Author: National Gallery of Canada. Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 776
Book Description
Catalogue of the Library of the National Gallery of Canada: Artists, Canadian-Individual D
Author: National Gallery of Canada. Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 776
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 776
Book Description
Catalogue of the Harvard University Fine Arts Library, the Fogg Art Museum
Author: Harvard University. Fine Arts Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 888
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 888
Book Description
Library of Congress Catalogs
Dictionary Catalog of the Research Libraries of the New York Public Library, 1911-1971
Author: New York Public Library. Research Libraries
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 596
Book Description
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 596
Book Description
Historiography and Humanism in Holland in the Age of Erasmus: Aurelius and the Divisiekroniek of 1517
Author: Karin Tilmans
Publisher: BRILL
ISBN: 9004615229
Category : History
Languages : en
Pages : 427
Book Description
Biography of Cornelius Aurelius (c. 1460-1531), the praeceptor Erasmi, and analysis of his chief historical work, the so-called Divisiekroniek.
Publisher: BRILL
ISBN: 9004615229
Category : History
Languages : en
Pages : 427
Book Description
Biography of Cornelius Aurelius (c. 1460-1531), the praeceptor Erasmi, and analysis of his chief historical work, the so-called Divisiekroniek.
Shaping the Netherlandish Canon
Author: Walter S. Melion
Publisher: University of Chicago Press
ISBN: 0226519597
Category : Art
Languages : en
Pages : 481
Book Description
A treatise on Dutch art on par with Vasari's critical history of Italian art, Karel van Mander's Schilder-Boeck (or Book on Picturing) has long been recognized for its critical and historical influence--and yet, until now, no comprehensive account of the book's conception, aims, and impact has been available. In this in-depth analysis of the content and context of Van Mander's work, Walter S. Melion reveals the Schilder-Boeck's central importance to an understanding of northern Renaissance and Baroque art. By interpreting the terminology employed in the Schilder-Boeck, Melion establishes the text's relationship to past and contemporary art theory. Van Mander is seen here developing his critical categories and then applying them to Ancient, Italian, and Netherlandish artists in order to mark changes within a culture and to characterize excellence for each region. Thus Melion demonstrates how Van Mander revised both the structure and critical language of Vasari's Lives to refute the Italian's claims for the superiority of the Tuscan style, and to clarify northern artistic traditions and the concerns of Netherlandish artists. A much needed corrective to the view that Dutch art of the period was lacking in theory, Melion's work offers a compelling account of a sixteenth- and seventeenth-century theoretical and critical perspective and shows how this perspective suggests a rereading of northern art.
Publisher: University of Chicago Press
ISBN: 0226519597
Category : Art
Languages : en
Pages : 481
Book Description
A treatise on Dutch art on par with Vasari's critical history of Italian art, Karel van Mander's Schilder-Boeck (or Book on Picturing) has long been recognized for its critical and historical influence--and yet, until now, no comprehensive account of the book's conception, aims, and impact has been available. In this in-depth analysis of the content and context of Van Mander's work, Walter S. Melion reveals the Schilder-Boeck's central importance to an understanding of northern Renaissance and Baroque art. By interpreting the terminology employed in the Schilder-Boeck, Melion establishes the text's relationship to past and contemporary art theory. Van Mander is seen here developing his critical categories and then applying them to Ancient, Italian, and Netherlandish artists in order to mark changes within a culture and to characterize excellence for each region. Thus Melion demonstrates how Van Mander revised both the structure and critical language of Vasari's Lives to refute the Italian's claims for the superiority of the Tuscan style, and to clarify northern artistic traditions and the concerns of Netherlandish artists. A much needed corrective to the view that Dutch art of the period was lacking in theory, Melion's work offers a compelling account of a sixteenth- and seventeenth-century theoretical and critical perspective and shows how this perspective suggests a rereading of northern art.
Monuments and Memory, Made and Unmade
Author: Robert S. Nelson
Publisher: University of Chicago Press
ISBN: 9780226571577
Category : Architecture
Languages : en
Pages : 366
Book Description
Examining how monuments preserve memory, these essays demonstrate how phenomena as diverse as ancient drum towers in China and ritual whale killings in the Pacific Northwest serve to represent and negotiate time.
Publisher: University of Chicago Press
ISBN: 9780226571577
Category : Architecture
Languages : en
Pages : 366
Book Description
Examining how monuments preserve memory, these essays demonstrate how phenomena as diverse as ancient drum towers in China and ritual whale killings in the Pacific Northwest serve to represent and negotiate time.
Clandestine Splendor
Author: Xander van Eck
Publisher: Waanders Publishers
ISBN:
Category : Architecture
Languages : en
Pages : 248
Book Description
Investigates the history of Netherlandish religious painting during the 17th and 18th centuries.
Publisher: Waanders Publishers
ISBN:
Category : Architecture
Languages : en
Pages : 248
Book Description
Investigates the history of Netherlandish religious painting during the 17th and 18th centuries.
The Ten Thousand Things
Author: Maria Dermout
Publisher: New York Review of Books
ISBN: 1590178823
Category : Fiction
Languages : en
Pages : 216
Book Description
Set between Holland and a remote Indonesian island, this intimate magical realism novel offers “an offbeat narrative that has the timeless tone of a legend” (Time). “Dermoût’s sentences came at me like a soft knowing dagger, depicting a far-off land that felt to me like the blood of all the places I used to love.” —Cheryl Strayed, author of Wild The Ten Thousand Things is at once novel of shimmering strangeness—and familiarity. It is the story of Felicia, who returns with her baby son from Holland to the Spice Islands of Indonesia, to the house and garden that were her birthplace, over which her powerful grandmother still presides. There Felicia finds herself wedded to an uncanny and dangerous world, full of mystery and violence, where objects tell tales, the dead come and go, and the past is as potent as the present. First published in Holland in 1955, Maria Dermoût's novel was immediately recognized as a magical work, like nothing else Dutch—or European—literature had seen before. The Ten Thousand Things is an entranced vision of a far-off place that is as convincingly real and intimate as it is exotic, a book that is at once a lament and an ecstatic ode to nature and life.
Publisher: New York Review of Books
ISBN: 1590178823
Category : Fiction
Languages : en
Pages : 216
Book Description
Set between Holland and a remote Indonesian island, this intimate magical realism novel offers “an offbeat narrative that has the timeless tone of a legend” (Time). “Dermoût’s sentences came at me like a soft knowing dagger, depicting a far-off land that felt to me like the blood of all the places I used to love.” —Cheryl Strayed, author of Wild The Ten Thousand Things is at once novel of shimmering strangeness—and familiarity. It is the story of Felicia, who returns with her baby son from Holland to the Spice Islands of Indonesia, to the house and garden that were her birthplace, over which her powerful grandmother still presides. There Felicia finds herself wedded to an uncanny and dangerous world, full of mystery and violence, where objects tell tales, the dead come and go, and the past is as potent as the present. First published in Holland in 1955, Maria Dermoût's novel was immediately recognized as a magical work, like nothing else Dutch—or European—literature had seen before. The Ten Thousand Things is an entranced vision of a far-off place that is as convincingly real and intimate as it is exotic, a book that is at once a lament and an ecstatic ode to nature and life.
Dutch Classicism in Seventeenth-century Painting
Author: Albert Blankert (kunsthistoricus.)
Publisher: Nai010 Publishers
ISBN:
Category : Art
Languages : en
Pages : 362
Book Description
With this illustrated catalogue, Museum Boijmans Van Beuningen and the Städelsch Kunstistitut present the other face of the Golden Age - the painters of Dutch classicism. Inspired by the art of classical Antiquity and that of the Italian High Renaissance, they developed an austere and refined style. Their paintings depicting biblical and mythological scenes presented the court, the regents and the intelligentsia in the seventeenth century with an alternative to so-called Dutch Realism. In this publication, Dutch classicism is viewed from all sides.
Publisher: Nai010 Publishers
ISBN:
Category : Art
Languages : en
Pages : 362
Book Description
With this illustrated catalogue, Museum Boijmans Van Beuningen and the Städelsch Kunstistitut present the other face of the Golden Age - the painters of Dutch classicism. Inspired by the art of classical Antiquity and that of the Italian High Renaissance, they developed an austere and refined style. Their paintings depicting biblical and mythological scenes presented the court, the regents and the intelligentsia in the seventeenth century with an alternative to so-called Dutch Realism. In this publication, Dutch classicism is viewed from all sides.