Sargent's Venice PDF Download

Author: Warren Adelson
Publisher: Yale University Press
ISBN: 0300117175
Category : Art
Languages : en
Pages : 235

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Book Description
Den amerikanske kunstner John Singer Sargents (1856-1925) skildringer af Venedig.

Author: Joan MacPhail Knight
Publisher: Chronicle Books
ISBN: 1452125651
Category : Juvenile Fiction
Languages : en
Pages : 68

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Book Description
It's 1892 and Charlotte is bound for Monet's famous artist colony in Giverny, France, where painters like her father are flocking to learn the new style of painting called Impressionism. In spite of missing her best friend, Charlotte becomes enchanted with France and records her colorful experiences in her journal. She makes new friends, plants a garden, learns to speak French, and even attends the wedding of Monsieur Monet's daughter! Illustrated with beautiful museum reproductions and charming watercolor collages, Charlotte in Giverny includes a French glossary as well as biographical sketches of the featured painters. This delightful journal of a young girl's exciting year will capture readers' imaginations and leave a lasting impression.

Author: Witt Library of the Courtauld Institute
Publisher: Routledge
ISBN: 1134264062
Category : History
Languages : en
Pages : 576

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Book Description
The Witt Library of the Courtauld Institute of Art, London, is one of the world's greatest art history libraries. It contains some 1.7 million illustrations of the work of painters, draughtsmen, and engravers of the Western tradition, all of whom have been indexed by name, dates, and nationality. This new second edition of the Checklist of Painters is a transcription of the Witt index as it currently exists. The names of 66,000 artists, their dates, and their nationality (or school) are reproduced in alphabetical order. The Checklist of Painters is probably the most exhaustive work of its kind in existence; it now lists all painters (known by art historians) to have lived and worked from the year 1200 to 1994. It will be an important reference text in the art history collection of any public, academic, or professional library.

Author: Helene Barbara Weinberg
Publisher: Metropolitan Museum of Art
ISBN: 0870997009
Category : Impressionism (Art)
Languages : en
Pages : 400

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Book Description
An examination of the continuities and differences between American Impressionism and Realism. Copyright © Libri GmbH. All rights reserved.

Author: Michael Grauer
Publisher: University of North Texas Press
ISBN: 1574416332
Category : Biography & Autobiography
Languages : en
Pages : 439

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Book Description
Frank Reaugh (1860-1945; pronounced "Ray") was called "the Dean of Texas artists" for good reason. His pastels documented the wide-open spaces of the West as they were vanishing in the late nineteenth century, and his plein air techniques influenced generations of artists. His students include a "Who's Who" of twentieth-century Texas painters: Alexandre Hogue, Reveau Bassett, and Lucretia Coke, among others. He was an advocate of painting by observation, and encouraged his students to do the same by organizing legendary sketch trips to West Texas. Reaugh also earned the title of Renaissance man by inventing a portable easel that allowed him to paint in high winds, and developing a formula for pastels, which he marketed. A founder of the Dallas Art Society, which became the Dallas Museum of Art, Reaugh was central to Dallas and Oak Cliff artistic circles for many years until infighting and politics drove him out of fashion. He died isolated and poor in 1945. The last decade has seen a resurgence of interest in Reaugh, through gallery shows, exhibitions, and a recent documentary. Despite his importance and this growing public profile, however, Rounded Up in Glory is the first full-length biography. Michael Grauer argues for Reaugh's importance as more than just a "longhorn painter." Reaugh's works and far-reaching imagination earned him a prominent place in the Texas art pantheon.

Author: Terra Museum of American Art
Publisher: Hudson Hills Press
ISBN:
Category : Art
Languages : en
Pages : 222

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Book Description
This comprehensive, richly illustrated book spans the years from the Revolutionary War to World War II, presenting the 97 key works in the collection.

Author: William H. Gerdts
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 264

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Book Description
Chronicles the history of the much-loved artists' colony at Giverny.

Author: Witt Library
Publisher: Taylor & Francis
ISBN: 9781884964374
Category : Artists
Languages : en
Pages : 584

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Book Description
The Witt Library of the Courtauld Institute of Art, London, is one of the world's greatest art history libraries. It contains some 1.7 million illustrations of the work of painters, draughtsmen, and engravers of the Western tradition, all of whom have been indexed by name, dates, and nationality. This new second edition of the Checklist of Painters is a transcription of the Witt index as it currently exists. The names of 66,000 artists, their dates, and their nationality (or school) are reproduced in alphabetical order. The Checklist of Painters is probably the most exhaustive work of its kind in existence; it now lists all painters (known by art historians) to have lived and worked from the year 1200 to 1994.

Author: Bruce Weber
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 124

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Book Description

Author: Paul H. Mattingly
Publisher: Rowman & Littlefield
ISBN: 1683931955
Category : Art
Languages : en
Pages : 281

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Book Description
An American Art Colony demonstrates the social dimension of American art in the twentieth century, paying special attention to the role of fellow artists, nonartists and the historical context of art production. This book treats the art colony not as a static addendum to an artist’s profile but rather as an essential ingredient in artistic life. The art colony here becomes a historical entity that changes over time and influences the kind of art that ensues. It is a special methodology of the study that collective features of three generation of artists help clarify how artists engage their audiences. Since many of these artists worked within the cultural confines of metropolitan New York and its magazine industry, they cultivated subjects that were recognizable by ordinary citizens. Early on, they drew from the emergent suburban life of their neighbors for their artistic themes. Gradually these contexts become more formally institutionalized and their subjects gravitated away from themes of ordinary life to themes more exotic, expressionistic and fanciful. A key methodology for this study consisted of an analysis of collective biographies of 170 participating artists. The theme of modern art explains here how abstraction was suborned to public images, widening the very meaning of the term modern.