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Author: Catherine Jolivette Publisher: Routledge ISBN: 1351573160 Category : Art Languages : en Pages : 306
Book Description
Rooted in the study of objects, British Art in the Nuclear Age addresses the role of art and visual culture in discourses surrounding nuclear science and technology, atomic power, and nuclear warfare in Cold War Britain. Examining both the fears and hopes for the future that attended the advances of the nuclear age, nine original essays explore the contributions of British-born and ?gr?rtists in the areas of sculpture, textile and applied design, painting, drawing, photo-journalism, and exhibition display. Artists discussed include: Francis Bacon, John Bratby, Lynn Chadwick, Prunella Clough, Naum Gabo, Barbara Hepworth, Peter Lanyon, Henry Moore, Eduardo Paolozzi, Peter Laszlo Peri, Isabel Rawsthorne, Alan Reynolds, Colin Self, Graham Sutherland, Feliks Topolski and John Tunnard. Also under discussion is new archival material from Picture Post magazine, and the Festival of Britain. Far from insular in its concerns, this volume draws upon cross-cultural dialogues between British and European artists and the relationship between Britain and America to engage with an interdisciplinary art history that will also prove useful to students and researchers in a variety of fields including modern European history, political science, the history of design, anthropology, and media studies.
Author: Catherine Jolivette Publisher: Routledge ISBN: 1351573160 Category : Art Languages : en Pages : 306
Book Description
Rooted in the study of objects, British Art in the Nuclear Age addresses the role of art and visual culture in discourses surrounding nuclear science and technology, atomic power, and nuclear warfare in Cold War Britain. Examining both the fears and hopes for the future that attended the advances of the nuclear age, nine original essays explore the contributions of British-born and ?gr?rtists in the areas of sculpture, textile and applied design, painting, drawing, photo-journalism, and exhibition display. Artists discussed include: Francis Bacon, John Bratby, Lynn Chadwick, Prunella Clough, Naum Gabo, Barbara Hepworth, Peter Lanyon, Henry Moore, Eduardo Paolozzi, Peter Laszlo Peri, Isabel Rawsthorne, Alan Reynolds, Colin Self, Graham Sutherland, Feliks Topolski and John Tunnard. Also under discussion is new archival material from Picture Post magazine, and the Festival of Britain. Far from insular in its concerns, this volume draws upon cross-cultural dialogues between British and European artists and the relationship between Britain and America to engage with an interdisciplinary art history that will also prove useful to students and researchers in a variety of fields including modern European history, political science, the history of design, anthropology, and media studies.
Author: Dr Catherine Jolivette Publisher: Ashgate Publishing, Ltd. ISBN: 1472412761 Category : Art Languages : en Pages : 313
Book Description
Rooted in the study of objects, this book addresses the role of art and visual culture in discourses surrounding nuclear science and technology, atomic power, and nuclear warfare in Cold War Britain. Far from insular in its concerns, this volume draws upon cross-cultural dialogues between British and European artists and the relationship between Britain and America to engage with an interdisciplinary art history that will also prove useful to researchers in a variety of fields including European history, politics, design history, anthropology, and media.
Author: Graham Farmelo Publisher: Faber & Faber ISBN: 0571300286 Category : Biography & Autobiography Languages : en Pages : 386
Book Description
Churchill's Bomb - from the author of the Costa award-winning biography The Strangest Man - reveals a new aspect of Winston Churchill's life, so far completely neglected by historians: his relations with his nuclear scientists, and his management of Britain's policy on atomic weapons. Churchill was the only prominent politician to foresee the nuclear age and he played a leading role in the development of the Bomb during World War II. He became the first British Prime Minister with access to these weapons, and left office following desperate attempts during the Cold War to end the arms race. Graham Farmelo traces the beginnings of Churchill's association with nuclear weapons to his unlikely friendship with H. G. Wells, who coined the term 'atomic bombs'. In the 1930s, when Ernest Rutherford and his brilliant followers, such as Chadwick and Cockcroft, gave Britain the lead in nuclear research, Churchill wrote several widely read newspaper articles on the huge implications of their work. British physicists, in 1940, first showed that the Bomb was a practical possibility. But Churchill, closely advised by his favourite scientist, the controversial Frederick Lindemann, allowed leadership to pass to the US, where the Manhattan Project made the Bomb a terrible reality. British physicists played only a minor role in this vast enterprise, while Churchill ignored warnings from the scientist Niels Bohr that the Anglo-American policy would lead to a post-war arms race. After the war, the Americans reneged on personal agreements between Roosevelt and Churchill to share research. Clement Attlee, in a fateful decision, ordered the building of a British Bomb to maintain the country's place among the great powers. Churchill inherited it and ended his political career obsessed with the threat of thermonuclear war. Churchill's Bomb is an original and controversial book, full of political and scientific personalities and intrigues, which reveals a little-known side of Britain's great war-leader.
Author: John H. Herz Publisher: Columbia University Press ISBN: 0231085346 Category : International relations Languages : en Pages : 368
Book Description
Available for the first time in English, this is the definitive account of the practice of sexual slavery the Japanese military perpetrated during World War II by the researcher principally responsible for exposing the Japanese government's responsibility for these atrocities. The large scale imprisonment and rape of thousands of women, who were euphemistically called "comfort women" by the Japanese military, first seized public attention in 1991 when three Korean women filed suit in a Toyko District Court stating that they had been forced into sexual servitude and demanding compensation. Since then the comfort stations and their significance have been the subject of ongoing debate and intense activism in Japan, much if it inspired by Yoshimi's investigations. How large a role did the military, and by extension the government, play in setting up and administering these camps? What type of compensation, if any, are the victimized women due? These issues figure prominently in the current Japanese focus on public memory and arguments about the teaching and writing of history and are central to efforts to transform Japanese ways of remembering the war. Yoshimi Yoshiaki provides a wealth of documentation and testimony to prove the existence of some 2,000 centers where as many as 200,000 Korean, Filipina, Taiwanese, Indonesian, Burmese, Dutch, Australian, and some Japanese women were restrained for months and forced to engage in sexual activity with Japanese military personnel. Many of the women were teenagers, some as young as fourteen. To date, the Japanese government has neither admitted responsibility for creating the comfort station system nor given compensation directly to former comfort women. This English edition updates the Japanese edition originally published in 1995 and includes introductions by both the author and the translator placing the story in context for American readers.
Author: David Kynaston Publisher: Bloomsbury Publishing USA ISBN: 0802719643 Category : History Languages : en Pages : 717
Book Description
As in his highly acclaimed Austerity Britain, David Kynaston invokes an astonishing array of vivid, intimate and unselfconscious voices to drive his narrative of 1950s Britain. The keen-eyed Nella Last shops assiduously at Barrow Market as austerity and rationing gradually give way to relative abundance; housewife Judy Haines, relishing the detail of suburban life, brings up her children in Chingford; the self-absorbed civil servant Henry St John perfects the art of grumbling. These and many other voices give a rich, unsentimental picture of everyday life in the 1950s. Well-known figures are encountered on the way, such as Doris Lessing (joining and later leaving the Communist Party), John Arlott (sticking up on Any Questions? for the rights of homosexuals) and Tiger's Roy of the Rovers (making his goal-scoring debut for Melchester). All this is part of a colourful, unfolding tapestry, in which the great national events - the Tories returning to power, the death of George VI, the Coronation of Queen Elizabeth, the Suez Crisis - jostle alongside everything that gave Britain in the 1950s its distinctive flavour: Butlin's holiday camps, Kenwood food mixers, Hancock's Half-Hour, Ekco television sets, Davy Crockett, skiffle and teddy boys. Deeply researched, David Kynaston's Family Britain offers an unrivalled take on a largely cohesive, ordered, still very hierarchical society gratefully starting to move away from the painful hardships of the 1940s towards domestic ease and affluence.
Author: Dick van Lente Publisher: Springer ISBN: 1137086181 Category : History Languages : en Pages : 442
Book Description
The atomic age was described as one that might soon end in the destruction of human civilization, but from the beginning, utopian images were attached to it as well. This book compares representations of nuclear power in popular media from around the world to to trace divergences, convergences, and exchanges.
Author: Catherine Jolivette
Author: Catherine Jolivette
Author: Dr Catherine Jolivette
Author: Great Britain. Central Office of Information
Author: Automobile Association (Great Britain)
Author: Pocket Books
Author: Lynton Keith Caldwell
Author: Graham Farmelo
Author: John H. Herz
Author: David Kynaston
Author: Dick van Lente