Author:
Publisher:
ISBN:
Category : Bibliography
Languages : nl
Pages : 858

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Book Description
With 1855-1927 are issued and bound: Handelingen van de algemeene vergadering.

Author: Bregt Lameris
Publisher: Amsterdam University Press
ISBN: 9048526744
Category : Art
Languages : en
Pages : 271

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Book Description
This book is an elaborate study of the interrelationships between film historical discourse and archival practices, such as the collecting, restoration and exhibition of films. It delineates how film historiographical discourses always leave traces in the film archive, and vice versa. The book investigates and analyzes the history of three important collections from the archive of EYE Film Museum: the Uitkijk-collection, the Desmet-collection, and Dutch silent films. The histories of these collections have different connections to film historiography, and as such allow us to investigate these interrelationships from various perspectives. It shows how archival films and collections always carry the historical traces of selection policies, restoration philosophies, and exhibition strategies. As such the book aims to demonstrate how film archives cannot be innocent or neutral sources of film history. In addition, it shows that current EYE Film Museum activities semi-automatically refer to this history of which the archive carries the material traces.

Author: Paul Puschmann
Publisher:
ISBN: 9789056255008
Category :
Languages : en
Pages :

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Book Description

Author: New York Public Library. Research Libraries
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 588

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Book Description

Author: Of Fouilloy D 1172 or 3 Hugh
Publisher: Franklin Classics
ISBN: 9780343236854
Category :
Languages : en
Pages : 466

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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Author: T. G. G. Valette
Publisher:
ISBN:
Category : Dutch language
Languages : en
Pages : 368

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Author:
Publisher:
ISBN: 9781857430998
Category : Economic history
Languages : en
Pages : 2216

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Book Description

Author: Ivo Blom
Publisher: Amsterdam University Press
ISBN: 9789053564639
Category : Performing Arts
Languages : en
Pages : 484

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Book Description
The Netherlands Film Museum's Desmet Collection contains the estate of Dutch cinema owner and film distributor Jean Desmet (1875-1956): almost nine hundred European and American films of all genres, a collection of publicity material, and a massive business archive. These three sources form the basis of this book, the first comprehensive reconstruction of Desmet's career. From his nomadic beginnings as a traveling showman to his successful switch to permanent cinema operation and film distribution, Blom shows how Desmet's fortunes encapsulated a series of structural changes within the new culture of the cinema.

Author: Library of Congress
Publisher:
ISBN:
Category : American literature
Languages : en
Pages :

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Book Description

Author: Malte Hagener
Publisher: Amsterdam University Press
ISBN: 9053569618
Category : Performing Arts
Languages : en
Pages : 374

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Book Description
This book, the first full critical overview of the film avant-garde, ushers in a new approach—and in the process creates its own subject. While many books have studied particular aspects of the European film avant-garde of the 1920s and 1930s, Moving Forward, Looking Back provides a much-needed summary of the theory and practice of the movement, while also emphasizing aspects of the period that have been overlooked. Arguing that a European perspective is the only way to understand the transnational movement, the book also pioneers a new approach to the alternative cinema network that sustained the avant-garde, paying particular attention to the emergence of film culture as visible in screening clubs, film festivals, and archives. It will be essential to anyone interested in the influential movement and the film culture it created.