Author: British Film InstitutePublisher:
ISBN:
Category :
Languages : en
Pages : 320
Book Description
BFI Film and Television Yearbook
Author: British Film InstitutePublisher:
ISBN:
Category :
Languages : en
Pages : 320
Book Description
British Film Institute
Author: Film and Television Yearbook
Author: British Film InstituteFilm and television yearbook 1987
Author: Patience CosterPublisher:
ISBN: 9780851701981
Category : Motion pictures
Languages : en
Pages : 337
Book Description
British Film Institute Film and Television Year Book
Author: Patience CosterPublisher: British Film Institute
ISBN: 9780851701981
Category : Performing Arts
Languages : en
Pages : 348
Book Description
No Marketing Blurb
BFI Film and Television Yearbook
Author: Publisher:
ISBN:
Category : Motion picture industry
Languages : en
Pages : 358
Book Description
BFI Film and Television Yearbook 1987
Author: British Film Institute [BFI]Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
BFI Film and Television Yearbook 1985
Author: British Film Institute [BFI]Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
British Film and Television Year Book
Author: The British Film Institute, the Government and Film Culture, 1933-2000
Author: Geoffrey Nowell-SmithPublisher: Manchester University Press
ISBN: 9780719095740
Category : History
Languages : en
Pages : 356
Book Description
The British Film Institute (BFI) is one of the UK's oldest and most important government-supported cultural institutions. From a modest start in the 1930s it grew rapidly after the war to encompass every kind of film-related activity from production to archiving to exhibition to education. At the beginning of the twenty-first century its turnover was approaching £30m and it had become a central point of reference for anyone whose interest in film stretched beyond what's on at the local multiplex. There was nothing straightforward about this rise to prominence. It was achieved in the face of government indifference, active obstruction from the film trade, internecine warfare within the organisation and fierce contestation on the part of the BFI's own core public. Based on intensive original research in the BFI's own voluminous archives and elsewhere, this book examines the interplay of external and internal forces that led to the BFI's unique development as a multi-faceted public body.