Author: Kimberly Cleveland
Publisher:
ISBN: 9780813044767
Category : Art, Black
Languages : en
Pages : 0
Book Description
An examination of the work of five contemporary Brazilian artists, specifically on how they focus on secular, race-related social challenges.
Black Art in Brazil
Author: Kimberly Cleveland
Publisher:
ISBN: 9780813044767
Category : Art, Black
Languages : en
Pages : 0
Book Description
An examination of the work of five contemporary Brazilian artists, specifically on how they focus on secular, race-related social challenges.
Publisher:
ISBN: 9780813044767
Category : Art, Black
Languages : en
Pages : 0
Book Description
An examination of the work of five contemporary Brazilian artists, specifically on how they focus on secular, race-related social challenges.
Brazilian Art Under Dictatorship
Author: Claudia Calirman
Publisher: Duke University Press
ISBN: 0822351536
Category : Art
Languages : en
Pages : 247
Book Description
Non la biennale de Sao Paulo -- Antonio Manuel: experimental exercise of freedom? -- Artur Barrio: a visual aesthetics for the third world -- Cildo Meireles: an explosive art -- Conclusion: Opening the wounds : longing for closure.
Publisher: Duke University Press
ISBN: 0822351536
Category : Art
Languages : en
Pages : 247
Book Description
Non la biennale de Sao Paulo -- Antonio Manuel: experimental exercise of freedom? -- Artur Barrio: a visual aesthetics for the third world -- Cildo Meireles: an explosive art -- Conclusion: Opening the wounds : longing for closure.
Art Systems
Author: Elena Shtromberg
Publisher: University of Texas Press
ISBN: 147730858X
Category : Art
Languages : en
Pages : 239
Book Description
From currency and maps to heavily censored newspapers and television programming, Art Systems explores visual forms of critique and subversion during the height of Brazilian dictatorship, drawing sometimes surprising connections between artistic production and broader processes of social exchange during a period of authoritarian modernization. Positioning the works beyond the prism of politics, Elena Shtromberg reveals subtle forms of subversion and critique that reinvented the artists’ political terrain. Analyzing key examples from Cildo Meireles, Antonio Manuel, Artur Barrio, Anna Bella Geiger, Sonia Andrade, Geraldo Mello, and others, the book offers a new framework for theorizing artistic practice. By focusing on the core economic, media, technological, and geographic conditions that circumscribed artistic production during this pivotal era, Shtromberg excavates an array of art systems that played a role in the everyday lives of Brazilians. An examination of the specific historical details of the social systems that were integrated into artistic production, this unique study showcases works that were accessed by audiences far outside the confines of artistic institutions. Proliferating during one of Brazil’s most socially and politically fraught decades, the works—spanning cartography to video art—do not conform to an easily identifiable style, form, material use, or medium. As a result of this breadth, Art Systems gives voice to the multifaceted forces at play in a unique chapter of Latin American cultural history.
Publisher: University of Texas Press
ISBN: 147730858X
Category : Art
Languages : en
Pages : 239
Book Description
From currency and maps to heavily censored newspapers and television programming, Art Systems explores visual forms of critique and subversion during the height of Brazilian dictatorship, drawing sometimes surprising connections between artistic production and broader processes of social exchange during a period of authoritarian modernization. Positioning the works beyond the prism of politics, Elena Shtromberg reveals subtle forms of subversion and critique that reinvented the artists’ political terrain. Analyzing key examples from Cildo Meireles, Antonio Manuel, Artur Barrio, Anna Bella Geiger, Sonia Andrade, Geraldo Mello, and others, the book offers a new framework for theorizing artistic practice. By focusing on the core economic, media, technological, and geographic conditions that circumscribed artistic production during this pivotal era, Shtromberg excavates an array of art systems that played a role in the everyday lives of Brazilians. An examination of the specific historical details of the social systems that were integrated into artistic production, this unique study showcases works that were accessed by audiences far outside the confines of artistic institutions. Proliferating during one of Brazil’s most socially and politically fraught decades, the works—spanning cartography to video art—do not conform to an easily identifiable style, form, material use, or medium. As a result of this breadth, Art Systems gives voice to the multifaceted forces at play in a unique chapter of Latin American cultural history.
Learning from Madness
Author: Kaira M. Cabañas
Publisher: University of Chicago Press
ISBN: 022655628X
Category : Art
Languages : en
Pages : 245
Book Description
Throughout the history of European modernism, philosophers and artists have been fascinated by madness. Something different happened in Brazil, however, with the “art of the insane” that flourished within the modernist movements there. From the 1920s to the 1960s, the direction and creation of art by the mentally ill was actively encouraged by prominent figures in both medicine and art criticism, which led to a much wider appreciation among the curators of major institutions of modern art in Brazil, where pieces are included in important exhibitions and collections. Kaira M. Cabañas shows that at the center of this advocacy stood such significant proponents as psychiatrists Osório César and Nise da Silveira, who championed treatments that included painting and drawing studios; and the art critic Mário Pedrosa, who penned Gestaltist theses on aesthetic response. Cabañas examines the lasting influence of this unique era of Brazilian modernism, and how the afterlife of this “outsider art” continues to raise important questions. How do we respect the experiences of the mad as their work is viewed through the lens of global art? Why is this art reappearing now that definitions of global contemporary art are being contested? Learning from Madness offers an invigorating series of case studies that track the parallels between psychiatric patients’ work in Western Europe and its reception by influential artists there, to an analogous but altogether distinct situation in Brazil.
Publisher: University of Chicago Press
ISBN: 022655628X
Category : Art
Languages : en
Pages : 245
Book Description
Throughout the history of European modernism, philosophers and artists have been fascinated by madness. Something different happened in Brazil, however, with the “art of the insane” that flourished within the modernist movements there. From the 1920s to the 1960s, the direction and creation of art by the mentally ill was actively encouraged by prominent figures in both medicine and art criticism, which led to a much wider appreciation among the curators of major institutions of modern art in Brazil, where pieces are included in important exhibitions and collections. Kaira M. Cabañas shows that at the center of this advocacy stood such significant proponents as psychiatrists Osório César and Nise da Silveira, who championed treatments that included painting and drawing studios; and the art critic Mário Pedrosa, who penned Gestaltist theses on aesthetic response. Cabañas examines the lasting influence of this unique era of Brazilian modernism, and how the afterlife of this “outsider art” continues to raise important questions. How do we respect the experiences of the mad as their work is viewed through the lens of global art? Why is this art reappearing now that definitions of global contemporary art are being contested? Learning from Madness offers an invigorating series of case studies that track the parallels between psychiatric patients’ work in Western Europe and its reception by influential artists there, to an analogous but altogether distinct situation in Brazil.
Capoeira, a Brazilian Art Form
Author: Bira Almeida
Publisher:
ISBN:
Category : Performing Arts
Languages : pt
Pages : 204
Book Description
Publisher:
ISBN:
Category : Performing Arts
Languages : pt
Pages : 204
Book Description
Tarsila Do Amaral
Author: Stephanie D'Alessandro
Publisher: Yale University Press
ISBN: 0300228619
Category : Art
Languages : en
Pages : 385
Book Description
An exploration of the innovative, quintessentially Brazilian painter who merged modernism with the brilliant energy and culture of her homeland Tarsila do Amaral (1886-1973) was a central figure at the genesis of modern art in her native Brazil, and her influence reverberates throughout 20th- and 21st-century art. Although relatively little-known outside Latin America, her work deserves to be understood and admired by a wide contemporary audience. This publication establishes her rich background in European modernism, which included associations in Paris with artists Fernand Léger and Constantin Brancusi, dealer Ambroise Vollard, and poet Blaise Cendrars. Tarsila (as she is known affectionately in Brazil) synthesized avant-garde aesthetics with Brazilian subjects, creating stylized, exaggerated figures and landscapes inspired by her native country that were powerful emblems of the Brazilian modernist project known as Antropofagía. Featuring a selection of Tarsila's major paintings, this important volume conveys her vital role in the emerging modern-art scene of Brazil, the community of artists and writers (including poets Oswald de Andrade and Mário de Andrade) with whom she explored and developed a Brazilian modernism, and how she was subsequently embraced as a national cultural icon. At the same time, an analysis of Tarsila's legacy questions traditional perceptions of the 20th-century art world and asserts the significant role that Tarsila and others in Latin America had in shaping the global trajectory of modernism.
Publisher: Yale University Press
ISBN: 0300228619
Category : Art
Languages : en
Pages : 385
Book Description
An exploration of the innovative, quintessentially Brazilian painter who merged modernism with the brilliant energy and culture of her homeland Tarsila do Amaral (1886-1973) was a central figure at the genesis of modern art in her native Brazil, and her influence reverberates throughout 20th- and 21st-century art. Although relatively little-known outside Latin America, her work deserves to be understood and admired by a wide contemporary audience. This publication establishes her rich background in European modernism, which included associations in Paris with artists Fernand Léger and Constantin Brancusi, dealer Ambroise Vollard, and poet Blaise Cendrars. Tarsila (as she is known affectionately in Brazil) synthesized avant-garde aesthetics with Brazilian subjects, creating stylized, exaggerated figures and landscapes inspired by her native country that were powerful emblems of the Brazilian modernist project known as Antropofagía. Featuring a selection of Tarsila's major paintings, this important volume conveys her vital role in the emerging modern-art scene of Brazil, the community of artists and writers (including poets Oswald de Andrade and Mário de Andrade) with whom she explored and developed a Brazilian modernism, and how she was subsequently embraced as a national cultural icon. At the same time, an analysis of Tarsila's legacy questions traditional perceptions of the 20th-century art world and asserts the significant role that Tarsila and others in Latin America had in shaping the global trajectory of modernism.
Opulence and Devotion
Author: Catherine Whistler
Publisher: Ashmolean Museum
ISBN: 9781854441577
Category : Art
Languages : en
Pages : 96
Book Description
From the late 16th to the end of the 18th centuries, when Brazil was a Portuguese colony, painting and sculpture was almost entirely religious in nature. Fired with zeal for the conversion of the indigenous peoples of Brazil, Jesuit, Franciscan and Benedictine missionaries exploited the sensory impact of painting, sculpture, music and drama to promote the faith there. The opulent, majestic and theatrical Catholicism that gradually took root appealed to the imagination and to the senses -- as did the Baroque art of Counter-Reformation Europe. This book has been published to mark the first exhibition in Britain of Brazilian Baroque Art. Edited and largely compiled by Dr Catherine Whistler, the book also contains an art-historical survey by Dr Cristina Avila, of The Federal University of Minas Gerais, and an essay on Patronage and Expressions of the Baroque by Professor A J R Russell-Wood of The Johns Hopkins University. The colour plates demonstrate the vitality and virtuosity of the individual sculptures, domestic altarpieces, and pieces of liturgical silver loaned to the exhibition from private collections and Museums in Brazil.
Publisher: Ashmolean Museum
ISBN: 9781854441577
Category : Art
Languages : en
Pages : 96
Book Description
From the late 16th to the end of the 18th centuries, when Brazil was a Portuguese colony, painting and sculpture was almost entirely religious in nature. Fired with zeal for the conversion of the indigenous peoples of Brazil, Jesuit, Franciscan and Benedictine missionaries exploited the sensory impact of painting, sculpture, music and drama to promote the faith there. The opulent, majestic and theatrical Catholicism that gradually took root appealed to the imagination and to the senses -- as did the Baroque art of Counter-Reformation Europe. This book has been published to mark the first exhibition in Britain of Brazilian Baroque Art. Edited and largely compiled by Dr Catherine Whistler, the book also contains an art-historical survey by Dr Cristina Avila, of The Federal University of Minas Gerais, and an essay on Patronage and Expressions of the Baroque by Professor A J R Russell-Wood of The Johns Hopkins University. The colour plates demonstrate the vitality and virtuosity of the individual sculptures, domestic altarpieces, and pieces of liturgical silver loaned to the exhibition from private collections and Museums in Brazil.
Fetishes and Monuments
Author: Roger Sansi-Roca
Publisher: Berghahn Books
ISBN: 9781845453633
Category : Art
Languages : en
Pages : 232
Book Description
One hundred years ago in Brazil the rituals of Candomblé were feared as sorcery and persecuted as crime. Its cult objects were fearsome fetishes. Nowadays, they are Afro-Brazilian cultural works of art, objects of museum display and public monuments. Focusing on the particular histories of objects, images, spaces and persons who embodied it, this book portrays the historical journey from weapons of sorcery looted by the police, to hidden living stones, to public works of art attacked by religious fanatics that see them as images of the Devil, former sorcerers who have become artists, writers, and philosophers. Addressing this history as a journey of objectification and appropriation, the author offers a fresh, unconventional, and illuminating look at questions of syncretism, hybridity and cultural resistance in Brazil and in the Black Atlantic in general.
Publisher: Berghahn Books
ISBN: 9781845453633
Category : Art
Languages : en
Pages : 232
Book Description
One hundred years ago in Brazil the rituals of Candomblé were feared as sorcery and persecuted as crime. Its cult objects were fearsome fetishes. Nowadays, they are Afro-Brazilian cultural works of art, objects of museum display and public monuments. Focusing on the particular histories of objects, images, spaces and persons who embodied it, this book portrays the historical journey from weapons of sorcery looted by the police, to hidden living stones, to public works of art attacked by religious fanatics that see them as images of the Devil, former sorcerers who have become artists, writers, and philosophers. Addressing this history as a journey of objectification and appropriation, the author offers a fresh, unconventional, and illuminating look at questions of syncretism, hybridity and cultural resistance in Brazil and in the Black Atlantic in general.
The Art of Brazilian Cookery
Author: Dolores Botafogo
Publisher:
ISBN: 9780781801300
Category : Cookery, Brazilian
Languages : en
Pages : 0
Book Description
In the 40 years since its original publications, 'The Art of Brazilian Cookery' has been a trusted source for home chefs wanting authentic Brazilian recipes. The cookbook includes over 300 savoury and varied recipes and begins with a vivid historical, geographic and culinary picture of Brazil.
Publisher:
ISBN: 9780781801300
Category : Cookery, Brazilian
Languages : en
Pages : 0
Book Description
In the 40 years since its original publications, 'The Art of Brazilian Cookery' has been a trusted source for home chefs wanting authentic Brazilian recipes. The cookbook includes over 300 savoury and varied recipes and begins with a vivid historical, geographic and culinary picture of Brazil.
Axé Bahia
Author: Patrick Arthur Polk
Publisher:
ISBN: 9780990762652
Category : Art
Languages : en
Pages : 0
Book Description
Axé Bahia examines the unique cultural role played by Salvador, the coastal capital of the Brazilian state of Bahia. An internationally renowned center of Afro-Brazilian culture, Salvador has been a vibrant and important hub of African-inspired artistic practices in Latin America since the 1940s. This volume represents the most comprehensive investigation in the United States of Bahian arts to date and features essays by eighteen international scholars. While adding to popular understandings of core expressions of African heritage, such as the religion Candomblé, the essays explore in depth the complexities of race and cultural affiliation in Brazil and the provocative ways in which artists have experienced and responded creatively to prevailing realities of Afro-Brazilian identity in Bahia. Lavishly illustrated, the book features works by artists ranging from modernists, among them Mário Cravo Neto, Rubem Valentim, and Pierre Verger, to contemporary artists Rommulo Vieira Conceicao, Caetano Dias, Helen Salomao, Ayrson Heráclito, and others--including a stunning array of sculpture, painting, photography, video, and installation art. The exhibition was part of the Getty's Pacific Standard Time: LA/LA initiative.
Publisher:
ISBN: 9780990762652
Category : Art
Languages : en
Pages : 0
Book Description
Axé Bahia examines the unique cultural role played by Salvador, the coastal capital of the Brazilian state of Bahia. An internationally renowned center of Afro-Brazilian culture, Salvador has been a vibrant and important hub of African-inspired artistic practices in Latin America since the 1940s. This volume represents the most comprehensive investigation in the United States of Bahian arts to date and features essays by eighteen international scholars. While adding to popular understandings of core expressions of African heritage, such as the religion Candomblé, the essays explore in depth the complexities of race and cultural affiliation in Brazil and the provocative ways in which artists have experienced and responded creatively to prevailing realities of Afro-Brazilian identity in Bahia. Lavishly illustrated, the book features works by artists ranging from modernists, among them Mário Cravo Neto, Rubem Valentim, and Pierre Verger, to contemporary artists Rommulo Vieira Conceicao, Caetano Dias, Helen Salomao, Ayrson Heráclito, and others--including a stunning array of sculpture, painting, photography, video, and installation art. The exhibition was part of the Getty's Pacific Standard Time: LA/LA initiative.