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Author: Jeannette Eileen Jones Publisher: University of Georgia Press ISBN: 0820341967 Category : History Languages : en Pages : 317
Book Description
In the decades between the Berlin Conference that partitioned Africa and the opening of the African Hall at the American Museum of Natural History, Americans in several fields and from many backgrounds argued that Africa had something to teach them. Jeannette Eileen Jones traces the history of the idea of Africa with an eye to recovering the emergence of a belief in "Brightest Africa"--a tradition that runs through American cultural and intellectual history with equal force to its "Dark Continent" counterpart. Jones skillfully weaves disparate strands of turn-of-the-century society and culture to expose a vivid trend of cultural engagement that involved both critique and activism. Filmmakers spoke out against the depiction of "savage" Africa in the mass media while also initiating a countertradition of ethnographic documentaries. Early environmentalists celebrated Africa as a pristine continent while lamenting that its unsullied landscape was "vanishing." New Negro political thinkers also wanted to "save" Africa but saw its fragility in terms of imperiled human promise. Jones illuminates both the optimism about Africa underlying these concerns and the racist and colonial interests these agents often nevertheless served. The book contributes to a growing literature on the ongoing role of global exchange in shaping the African American experience as well as debates about the cultural place of Africa in American thought.
Author: Jeannette Eileen Jones Publisher: University of Georgia Press ISBN: 0820341967 Category : History Languages : en Pages : 317
Book Description
In the decades between the Berlin Conference that partitioned Africa and the opening of the African Hall at the American Museum of Natural History, Americans in several fields and from many backgrounds argued that Africa had something to teach them. Jeannette Eileen Jones traces the history of the idea of Africa with an eye to recovering the emergence of a belief in "Brightest Africa"--a tradition that runs through American cultural and intellectual history with equal force to its "Dark Continent" counterpart. Jones skillfully weaves disparate strands of turn-of-the-century society and culture to expose a vivid trend of cultural engagement that involved both critique and activism. Filmmakers spoke out against the depiction of "savage" Africa in the mass media while also initiating a countertradition of ethnographic documentaries. Early environmentalists celebrated Africa as a pristine continent while lamenting that its unsullied landscape was "vanishing." New Negro political thinkers also wanted to "save" Africa but saw its fragility in terms of imperiled human promise. Jones illuminates both the optimism about Africa underlying these concerns and the racist and colonial interests these agents often nevertheless served. The book contributes to a growing literature on the ongoing role of global exchange in shaping the African American experience as well as debates about the cultural place of Africa in American thought.
Author: Carl Ethan Akeley Publisher: ISBN: Category : Africa, East Languages : en Pages : 304
Book Description
Carl Ethan Akeley was a pioneering American taxidermist, sculptor, biologist, conservationist, inventor, and nature photographer, noted for his contributions to American museums, most notably to the Field Museum of Natural History and the American Museum of Natural History. In 1921, eager to learn about gorillas to determine if killing them for museum dioramas was justified, Akeley led an expedition to Mt. Mikeno in the Virunga Mountains at the edge of the then Belgian Congo. At that time, gorillas were quite exotic, with very few even in zoos, and collecting such animals for educational museum exhibitions was not uncommon. In the process of "collecting" several mountain gorillas, Akeley's attitude was fundamentally changed and for the remainder of his life he worked for the establishment of a gorilla preserve in the Virungas. This book contains the story of his life, from learning taxidermy to killing a leopard with his hands, his invention of shotcrete to improving motion picture cameras that were used in World War I.--Wikipedia.
Author: Colin Davey Publisher: Fordham Univ Press ISBN: 0823287076 Category : History Languages : en Pages : 278
Book Description
Tells the story of the building of the American Museum of Natural History and Hayden Planetarium, a story of history, politics, science, and exploration, including the roles of American presidents, New York power brokers, museum presidents, planetarium directors, polar and African explorers, and German rocket scientists. The American Museum of Natural History is one of New York City’s most beloved institutions, and one of the largest, most celebrated museums in the world. Since 1869, generations of New Yorkers and tourists of all ages have been educated and entertained here. Located across from Central Park, the sprawling structure, spanning four city blocks, is a fascinating conglomeration of many buildings of diverse architectural styles built over a period of 150 years. The first book to tell the history of the museum from the point of view of these buildings, including the planned Gilder Center, The American Museum of Natural History and How It Got That Way contextualizes them within New York and American history and the history of science. Part II, “The Heavens in the Attic,” is the first detailed history of the Hayden Planetarium, from the museum’s earliest astronomy exhibits, to Clyde Fisher and the original planetarium, to Neil deGrasse Tyson and the Rose Center for Earth and Space, and it features a photographic tour through the original Hayden Planetarium. Author Colin Davey spent much of his childhood literally and figuratively lost in the museum’s labyrinthine hallways. The museum grew in fits and starts according to the vicissitudes of backroom deals, personal agendas, two world wars, the Great Depression, and the Cold War. Chronicling its evolution―from the selection of a desolate, rocky, hilly, swampy site, known as Manhattan Square to the present day―the book includes some of the most important and colorful characters in the city’s history, including the notoriously corrupt and powerful “Boss” Tweed, “Father of New York City” Andrew Haswell Green, and twentieth-century powerbroker and master builder Robert Moses; museum presidents Morris K. Jesup, Henry Fairfield Osborn, and Ellen Futter; and American presidents, polar and African explorers, dinosaur hunters, and German rocket scientists. Richly illustrated with period photos, The American Museum of Natural History and How It Got That Way is based on deep archival research and interviews.
Author: Carl Ethan Akeley Publisher: ISBN: 9781462274567 Category : Africa, East Languages : en Pages : 286
Book Description
Hardcover reprint of the original 1923 edition - beautifully bound in brown cloth covers featuring titles stamped in gold, 8vo - 6x9". No adjustments have been made to the original text, giving readers the full antiquarian experience. For quality purposes, all text and images are printed as black and white. This item is printed on demand. Book Information: Akeley, Carl Ethan. In Brightest Africa. Indiana: Repressed Publishing LLC, 2012. Original Publishing: Akeley, Carl Ethan. In Brightest Africa, . Garden City, N.Y., Doubleday, Page & Co., 1923. Subject: Gorilla
Author: Jeannette Eileen Jones Publisher: University of Georgia Press ISBN: 0820340294 Category : History Languages : en Pages : 316
Book Description
In the decades between the Berlin Conference that partitioned Africa and the opening of the African Hall at the American Museum of Natural History, Americans in several fields and from many backgrounds argued that Africa had something to teach them. Jeannette Eileen Jones traces the history of the idea of Africa with an eye to recovering the emergence of a belief in “Brightest Africa”—a tradition that runs through American cultural and intellectual history with equal force to its “Dark Continent” counterpart. Jones skillfully weaves disparate strands of turn-of-the-century society and culture to expose a vivid trend of cultural engagement that involved both critique and activism. Filmmakers spoke out against the depiction of “savage” Africa in the mass media while also initiating a countertradition of ethnographic documentaries. Early environmentalists celebrated Africa as a pristine continent while lamenting that its unsullied landscape was “vanishing.” New Negro political thinkers also wanted to “save” Africa but saw its fragility in terms of imperiled human promise. Jones illuminates both the optimism about Africa underlying these concerns and the racist and colonial interests these agents often nevertheless served. The book contributes to a growing literature on the ongoing role of global exchange in shaping the African American experience as well as debates about the cultural place of Africa in American thought.
Author: Mary Anne Andrei Publisher: University of Chicago Press ISBN: 022673045X Category : Science Languages : en Pages : 259
Book Description
It may be surprising to us now, but the taxidermists who filled the museums, zoos, and aquaria of the twentieth century were also among the first to become aware of the devastating effects of careless human interaction with the natural world. Witnessing firsthand the decimation caused by hide hunters, commercial feather collectors, whalers, big game hunters, and poachers, these museum taxidermists recognized the existential threat to critically endangered species and the urgent need to protect them. The compelling exhibits they created—as well as the scientific field work, popular writing, and lobbying they undertook—established a vital leadership role in the early conservation movement for American museums that persists to this day. Through their individual research expeditions and collective efforts to arouse demand for environmental protections, this remarkable cohort—including William T. Hornaday, Carl E. Akeley, and several lesser-known colleagues—created our popular understanding of the animal world and its fragile habitats. For generations of museum visitors, they turned the glass of an exhibition case into a window on nature—and a mirror in which to reflect on our responsibility for its conservation.
Author: Nigel Rothfels Publisher: JHU Press ISBN: 1421442604 Category : Science Languages : en Pages : 250
Book Description
Why have elephants—and our preconceptions about them—been central to so much of human thought? From prehistoric cave drawings in Europe and ancient rock art in Africa and India to burning pyres of confiscated tusks, our thoughts about elephants tell a story of human history. In Elephant Trails, Nigel Rothfels argues that, over millennia, we have made elephants into both monsters and miracles as ways to understand them but also as ways to understand ourselves. Drawing on a broad range of sources, including municipal documents, zoo records, museum collections, and encounters with people who have lived with elephants, Rothfels seeks out the origins of our contemporary ideas about an animal that has been central to so much of human thought. He explains how notions that have been associated with elephants for centuries—that they are exceptionally wise, deeply emotional, and have a special understanding of death; that they never forget, are beloved of the gods, and suffer unusually in captivity; and even that they are afraid of mice—all tell part of the story of these amazing beings. Exploring the history of a skull in a museum, a photograph of an elephant walking through the American South in the early twentieth century, the debate about the quality of life of a famous elephant in a zoo, and the accounts of elephant hunters, Rothfels demonstrates that elephants are not what we think they are—and they never have been. Elephant Trails is a compelling portrait of what the author terms "our elephant."
Author: Carl Ethan Akeley Publisher: Forgotten Books ISBN: 9780282413385 Category : Sports & Recreation Languages : en Pages : 294
Book Description
Excerpt from In Brightest Africa Akeley came twenty-seven years ago into the midst of this unequal contest between the flesh and blood of the animal kingdom and the steel and lead of the sportsman, of the food and ivory hunter, and his sympathies were all on the animal side in the fight. If his sympathies had been on the human side he could not be the biographer of the African vanishing world who speaks in the pages of this volume, lost in admiration of the majesty of the elephant, the unchallenged reign of the lion, the beauty and grace of the antelope, the undaunted courage of the buffalo, and, last but not least, of certain splendid qualities in the native African hunter. We know of only one other sculptor who has immor talized the African Negro in bronze; this is Herbert Ward, whose splendid life work is now in the United States National Museum. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Edward Porter Alexander Publisher: Rowman Altamira ISBN: 9780761989479 Category : Art Languages : en Pages : 228
Book Description
A detailed account of the colourful histories of 13 visionary museum innovators, who transformed the 19th-century collections of curios into institutions that inform and instruct.
Author: Jeannette Eileen Jones
Author: Jeannette Eileen Jones
Author: Carl Ethan Akeley
Author: Carl Ethan Akeley
Author: Colin Davey
Author: Carl Ethan Akeley
Author: Jeannette Eileen Jones
Author: Mary Anne Andrei
Author: Nigel Rothfels
Author: Carl Ethan Akeley
Author: Edward Porter Alexander