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Author: Thijs Weststeijn Publisher: ISBN: 9789089645234 Category : ART Languages : en Pages : 0
Book Description
The versatile painter, poet, courtier and European traveller Samuel van Hoogstraten (1627-1678), one of Rembrandt's pupils, has received much scholarly attention in the last two decades. Whereas older historians allotted him a marginal role as a minor figure in his master's studio, he is now recognized for his central position in the world of art and letters in the Dutch Golden Age. This new evaluation is mainly due to careful studies of his treatise on painting, 'Inleyding tot de Hooge Schoole der Schilderkonst' (Introduction to the Academy of Painting, 1678). His book has been mined for unique insights not only into Rembrandt's working methods but also into profounder problems relative to Dutch art and culture, such as pictorial realism, imitation and illusion, the rise of landscape and still life and the status of the 'learned artist'.
Author: Thijs Weststeijn Publisher: ISBN: 9789089645234 Category : ART Languages : en Pages : 0
Book Description
The versatile painter, poet, courtier and European traveller Samuel van Hoogstraten (1627-1678), one of Rembrandt's pupils, has received much scholarly attention in the last two decades. Whereas older historians allotted him a marginal role as a minor figure in his master's studio, he is now recognized for his central position in the world of art and letters in the Dutch Golden Age. This new evaluation is mainly due to careful studies of his treatise on painting, 'Inleyding tot de Hooge Schoole der Schilderkonst' (Introduction to the Academy of Painting, 1678). His book has been mined for unique insights not only into Rembrandt's working methods but also into profounder problems relative to Dutch art and culture, such as pictorial realism, imitation and illusion, the rise of landscape and still life and the status of the 'learned artist'.
Author: Ton van Kalmthout Publisher: ISBN: 9789089645913 Category : Dutch language Languages : en Pages : 0
Book Description
This volume illuminates how philology and its focus on the critical examination of classical texts began an accelerated process of specialization in Dutch scholarship of the 1800s.
Author: Richard Terdiman Publisher: Cornell University Press ISBN: 150171760X Category : Literary Criticism Languages : en Pages : 405
Book Description
This book is about memory—about how the past persists into the present, and about how this persistence has been understood over the past two centuries. Since the French Revolution, memory has been the source of an intense disquiet. Fundamental cultural theories have sought to understand it, and have striven to represent its stresses.
Author: Andre Gunder Frank Publisher: ISBN: Category : History Languages : en Pages : 76
Book Description
Eurasian history writing has invariably focused on the civilizations of China, India, Persia, Arabia and Europe. Geographically these regions encircle the wide area of Central Asia, which appears as a sort of black hole in the middle of the world, the home of migrants, monks and mullahs and above all of barbarians. However, the outlying civilizations were formed and even defined through interaction with Central Asia. Therefore, the intent of this study is to demand due recognition of the centrally important role of Central Asians in the history of their neighbours and thus their place in world system history as a whole.
Author: Samuel van Hoogstraten Publisher: Getty Publications ISBN: 1606066676 Category : Art Languages : en Pages : 426
Book Description
A unique seventeenth-century account of painting as it was practiced, taught, and discussed during a period of extraordinary artistic and intellectual ferment in the Netherlands. The only comprehensive work on painting written by a Dutch artist in the later seventeenth century, Samuel van Hoogstraten’s Inleyding tot de hooge schoole der schilderkonst, anders de zichtbaere werelt (Introduction to the Academy of Painting; or, The Visible World, 1678) has long served as a source of valuable insights on a range of topics, from firsthand reports of training in Rembrandt’s studio to contemporary engagements with perspective, optics, experimental philosophy, the economics of art, and more. Van Hoogstraten’s magnum opus—here available in an English print edition for the first time—brings textual sources into dialogue with the author’s own experience garnered during a multifaceted career. Presenting novel twists on traditional topics, he makes a distinctive case for the status of painting as a universal discipline basic to all the liberal arts. Van Hoogstraten’s arguments for the authority of what painters know about nature and art speak to contemporary notions of expertise and to the unsettled relations between theory and practice, making this book a valuable document of the intertwined histories of art and knowledge in the seventeenth century.
Author: Christoph Lüthy Publisher: Amsterdam University Press ISBN: 9089644385 Category : History Languages : en Pages : 227
Book Description
When David Gorlaeus (1591-1612) passed away at 21 years of age, he left behind two highly innovative manuscripts. Once they were published, his work had a remarkable impact on the evolution of seventeenth-century thought. However, as his identity was unknown, divergent interpretations of their meaning quickly sprang up. Seventeenth-century readers understood him as an anti-Aristotelian thinker and as a precursor of Descartes. Twentieth-century historians depicted him as an atomist, natural scientist and even as a chemist. And yet, when Gorlaeus died, he was a beginning student in theology. His thought must in fact be placed at the intersection between philosophy, the nascent natural sciences, and theology. The aim of this book is to shed light on Gorlaeus’ family circumstances, his education at Franeker and Leiden, and on the virulent Arminian crisis which provided the context within which his work was written. It also attempts to define Gorlaeus’ place in the history of Dutch philosophy and to assess the influence that it exercised in the evolution of philosophy and science, and notably in early Cartesian circles. Christoph Lüthy is professor of the history of philosophy and science at Radboud University Nijmegen, the Netherlands.
Author: Celeste Brusati Publisher: University of Chicago Press ISBN: 9780226077857 Category : Art Languages : en Pages : 466
Book Description
Samuel van Hoogstraten is familiar to scholars of Dutch art as a talented pupil and early critic of Rembrandt, and as the author of a major Dutch painting treatise. In this book, Celeste Brusati looks at the art, writing, and career of this multifaceted artist. A rich appreciation of one of the most often cited but least understood figures in seventeenth-century Dutch art, this book will interest scholars and students of art history, social history, and visual culture.
Author: Horace Annesley Vachell Publisher: Koteliansky Press ISBN: 1445565595 Category : Languages : en Pages : 332
Book Description
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Author: Thijs Weststeijn
Author: Thijs Weststeijn
Author: Ton van Kalmthout
Author: Richard Terdiman
Author: Andre Gunder Frank
Author: Samuel van Hoogstraten
Author: Alfred Tennyson Baron Tennyson
Author: Christoph Lüthy
Author: Peter Van Der Krogt
Author: Celeste Brusati
Author: Horace Annesley Vachell