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Author: Daniel Meyer-Dinkgrafe Publisher: Cambridge Scholars Publishing ISBN: 144381461X Category : Performing Arts Languages : en Pages : 118
Book Description
Twenty major German cities have a total of twenty-four theatres specializing, at a high level of sophistication, in presenting light comedy. They have their own typical ambience, principles of artistic management and casting. There are playwrights, actors, directors and designers who work almost exclusively in the genre, called boulevard comedy, developing highly specialised approaches to their work. In almost all cases, the predominantly privately run boulevard comedy theatres in Germany have been able to attract larger audiences than municipal or state theatres in the same cities. The book provides a description and an analysis of this phenomenon, which is unique to Germany. Chapters focus on an analysis of ambience, artistic managers, artistic policies and artistic structures, on major characteristics of the plays presented on the stages of German boulevard comedy theatres, on aspects of translation and the cultural transfer of comedy and laughter and on aspects of production and reception, dealing in turn with actors, directors, media coverage and audiences.
Author: Daniel Meyer-Dinkgrafe Publisher: Cambridge Scholars Publishing ISBN: 144381461X Category : Performing Arts Languages : en Pages : 118
Book Description
Twenty major German cities have a total of twenty-four theatres specializing, at a high level of sophistication, in presenting light comedy. They have their own typical ambience, principles of artistic management and casting. There are playwrights, actors, directors and designers who work almost exclusively in the genre, called boulevard comedy, developing highly specialised approaches to their work. In almost all cases, the predominantly privately run boulevard comedy theatres in Germany have been able to attract larger audiences than municipal or state theatres in the same cities. The book provides a description and an analysis of this phenomenon, which is unique to Germany. Chapters focus on an analysis of ambience, artistic managers, artistic policies and artistic structures, on major characteristics of the plays presented on the stages of German boulevard comedy theatres, on aspects of translation and the cultural transfer of comedy and laughter and on aspects of production and reception, dealing in turn with actors, directors, media coverage and audiences.
Author: William Grange Publisher: Rowman & Littlefield ISBN: 1442250208 Category : Performing Arts Languages : en Pages : 486
Book Description
The German-language theater is one of the most vibrant and generously endowed of any in the world. It boasts long and honored traditions that include world-renowned plays, playwrights, actors, directors, and designers, and several German theater artists have had an enormous impact on theater practice around the globe. Students continue to study German plays in dozens of languages, and every year scores of German plays are produced in a wide variety of non-German venues. This second edition of Historical Dictionary of German Theater covers its history through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 400 cross-referenced entries on directors, designers, producers, and movements such as Regietheater, “post-dramatic” approaches to theater production, the freie Szene of independent, non-subsidized groups, the role of increasingly massive government subsidies, and cities whose reputations as centers of innovation and excellence that have made the German-language theater one of the most vibrant anywhere on earth. This book is an excellent access point for students, researchers, and anyone wanting to know more about German Theater.
Author: Per Brask Publisher: Cambridge Scholars Publishing ISBN: 1443819972 Category : Performing Arts Languages : en Pages : 230
Book Description
Since its inaugural issue in April, 2000, the journal Consciousness, Literature and the Arts has regularly published essays on the intersection of theatre and consciousness. Often these essays have seen theatre as a spiritual practice that for both the performer and her audience can bring about experiences that help heal the world, a shift in consciousness. This practice, though spiritual, is not ethereal but is rooted in doing, in actions, in breathing. That is, theatre is seen as an art form understood as part of a whole, as taking place in total Consciousness as well as expressing consciousness(es), making both breathing a source of meaning and shamanic journeying part of the creative process that brings into “being” imaginative resources for the actor that undermines traditional understandings of character/self/ego. All the pieces collected here, then, reveal a concern with consciousness and the theatre, the ways that performance can be a spiritual practice, a means a reaching higher levels of consciousness, as well as the ways the theatre may have healing effects on audiences by engaging them in wider and deeper levels of imagination, the levels where dualities disappear.
Author: W. Scott Hopkins Publisher: Cambridge Scholars Publishing ISBN: 1443817961 Category : Science Languages : en Pages : 230
Book Description
This textbook provides an accessible description of the basic concepts of atomic and molecular quantum structure, and how we probe that structure using light. The ideas described here underpin many aspects of modern science in fields such as quantum computing, astrophysics and astronomy, environmental and atmospheric chemistry, and nanotechnology, to name a few. The content of this book is appropriate for those who are new to the field, such as undergraduate students, and can also be a valuable reference for non-practitioners who are interested in the subject. There are many in-chapter examples, end-of-chapter questions, and detailed workbooks included (at the end of the book) which will help the reader practice applying the material as they make their way through the text. Accompanying master classes and tutorial videos are available on the CPPC Spectroscopy YouTube channel.
Author: Daniel Meyer-Dinkgräfe Publisher: Cambridge Scholars Press ISBN: 1904303331 Category : Europe Languages : en Pages : 293
Book Description
In the words of Ezra Talmor: To deal with European Culture in a Changing World is to deal, in fact, with the reciprocal relation between Politics and Economics on the one hand, and Culture on the other. In an era when economic forces are pushing towards European Economic Unity or towards the Globalisation of National Markets it is rather difficult to demarcate the role of Culture. While the European Narrative may have been written by Monnet, De Gaulle, and Adenauer, the Global Narrative is written by an unknown author or rather by Adam Smithâ (TM)s Invisible Hand. On the one hand the postmodernist claim that the Grand Narrative is dead is given the lie. A Grand Narrative is now being written not by Philosophers but by Managers of Multinationals. The Foucauldian â oeça parleâ (it speaks) is instantiated by the anonymous authors of the Global Narrative. The question to be asked is: What will happen to the rich mosaic of National European Cultures? The answer to this question is not only a matter of National Memory and National Identity, it is also a matter of the sources of cultural creativity. Lâ (TM)Europe de nations may have been the theatre of endless national wars but it was also the cradle of a very rich mosaic of national cultures. The point is: how will creative genius adapt to the two new trends - European Unification and Globalism? This volume brings together essays by leading scholars in a myriad of disciplines, all of which attempt to shed light on these issues. Contributions by: Nicholas Perdikis, Shari L. Boyd, William A Kerr, Sylvia MacPhee, Marcela Cristi, Anu Randveer, Martti Randveer, Viljar Jaamu, Vello Vensel, Anatoly Zotov, Warren Breckman, Douglas Moggach, Malgorzata Bogunia-Borowska, Alexandros Kioupkiolis, Eric W. Ruckh, Avron Kulak, Kevin P. Spicer, Bernard Zelechow, Dorothy M. Betz, Robert Stanley, Rosemary Gray, Jean-François Thibault, John Danvers, Ewa Macura, William A. Everett, Armand Singer, Daniel Meyer-Dinkgräfe
Author: Daniel Meyer-Dinkgräfe Publisher: Cambridge Scholars Publishing ISBN: Category : Biography & Autobiography Languages : en Pages : 220
Book Description
The proposed book collects 24 interviews that I conducted with German and British theatre artists over the period of 20 years. The first set of interviews focuses on British actors, directors and dramatists involved with Plays about Famous Artists. That section complements the material discussed in my book with CSP, Biographical Plays about Famous Artists. The second set of interviews focuses on German actors and directors involved with boulevard comedy theatre. That section complements the material discussed in my book with CSP, Boulevard Comedy Theatre in Germany. Interviews with two British theatre artists feature in the interviews in Part III: David Ian Rabey combines his job as a professor of Drama and Theatre at the University of Wales Aberystwyth with an active career as a theatre actor, director and dramatist. Mike Pearson is a performance practitioner and professor of Performance Studies in the same university department. The final part of the book provides a range of interviews both from the UK and from Germany, starting off with Sir Richard Eyreâ (TM)s account of his seminal production of Hamlet at the Royal Court in 1980. German Director Heinz-Uwe Haus combines the legacy of Brecht (he trained with some of Brechtâ (TM)s foremost disciples) and politics (Haus lived and worked in the former German Democratic Republicâ "the totalitarian regimeâ (TM)s repression influenced his everyday life and work considerably). Ursula Dinkgräfe, finally, represents both personal legacy and the numerous well-trained and highly capable and successful actors across the world who do not (want to) attain star-status.
Author: Daniel Meyer-Dinkgräfe Publisher: Rodopi ISBN: 9401209294 Category : Languages : en Pages : 236
Book Description
The study of consciousness has developed considerably over the past ten years, with an emphasis on seeking to explain subjective experience. Our understanding of key questions relating to the performing arts, in theory and practice, benefits from the insights of consciousness studies. Theatre, Opera and Consciousness discusses selected concerns of theatre history from a consciousness studies perspective, develops a new perspective on ethical implications of theatre practice, reassesses the concept of the guru, and offers a new approach to the actor’s cool-down. The book expands the framework from theatre to opera, and presents a new consideration of the spiritual aspects of singing in opera, conducting for opera, and the opera experience for singers and spectators alike.
Author: Daniel Meyer-Dinkgrafe
Author: Daniel Meyer-Dinkgrafe
Author: William Grange
Author: Per Brask
Author: W. Scott Hopkins
Author: Daniel Meyer-Dinkgräfe
Author: Daniel Meyer-Dinkgräfe
Author: Robert Curtis Ogden
Author: Robert Curtis Ogden
Author: 
Author: Daniel Meyer-Dinkgräfe