Author: United States. Congress
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 1128
Book Description
The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873)
Congressional Record
Author: United States. Congress
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 1128
Book Description
The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873)
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 1128
Book Description
The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873)
Ward's History of Coffee County
Author: Warren P. Ward
Publisher:
ISBN:
Category : Coffee County (Ga.)
Languages : en
Pages : 376
Book Description
Publisher:
ISBN:
Category : Coffee County (Ga.)
Languages : en
Pages : 376
Book Description
History of Wilkinson County [Georgia]
Author: Victor Davidson
Publisher: Genealogical Publishing Com
ISBN: 0806346817
Category : Registers of births, etc
Languages : en
Pages : 661
Book Description
This consolidated reprint of three pamphlets by Mr. David Dobson endeavors to shed light on some 1,000 Irish men and women and their families who emigrated to North America between roughly 1775 and 1825. In the majority of cases, the lists provides us with most of the following particulars: name, date of birth, name of ship, occupation in Ireland, reason for emigration, sometimes place of origin in Ireland, place of disembarkation in the New World, date of arrival, number of persons in the household, and the source of the information. This volume is the first in a three-volume series by Mr. Dobson on early Irish emigration to America.
Publisher: Genealogical Publishing Com
ISBN: 0806346817
Category : Registers of births, etc
Languages : en
Pages : 661
Book Description
This consolidated reprint of three pamphlets by Mr. David Dobson endeavors to shed light on some 1,000 Irish men and women and their families who emigrated to North America between roughly 1775 and 1825. In the majority of cases, the lists provides us with most of the following particulars: name, date of birth, name of ship, occupation in Ireland, reason for emigration, sometimes place of origin in Ireland, place of disembarkation in the New World, date of arrival, number of persons in the household, and the source of the information. This volume is the first in a three-volume series by Mr. Dobson on early Irish emigration to America.
Southern Kith and Kin
Author: Jewel Davis Scarborough
Publisher:
ISBN:
Category :
Languages : en
Pages : 264
Book Description
Ancestors include: Captain Edmond Scarborough (1584-1634) of North Walsham, England; and Virginia -- John Davis, a Revolutionary War soldier of Virginia; and his grandson, William Davis (1798-1870) of Georgia and Salem, Alabama -- Thomas Lockett (d. 1686) of England and Henrico County, Virginia.
Publisher:
ISBN:
Category :
Languages : en
Pages : 264
Book Description
Ancestors include: Captain Edmond Scarborough (1584-1634) of North Walsham, England; and Virginia -- John Davis, a Revolutionary War soldier of Virginia; and his grandson, William Davis (1798-1870) of Georgia and Salem, Alabama -- Thomas Lockett (d. 1686) of England and Henrico County, Virginia.
The Original Blues
Author: Lynn Abbott
Publisher: Univ. Press of Mississippi
ISBN: 1496810031
Category : Music
Languages : en
Pages : 866
Book Description
Blues Book of the Year —Living Blues Association of Recorded Sound Collections Awards for Excellence Best Historical Research in Recorded Blues, Gospel, Soul, or R&B–Certificate of Merit (2018) 2023 Blues Hall of Fame Inductee - Classic of Blues Literature category With this volume, Lynn Abbott and Doug Seroff complete their groundbreaking trilogy on the development of African American popular music. Fortified by decades of research, the authors bring to life the performers, entrepreneurs, critics, venues, and institutions that were most crucial to the emergence of the blues in black southern vaudeville theaters; the shadowy prehistory and early development of the blues is illuminated, detailed, and given substance. At the end of the nineteenth century, vaudeville began to replace minstrelsy as America’s favorite form of stage entertainment. Segregation necessitated the creation of discrete African American vaudeville theaters. When these venues first gained popularity, ragtime coon songs were the standard fare. Insular black southern theaters provided a safe haven, where coon songs underwent rehabilitation and blues songs suitable for the professional stage were formulated. The process was energized by dynamic interaction between the performers and their racially-exclusive audience. The first blues star of black vaudeville was Butler “String Beans” May, a blackface comedian from Montgomery, Alabama. Before his bizarre, senseless death in 1917, String Beans was recognized as the “blues master piano player of the world.” His musical legacy, elusive and previously unacknowledged, is preserved in the repertoire of country blues singer-guitarists and pianists of the race recording era. While male blues singers remained tethered to the role of blackface comedian, female “coon shouters” acquired a more dignified aura in the emergent persona of the “blues queen.” Ma Rainey, Bessie Smith, and most of their contemporaries came through this portal; while others, such as forgotten blues heroine Ora Criswell and her protégé Trixie Smith, ingeniously reconfigured the blackface mask for their own subversive purposes. In 1921 black vaudeville activity was effectively nationalized by the Theater Owners Booking Association (T.O.B.A.). In collaboration with the emergent race record industry, T.O.B.A. theaters featured touring companies headed by blues queens with records to sell. By this time the blues had moved beyond the confines of entertainment for an exclusively black audience. Small-time black vaudeville became something it had never been before—a gateway to big-time white vaudeville circuits, burlesque wheels, and fancy metropolitan cabarets. While the 1920s was the most glamorous and remunerative period of vaudeville blues, the prior decade was arguably even more creative, having witnessed the emergence, popularization, and early development of the original blues on the African American vaudeville stage.
Publisher: Univ. Press of Mississippi
ISBN: 1496810031
Category : Music
Languages : en
Pages : 866
Book Description
Blues Book of the Year —Living Blues Association of Recorded Sound Collections Awards for Excellence Best Historical Research in Recorded Blues, Gospel, Soul, or R&B–Certificate of Merit (2018) 2023 Blues Hall of Fame Inductee - Classic of Blues Literature category With this volume, Lynn Abbott and Doug Seroff complete their groundbreaking trilogy on the development of African American popular music. Fortified by decades of research, the authors bring to life the performers, entrepreneurs, critics, venues, and institutions that were most crucial to the emergence of the blues in black southern vaudeville theaters; the shadowy prehistory and early development of the blues is illuminated, detailed, and given substance. At the end of the nineteenth century, vaudeville began to replace minstrelsy as America’s favorite form of stage entertainment. Segregation necessitated the creation of discrete African American vaudeville theaters. When these venues first gained popularity, ragtime coon songs were the standard fare. Insular black southern theaters provided a safe haven, where coon songs underwent rehabilitation and blues songs suitable for the professional stage were formulated. The process was energized by dynamic interaction between the performers and their racially-exclusive audience. The first blues star of black vaudeville was Butler “String Beans” May, a blackface comedian from Montgomery, Alabama. Before his bizarre, senseless death in 1917, String Beans was recognized as the “blues master piano player of the world.” His musical legacy, elusive and previously unacknowledged, is preserved in the repertoire of country blues singer-guitarists and pianists of the race recording era. While male blues singers remained tethered to the role of blackface comedian, female “coon shouters” acquired a more dignified aura in the emergent persona of the “blues queen.” Ma Rainey, Bessie Smith, and most of their contemporaries came through this portal; while others, such as forgotten blues heroine Ora Criswell and her protégé Trixie Smith, ingeniously reconfigured the blackface mask for their own subversive purposes. In 1921 black vaudeville activity was effectively nationalized by the Theater Owners Booking Association (T.O.B.A.). In collaboration with the emergent race record industry, T.O.B.A. theaters featured touring companies headed by blues queens with records to sell. By this time the blues had moved beyond the confines of entertainment for an exclusively black audience. Small-time black vaudeville became something it had never been before—a gateway to big-time white vaudeville circuits, burlesque wheels, and fancy metropolitan cabarets. While the 1920s was the most glamorous and remunerative period of vaudeville blues, the prior decade was arguably even more creative, having witnessed the emergence, popularization, and early development of the original blues on the African American vaudeville stage.
Federal Credit Union Bylaws
Author: United States. National Credit Union Administration
Publisher:
ISBN:
Category : Banks and banking, Cooperative
Languages : en
Pages : 24
Book Description
Publisher:
ISBN:
Category : Banks and banking, Cooperative
Languages : en
Pages : 24
Book Description
Georgia: Her Resources and Possibilities
Author: Georgia. Department of Agriculture
Publisher:
ISBN:
Category : Georgia
Languages : en
Pages : 524
Book Description
Publisher:
ISBN:
Category : Georgia
Languages : en
Pages : 524
Book Description
EARLY HISTORY OF THE CREEK INDIANS AND THEIR NEIGHBORS
Statistics of the State of Georgia
Author: George White
Publisher: Savannah : W.T. William
ISBN:
Category : Georgia
Languages : en
Pages : 716
Book Description
Publisher: Savannah : W.T. William
ISBN:
Category : Georgia
Languages : en
Pages : 716
Book Description
Georgia Citizens and Soldiers of the American Revolution
Author: Robert Scott Davis
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 280
Book Description
Book contains information on pension, land, loyalist records, military accounts, petitions and other information about the citizens of Georgia that served in the Continental Army. Georgia was the only one of the thirteen colonies that was completely conquered by the British and restored to the status of a colony. Only some forty percent of the families living there before the war remained after the fighting was over.
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 280
Book Description
Book contains information on pension, land, loyalist records, military accounts, petitions and other information about the citizens of Georgia that served in the Continental Army. Georgia was the only one of the thirteen colonies that was completely conquered by the British and restored to the status of a colony. Only some forty percent of the families living there before the war remained after the fighting was over.