Breve storia dell'estetica PDF Download

Author: Elio Franzini
Publisher: Pearson Italia S.p.a.
ISBN: 9788842496090
Category : Philosophy
Languages : it
Pages : 146

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Author: Antonio Ferrero
Publisher:
ISBN: 9788805025244
Category :
Languages : it
Pages : 74

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Author: Antonio Ferrero
Publisher:
ISBN: 9788805059478
Category : Philosophy
Languages : it
Pages : 78

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Author: Giulio Augusto Levi
Publisher:
ISBN:
Category : Aesthetics
Languages : it
Pages : 88

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Author: Władysław Tatarkiewicz
Publisher:
ISBN: 9788806119164
Category : Philosophy
Languages : it
Pages : 398

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Author: Norbert Schneider
Publisher:
ISBN: 9788873055778
Category : Philosophy
Languages : it
Pages : 383

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Author: Sergio Givone
Publisher:
ISBN: 9788842087496
Category : Philosophy
Languages : it
Pages : 192

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Author: Władysław Tatarkiewicz
Publisher:
ISBN:
Category :
Languages : it
Pages : 398

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Author: Umberto Eco
Publisher: Harvard University Press
ISBN: 9780674006768
Category : Philosophy
Languages : en
Pages : 306

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The well-known Italian semiotician and novelist Umberto Eco discloses for the first time to English-speaking readers the unsuspected richness, breadth, complexity, and originality of the aesthetic theories advanced by the influential medieval thinker Thomas Aquinas, heretofore known principally as a scholastic theologian. Inheriting his basic ideas and conceptions of art and beauty from the classical world, Aquinas transformed or modified these ideas in the light of Christian theology and of developments in metaphysics and optics during the thirteenth century. Setting the stage with an account of the vivid aesthetic and artistic sensibility that flourished in medieval times, Eco examines Aquinas's conception of transcendental beauty, his theory of aesthetic perception or visio, and his account of the three conditions of beauty--integrity, proportion, and clarity--that, centuries later, emerged again in the writings of the young James Joyce. He examines the concrete application of these theories in Aquinas's reflections on God, mankind, music, poetry, and scripture. He discusses Aquinas's views on art and compares his poetics with Dante's. In a final chapter added to the second Italian edition, Eco examines how Aquinas's aesthetics came to be absorbed and superseded in late medieval times and draws instructive parallels between Thomistic methodology and contemporary structuralism. As the only book-length treatment of Aquinas's aesthetics available in English, this volume should interest philosophers, medievalists, historians, critics, and anyone involved in poetics, aesthetics, or the history of ideas.

Author: Renato Barilli
Publisher: U of Minnesota Press
ISBN: 9780816621194
Category : Philosophy
Languages : en
Pages : 196

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Book Description
"A Course on Aesthetics" offers a broad perspective of current scholarship in aesthetics without favouring any one particular school, discipline, or ideology. Written in an elegant and clear style, Barilli's text explores the basic inherent structures of human thought about the classification and evaluation of the arts. Barilli avoids any binding or dogmatic conclusions about artistic assessment in his consideration of both historical and more current art forms such as video and performance art. In doing so, he presents a contemporary account of a scholarly concern. In "A Course on Aesthetics", Barilli examines the aesthetic experience in general, the passage from aesthetics to art, the "user" of art, and the critic. In his brilliant analyses of the phenomenology of various forms of art - from literature to music, from painting to art, from theatre to television - he discusses the relationship between representation and expression, touching on many of the major questions debated in contemporary criticism. A bibliography provides direction for further study of the history of aesthetics as a discipline. Renato Barilli has published numerous books in Italian on poetics, cultural theory, and contemporary art, including "Culturologia e Fenomenologia Degli Stili", L'Arte Contemporanea", and "Il Ciclo Del Postmoderno". The University of Minnesota Press has also published a translation of his "Rhetoric" (1989). Karen Pinkus is translator of Giorgio Agamben's "Language and Death" (Minnesota, 1991).