul, the nature of sexual attraction, the properties of revolutionary communication and the mysteries of vitality. This study explores the complex textual manifestations of electricity between 1740 and 1840, in which commentators describe it both as a material force and as a purely figurative one. The book analyses attempts by both elite and popular practitioners of electricity to elucidate the mysteries of electricity, and traces the figurative uses of electrical language in the works of writers including Mary Robinson, Edmund Burke, Erasmus Darwin, John Thelwall, Mary Shelley and Richard Carlile.
Author: Julie Donovan Publisher: Academica Press,LLC ISBN: 1933146559 Category : Literary Criticism Languages : en Pages : 286
Book Description
Recently there has been a growing scholarly interest in Sydney, Lady Morgan (nee Sydney Owenson). The reasons are many. In this work Dr.Donovan contextualizes an important yet relatively neglected author by analyzing an emblematic Irishness that was too often dismissed in the early 19th century as excessive showmanship; the criticism was not without some basis since Owenson was an actor's daughter and grew up in the company of traveling performers. The study includes an extensive discussion of Morgan's personal papers and artifacts housed in the national Library of Ireland and the Royal Irish Academy. No previous study has fully considered this crucial archival material and its implications. In addition unpublished and hitherto unconsulted papers from the Yale University collection are also part of this original research monograph. Owenson's writing is far ranging (she is known both as a polemicist and the author of works on post restoration Italy as well as Ireland) and she commanded the friendship and respect of many early 19th c authors and poets including Byron, Shelley, Moore among many others. The table of contents includes: Introduction Body, Text and Textile in "The Wild Irish Girl" Sydney Owenson's Self-Fashioning How Sydney Owenson Played the Harp Ireland in Europe and the World: Sydney Owenson's Travel Writing Owenson in the 19th Century Irish Research Series, No.55
Author: Samantha Matthews Publisher: Oxford University Press ISBN: 0192599844 Category : Literary Criticism Languages : en Pages : 224
Book Description
'Will you write in my album?' Many Romantic poets were asked this question by women who collected contributions in their manuscript books. Those who obliged included Byron, Scott, Wordsworth, and Lamb, but also Felicia Hemans, Amelia Opie, and Sara Coleridge. Album Verses and Romantic Literary Culture presents the first critical and cultural history of this forgotten phenomenon. It asks a series of questions. Where did 1820s 'albo-mania' come from, and why was it satirized as a women's 'mania'? What was the relation between visitors' books associated with great institutions and country houses, personal albums belonging to individuals, and the poetry written in both? What caused albums' re-gendering from earlier friendship books kept by male students and gentlemen on the Grand Tour to a 'feminized' practice identified mainly with young women? When albums were central to women's culture, why were so many published album poems by men? How did amateur and professional poets engage differently with albums? What does album culture's privileging of 'original poetry' have to say about attitudes towards creativity and poetic practice in the age of print? This volume recovers a distinctive subgenre of occasional poetry composed to be read in manuscript, with its own characteristic formal features, conventions, themes, and cultural significance. Unique albums examined include that kept at the Grande Chartreuse, those owned by Regency socialite Lady Sarah Jersey, and those kept by Lake poets' daughters. As Album Verses and Romantic Literary Culture shows, album poetry reflects changing attitudes to identity, gender, class, politics, poetry, family dynamics, and social relations in the Romantic period.
Author: Nicholas Mason Publisher: Taylor & Francis ISBN: 1000888215 Category : Literary Criticism Languages : en Pages : 262
Book Description
Contextualizes and annotates the influential, scandalous, and entertaining texts which appeared in the Blackwood's Magazine between 1817 and 1825. This title features a detailed general introduction, volume introductions and endnotes, providing the reader with an understanding of the origins and early history of Blackwood's Magazine.
Author: Christina Parolin Publisher: ANU E Press ISBN: 1921862017 Category : History Languages : en Pages : 353
Book Description
RADICAL SPACES explores the rise of popular radicalism in London between 1790 and 1845 through key sites of radical assembly: the prison, the tavern and the radical theatre. Access to spaces in which to meet, agitate and debate provided those excluded from the formal arenas of the political nation-the great majority of the population-a crucial voice in the public sphere. RADICAL SPACES utilises both textual and visual public records, private correspondence and the secret service reports from the files of the Home Office to shed new light on the rise of plebeian radicalism in the metropolis. It brings the gendered nature of such sites to the fore, finding women where none were thought to gather, and reveals that despite the diversity in these spaces, there existed a dynamic and symbiotic relationship between radical culture and the sites in which it operated. These venues were both shaped by and helped to shape the political identity of a generation of radical men and women who envisioned a new social and political order for Britain.
Author: John Strachan
Author: John Strachan
Author: John Strachan
Author: John Strachan
Author: John Strachan
Author: John Strachan
Author: Mary Fairclough
Author: Julie Donovan
Author: Samantha Matthews
Author: Nicholas Mason
Author: Christina Parolin