Author: John Harley
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 360
Book Description
British Harpsichord Music, Volume 2 examines the origin and development of music for plucked key board instruments in Britain. It traces the harpsichord's role both in solo performance and in accompaniment and ensemble playing. The book is a companion to John Harley's bibliography British Harpsichord Music, Volume 1, Sources, published in 1992.
British Harpsichord Music: History
Author: John Harley
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 360
Book Description
British Harpsichord Music, Volume 2 examines the origin and development of music for plucked key board instruments in Britain. It traces the harpsichord's role both in solo performance and in accompaniment and ensemble playing. The book is a companion to John Harley's bibliography British Harpsichord Music, Volume 1, Sources, published in 1992.
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 360
Book Description
British Harpsichord Music, Volume 2 examines the origin and development of music for plucked key board instruments in Britain. It traces the harpsichord's role both in solo performance and in accompaniment and ensemble playing. The book is a companion to John Harley's bibliography British Harpsichord Music, Volume 1, Sources, published in 1992.
British Harpsichord Music: Sources
Author: John Harley
Publisher:
ISBN:
Category : Harpsichord music
Languages : en
Pages : 368
Book Description
Publisher:
ISBN:
Category : Harpsichord music
Languages : en
Pages : 368
Book Description
British Harpsichord Music: History
Author: John Harley
Publisher:
ISBN: 9780859678766
Category : Harpsichord music
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9780859678766
Category : Harpsichord music
Languages : en
Pages :
Book Description
Harpsichord music
Author: Giovanni Battista Draghi
Publisher: A-R Editions, Inc.
ISBN: 0895792168
Category : Music
Languages : en
Pages : 146
Book Description
Publisher: A-R Editions, Inc.
ISBN: 0895792168
Category : Music
Languages : en
Pages : 146
Book Description
The Cambridge Companion to the Harpsichord
Author: Mark Kroll
Publisher: Cambridge University Press
ISBN: 1107156076
Category : Music
Languages : en
Pages : 407
Book Description
Covers every aspect of the harpsichord and its music, including composers, genres, national styles, tuning, and the art of harpsichord building.
Publisher: Cambridge University Press
ISBN: 1107156076
Category : Music
Languages : en
Pages : 407
Book Description
Covers every aspect of the harpsichord and its music, including composers, genres, national styles, tuning, and the art of harpsichord building.
The Sources of Keyboard Music in England
Author: Charles Van den Borren
Publisher: Greenwood
ISBN:
Category : Music
Languages : en
Pages : 412
Book Description
Publisher: Greenwood
ISBN:
Category : Music
Languages : en
Pages : 412
Book Description
British Music, Musicians and Institutions, C. 1630-1800
Author: Julian Rushton
Publisher: Boydell & Brewer
ISBN: 1783276479
Category : Music
Languages : en
Pages : 317
Book Description
Building upon the developing picture of the importance of British music, musicians and institutions during the eighteenth century, this book investigates the themes of composition, performance (amateur and professional) and music-printing, within the wider context of social, religious and secular institutions. British music in the era from the death of Henry Purcell to the so-called 'Musical Renaissance' of the late nineteenth century was once considered barren. This view has been overturned in recent years through a better-informed historical perspective, able to recognise that all kinds of British musical institutions continued to flourish, and not only in London. The publication, performance and recording of music by seventeenth- and eighteenth-century British composers, supplemented by critical source-studies and scholarly editions, shows forms of music that developed in parallel with those of Britain's near neighbours. Indigenous musicians mingled with migrant musicians from elsewhere, yet there remained strands of British musical culture that had no continental equivalent. Music, vocal and instrumental, sacred and secular, flourished continuously throughout the Stuart and Hanoverian monarchies. Composers such as Eccles, Boyce, Greene, Croft, Arne and Hayes were not wholly overshadowed by European imports such as Handel and J. C. Bach. The present volume builds on this developing picture of the importance of British music, musicians and institutions during the period. Leading musicologists investigate themes such as composition, performance (amateur and professional), and music-printing, within the wider context of social, religious and secular institutions.
Publisher: Boydell & Brewer
ISBN: 1783276479
Category : Music
Languages : en
Pages : 317
Book Description
Building upon the developing picture of the importance of British music, musicians and institutions during the eighteenth century, this book investigates the themes of composition, performance (amateur and professional) and music-printing, within the wider context of social, religious and secular institutions. British music in the era from the death of Henry Purcell to the so-called 'Musical Renaissance' of the late nineteenth century was once considered barren. This view has been overturned in recent years through a better-informed historical perspective, able to recognise that all kinds of British musical institutions continued to flourish, and not only in London. The publication, performance and recording of music by seventeenth- and eighteenth-century British composers, supplemented by critical source-studies and scholarly editions, shows forms of music that developed in parallel with those of Britain's near neighbours. Indigenous musicians mingled with migrant musicians from elsewhere, yet there remained strands of British musical culture that had no continental equivalent. Music, vocal and instrumental, sacred and secular, flourished continuously throughout the Stuart and Hanoverian monarchies. Composers such as Eccles, Boyce, Greene, Croft, Arne and Hayes were not wholly overshadowed by European imports such as Handel and J. C. Bach. The present volume builds on this developing picture of the importance of British music, musicians and institutions during the period. Leading musicologists investigate themes such as composition, performance (amateur and professional), and music-printing, within the wider context of social, religious and secular institutions.
Aspects of Early English Keyboard Music before c.1630
Author: David J. Smith
Publisher: Routledge
ISBN: 1351613871
Category : Music
Languages : en
Pages : 246
Book Description
English keyboard music reached an unsurpassed level of sophistication in the late sixteenth and early seventeenth centuries as organists such as William Byrd and his students took a genre associated with domestic, amateur performance and treated it as seriously as vocal music. This book draws together important research on the music, its sources and the instruments on which it was played. There are two chapters on instruments: John Koster on the use of harpsichord during the period, and Dominic Gwynn on the construction of Tudor-style organs based on the surviving evidence we have for them. This leads to a section devoted to organ performance practice in a liturgical context, in which John Harper discusses what the use of organs pitched in F may imply about their use in alternation with vocal polyphony, and Magnus Williamson explores improvisational practice in the Tudor period. The next section is on sources and repertoire, beginning with Frauke Jürgensen and Rachelle Taylor’s chapter on Clarifica me Pater settings, which grows naturally out of the consideration of improvisation in the previous chapter. The next two contributions focus on two of the most important individual manuscript sources: Tihomir Popović challenges assumptions about My Ladye Nevells Booke by reflecting on what the manuscript can tell us about aristocratic culture, and David J. Smith provides a detailed study of the famous Fitzwilliam Virginal Book. The discussion then broadens out into Pieter Dirksen’s consideration of a wider selection of sources relating to John Bull, which in turn connects closely to David Leadbetter’s work on Gibbons, lute sources and questions of style.
Publisher: Routledge
ISBN: 1351613871
Category : Music
Languages : en
Pages : 246
Book Description
English keyboard music reached an unsurpassed level of sophistication in the late sixteenth and early seventeenth centuries as organists such as William Byrd and his students took a genre associated with domestic, amateur performance and treated it as seriously as vocal music. This book draws together important research on the music, its sources and the instruments on which it was played. There are two chapters on instruments: John Koster on the use of harpsichord during the period, and Dominic Gwynn on the construction of Tudor-style organs based on the surviving evidence we have for them. This leads to a section devoted to organ performance practice in a liturgical context, in which John Harper discusses what the use of organs pitched in F may imply about their use in alternation with vocal polyphony, and Magnus Williamson explores improvisational practice in the Tudor period. The next section is on sources and repertoire, beginning with Frauke Jürgensen and Rachelle Taylor’s chapter on Clarifica me Pater settings, which grows naturally out of the consideration of improvisation in the previous chapter. The next two contributions focus on two of the most important individual manuscript sources: Tihomir Popović challenges assumptions about My Ladye Nevells Booke by reflecting on what the manuscript can tell us about aristocratic culture, and David J. Smith provides a detailed study of the famous Fitzwilliam Virginal Book. The discussion then broadens out into Pieter Dirksen’s consideration of a wider selection of sources relating to John Bull, which in turn connects closely to David Leadbetter’s work on Gibbons, lute sources and questions of style.
The Harpsichord
Author: Eta Harich-Schneider
Publisher:
ISBN:
Category : Harpsichord
Languages : en
Pages : 90
Book Description
Publisher:
ISBN:
Category : Harpsichord
Languages : en
Pages : 90
Book Description
Late-seventeenth-century English keyboard music
Author: Candace Bailey
Publisher: A-R Editions, Inc.
ISBN: 0895793822
Category : Music
Languages : en
Pages : 128
Book Description
Publisher: A-R Editions, Inc.
ISBN: 0895793822
Category : Music
Languages : en
Pages : 128
Book Description