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Author: Darrell Buxton Publisher: ISBN: 9781936168064 Category : Languages : en Pages : 222
Book Description
The Shrieking Sixties sets out to document and comment upon the British horror boom of the 1960s. Edited by Darrell Buxton (U.K. horror expert and critic whose work has appeared in publications including Samhain, Creeping Flesh and Giallo Page) and written by a variety of contributors, including Mike Hodges (Fangoria), Steven West (Is It...Uncut?) and Christopher Wood (British Horror Films website), the book features informative and lively reviews of 150 creepy, macabre and downright scary movies. Additional appendices cover the short films of the era, borderline titles and a study of how the censors handled an onslaught of on-screen shudders. From Hammer's Brides of Dracula and Plague of the Zombies, to cult classics like Witchfinder General and Scream and Scream Again, The Shrieking Sixties runs the gruesome gamut. Of particular note is the book's coverage of Lindsay Shonteff's 1969 shocker Night, After Night, After Night, revealing daring new information about this ahead-of-its-time proto-slasher, and the rarely seen and even more rarely discussed The Return of Dracula, a specialist vampire movie presented in British Sign Language. In the tradition of recent successful publications such as English Gothic, Fragments of Fear and Ten Years of Terror, The Shrieking Sixties seems set to become a vital, essential addition to any fright film fan's library
Author: Darrell Buxton Publisher: ISBN: 9781936168064 Category : Languages : en Pages : 222
Book Description
The Shrieking Sixties sets out to document and comment upon the British horror boom of the 1960s. Edited by Darrell Buxton (U.K. horror expert and critic whose work has appeared in publications including Samhain, Creeping Flesh and Giallo Page) and written by a variety of contributors, including Mike Hodges (Fangoria), Steven West (Is It...Uncut?) and Christopher Wood (British Horror Films website), the book features informative and lively reviews of 150 creepy, macabre and downright scary movies. Additional appendices cover the short films of the era, borderline titles and a study of how the censors handled an onslaught of on-screen shudders. From Hammer's Brides of Dracula and Plague of the Zombies, to cult classics like Witchfinder General and Scream and Scream Again, The Shrieking Sixties runs the gruesome gamut. Of particular note is the book's coverage of Lindsay Shonteff's 1969 shocker Night, After Night, After Night, revealing daring new information about this ahead-of-its-time proto-slasher, and the rarely seen and even more rarely discussed The Return of Dracula, a specialist vampire movie presented in British Sign Language. In the tradition of recent successful publications such as English Gothic, Fragments of Fear and Ten Years of Terror, The Shrieking Sixties seems set to become a vital, essential addition to any fright film fan's library
Author: Scott V. Palmer Publisher: ISBN: 9781635874716 Category : Performing Arts Languages : en Pages : 368
Book Description
This book is the second in a series of books on horror films made in Great Britain. Complete cast listings and story synopses are provided, along with the running times of the films and directorial credits. Many heretofore unseen pictures are included; there is also an introduction by the late, great horror film star Sir Christopher lee.
Author: Anthony McKay Publisher: ISBN: Category : Languages : en Pages : 100
Book Description
"Little Shoppe of Horrors #42 (2019) (in an 8-1/2" x11" high definition reprint format) lets you 'Beware the Stare! That Will Paralyze the World' The making of VILLAGE OF THE DAMNED. From 1960 - Where the glowing eyes of these children from space - based on the John Wyndham novel 'The Midwich Cuckoos' - was one of the most intelligent science fiction films of the 1960s. Over 60 pages taking you behind the scenes and introducing you to the performers and the people who produced it. Also in the issue - 'Max J Rosenberg - The Other Man Behind Amicus Productions' The producer, along with Milton Subotsky, that made Amicus a force to reckon with in the 1960s and 1970s. Part one of the Hammer Film Diaries of Christopher Wicking - 1975. Story editor and right hand man to Hammer head man - Michael Carreras - as they tried to keep the company afloat in the 1970s. TO THE DEVIL...A DAUGHTER, VAMPIRELLA and more. All the behind-the-scenes intrigue.
Author: Scott V. Palmer Publisher: ISBN: 9781635874754 Category : Performing Arts Languages : en Pages : 388
Book Description
Horror, terror, shock, science fiction, melodrama, suspense, the weird, the occult, superstition, the unbelievable, and the incredible are all, to one degree or another, elements and aspects that are within the scope of these productions.
Author: Robert Murphy Publisher: Bloomsbury Publishing ISBN: 1838718257 Category : Performing Arts Languages : en Pages : 360
Book Description
British films of the 1960s are undervalued. Their search for realism has often been dismissed as drabness and their more frivolous efforts can now appear just empty-headed. Robert Murphy's Sixties British Cinema is the first study to challenge this view. He shows that the realist tradition of the late 50s and early 60s was anything but dreary and depressing, and gave birth to a clutch of films remarkable for their confidence and vitality: Saturday Night and Sunday Morning, A Kind of Loving, and A Taste of Honey are only the better known titles. Sixties British Cinema revalues key genres of the period - horror, crime and comedy - and takes a fresh look at the 'swinging London' films, finding disturbing undertones that reflect the cultural changes of the decade. Now that our cinematic past is constantly recycled on television, Murphy's informative, engaging and perceptive review of these films and their cultural and industrial context offers an invaluable guide to this neglected era of British cinema.
Author: Lawrence McCallum Publisher: McFarland ISBN: Category : Performing Arts Languages : en Pages : 296
Book Description
Until I vampiri (The Vampires) in 1956, Italian filmmakers generally eschewed horror in favor of fantasy films and big screen spectacles. In the 1960s, the subjects became as varied as the filmmakers, ranging from the comic strip flavor of The Wild, Wild Planet (1966) to the surrealistic mixture of horror and social commentary of Fellinis Toby Dammit segment of Spirits of the Dead (1969). Arranged by English title, each entry includes Italian title, studio, running time, year of release, work the film is based on (when appropriate), and cast and credits. These data are followed by a lengthy essay, blending a plot synopsis with critical commentary and behind-the-scenes information.
Author: Steve Chibnall Publisher: Psychology Press ISBN: 9780415230032 Category : Performing Arts Languages : en Pages : 264
Book Description
British Horror Cinema investigates a wealth of horror filmmaking in Britain, from early chillers like The Ghoul and Dark Eyes of London to acknowledged classics such as Peeping Tom and The Wicker Man. Contributors explore the contexts in which British horror films have been censored and classified, judged by their critics and consumed by their fans. Uncovering neglected modern classics like Deathline, and addressing issues such as the representation of family and women, they consider the Britishness of British horror and examine sub-genres such as the psycho-thriller and witchcraftmovies, the work of the Amicus studio, and key filmmakers including Peter Walker. Chapters include: the 'Psycho Thriller' the British censors and horror cinema femininity and horror film fandom witchcraft and the occult in British horror Horrific films and 1930s British Cinema Peter Walker and Gothic revisionism. Also featuring a comprehensive filmography and interviews with key directors Clive Barker and Doug Bradley, this is one resource film studies students should not be without.
Author: Richard Klemensen Publisher: ISBN: 9781795515412 Category : Languages : en Pages : 92
Book Description
'Little Shoppe of Horror' #31, in 2013 (now in an 8-1/2" x 11" format) Presented an in-depth production history of one of Hammer Film Production's most under appreciated horror films - DEMONS OF THE MIND. Bruce G Hallenbeck takes you behind the scenes on how it was produced, in 1971. Interviews with producer Frank Godwin, screenwriter Christopher Wicking, director Peter Sykes and stars Robert Hardy, Shane Briant and Virginia Wetherell. Also in this issue - one of the most maligned, but most entertaining "bad" movies of the 1960s: TROG ('No Laughing Matter - the Making of TROG.) Poor old Joan Crawford. Tim Rogerson looks at the co-production between Hammer and horror-meister, William Castle - THE OLD DARK HOUSE (1961). And Tim Lucas, in the ongoing LSoH feature on 'A History of Horror Film Fanzine', documents 'Citizen Clarke' and Tim's relationship & the history of CINEFANTASTIQUE Magazine.
Author: Steven Gerrard Publisher: Rutgers University Press ISBN: 0813579457 Category : Performing Arts Languages : en Pages : 130
Book Description
When you think of British horror films, you might picture the classic Hammer Horror movies, with Christopher Lee, Peter Cushing, and blood in lurid technicolor. Yet British horror has undergone an astonishing change and resurgence in the twenty-first century, with films that capture instead the anxieties of post-Millennial viewers. Tracking the revitalization of the British horror film industry over the past two decades, media expert Steven Gerrard also investigates why audiences have flocked to these movies. To answer that question, he focuses on three major trends: “hoodie horror” movies responding to fears about Britain’s urban youth culture; “great outdoors” films where Britain’s forests, caves, and coasts comprise a terrifying psychogeography; and psychological horror movies in which the monster already lurks within us. Offering in-depth analysis of numerous films, including The Descent, Outpost, and The Woman in Black, this book takes readers on a lively tour of the genre’s highlights, while provocatively exploring how these films reflect viewers’ gravest fears about the state of the nation. Whether you are a horror buff, an Anglophile, or an Anglophobe, The Modern British Horror Film is sure to be a thrilling read.
Author: Darrell Buxton
Author: Darrell Buxton
Author: Scott V. Palmer
Author: Darrell Buxton
Author: Anthony McKay
Author: Scott V. Palmer
Author: Robert Murphy
Author: Lawrence McCallum
Author: Steve Chibnall
Author: Richard Klemensen
Author: Steven Gerrard