Book Production and Publishing in Britain 1375-1475 PDF Download

Author: Jeremy Griffiths
Publisher: Cambridge University Press
ISBN: 9780521037211
Category : Business & Economics
Languages : en
Pages : 488

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Book Description
These essays comprehensively and systematically examine British book production and publishing in the hundred years before the introduction of printing.

Author: Alexandra Gillespie
Publisher: Cambridge University Press
ISBN: 0521889790
Category : Business & Economics
Languages : en
Pages : 397

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Book Description
This book studies approaches to the production of manuscripts in medieval England, from the first commercial guilds to the advent of print.

Author: Vincent Gillespie
Publisher: Boydell & Brewer Ltd
ISBN: 1843843633
Category : Business & Economics
Languages : en
Pages : 410

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Book Description
First full-scale guide to the origins and development of the early printed book, and the issues associated with it.

Author: Anna Baldwin
Publisher: Bloomsbury Publishing
ISBN: 1350310050
Category : Literary Criticism
Languages : en
Pages : 351

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Book Description
This is a comprehensive guide to a literary period characterized by great variety and imagination, and vividly alert to the social transformations overtaking society. Spanning almost two centuries, it introduces the reader to a diverse range of authors writing for a fast-developing readership of both men and women. Each chapter focuses on a group of genres primarily associated with a particular social class – from the Drama and Saints' Lives accessible to the illiterate, to the sophisticated Romances of Love savoured by the aristocracy and the Court. Lively historical narratives place each group of texts in their social, political and cultural contexts. Significant or typical texts are given more detailed analysis that includes critical issues and questions to guide the reader's own approach, and each section is supported by a detailed bibliography of further reading.

Author: Marilyn Corrie
Publisher: John Wiley & Sons
ISBN: 1118835972
Category : Literary Criticism
Languages : en
Pages : 287

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Book Description
This concise companion examines contexts that are essential to understanding and interpreting writing in English produced in the period between approximately 1100 and 1500. The essays in the book explore ways in which Middle English literature is 'different' from the literature of other periods. The book includes discussion of such issues as the religious and historical background to Middle English literature, the circumstances and milieux in which it was produced, its linguistic features, and the manuscripts in which it has been preserved. Amongst the great range of writers and writings discussed, the book considers the works of the most widely read Middle English author, Chaucer, against the background of the period that he both typifies and subverts. An accessible resource that examines contexts essential to understanding and interpreting writing of the Middle English period Chapters explore the distinctiveness of Middle English literature Brings together discussion and analysis by an international team of Middle English specialists, incorporating fresh material and new insights Includes analysis of Chaucer's writings, and considers them in relation to the work of his Middle English predecessors, contemporaries and successors Incorporates discussion of issues steering the perception of Middle English literature in the present day

Author: Daniel Allington
Publisher: John Wiley & Sons
ISBN: 1119115167
Category : Literary Criticism
Languages : en
Pages : 571

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Book Description
Introduces readers to the history of books in Britain—their significance, influence, and current and future status Presented as a comprehensive, up-to-date narrative, The Book in Britain: A Historical Introduction explores the impact of books, manuscripts, and other kinds of material texts on the cultures and societies of the British Isles. The text clearly explains the technicalities of printing and publishing and discusses the formal elements of books and manuscripts, which are necessary to facilitate an understanding of that impact. This collaboratively authored narrative history combines the knowledge and expertise of five scholars who seek to answer questions such as: How does the material form of a text affect its meaning? How do books shape political and religious movements? How have the economics of the book trade and copyright shaped the literary canon? Who has been included in and excluded from the world of books, and why? The Book in Britain: A Historical Introduction will appeal to all scholars, students, and historians interested in the written word and its continued production and presentation.

Author: James Raven
Publisher: Boydell & Brewer Ltd
ISBN: 1843839105
Category : Business & Economics
Languages : en
Pages : 350

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Book Description
Publishing Business in Eighteenth-Century England assesses the contribution of the business press and the publication of print to the economic transformation of England. The impact of non-book printing has been long neglected. A raft of jobbing work serviced commerce and finance while many more practical guides and more ephemeral pamphlets on trade and investment were read than the books that we now associate with the foundations of modern political economy. A pivotal change in the book trades, apparent from the late seventeenth century, was the increased separation of printers from bookseller-publishers, from the skilled artisan to the bookseller-financier who might have no prior training in the printing house but who took up the sale of publications as another commodity. This book examines the broader social relationship between publication and the practical conduct of trade; the book asks what it meant to be 'published' and how print, text and image related to the involvement of script. The age of Enlightenment was an age of astonishing commercial and financial transformation offering printers and the business press new market opportunities. Print helped to effect a business revolution. The reliability, reputation, regularity, authority and familiarity of print increased trust and confidence and changed attitudes and behaviours. New modes of publication and the wide-ranging products of printing houses had huge implications for the way lives were managed, regulated and recorded. JAMES RAVEN is Professor of Modern History at the University of Essex and a Fellow of Magdalene College Cambridge.

Author: Margaret Connolly
Publisher: Cambridge University Press
ISBN: 1108652204
Category : Language Arts & Disciplines
Languages : en
Pages : 333

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Book Description
This innovative study investigates the reception of medieval manuscripts over a long century, 1470–1585, spanning the reigns of Edward IV to Elizabeth I. Members of the Tudor gentry family who owned these manuscripts had properties in Willesden and professional affiliations in London. These men marked the leaves of their books with signs of use, allowing their engagement with the texts contained there to be reconstructed. Through detailed research, Margaret Connolly reveals the various uses of these old books: as a repository for family records; as a place to preserve other texts of a favourite or important nature; as a source of practical information for the household; and as a professional manual for the practising lawyer. Investigation of these family-owned books reveals an unexpectedly strong interest in works of the past, and the continuing intellectual and domestic importance of medieval manuscripts in an age of print.

Author: Michael Johnston
Publisher: Oxford University Press
ISBN: 0192871773
Category : Literary Criticism
Languages : en
Pages : 305

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Book Description
The Middle English Book analyzes 202 literary manuscripts from late medieval England (1350-1500) and argues that most readers looked to scribes in their immediate vicinity to acquire copies of literature. It examines various forms of writing practiced by scribes throughout the late medieval English countryside and shows that the production of documents underscored the wide availability of literary copying. As a result, when a reader acquired a manuscript,they were most often tapping into local networks of document production.

Author: Sonja Drimmer
Publisher: University of Pennsylvania Press
ISBN: 0812250494
Category : Literary Criticism
Languages : en
Pages : 352

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Book Description
At the end of the fourteenth and into the first half of the fifteenth century Geoffrey Chaucer, John Gower, and John Lydgate translated and revised stories with long pedigrees in Latin, Italian, and French. Royals and gentry alike commissioned lavish manuscript copies of these works, copies whose images were integral to the rising prestige of English as a literary language. Yet despite the significance of these images, manuscript illuminators are seldom discussed in the major narratives of the development of English literary culture. The newly enlarged scale of English manuscript production generated a problem: namely, a need for new images. Not only did these images need to accompany narratives that often had no tradition of illustration, they also had to express novel concepts, including ones as foundational as the identity and suitable representation of an English poet. In devising this new corpus, manuscript artists harnessed visual allusion as a method to articulate central questions and provide at times conflicting answers regarding both literary and cultural authority. Sonja Drimmer traces how, just as the poets embraced intertexuality as a means of invention, so did illuminators devise new images through referential techniques—assembling, adapting, and combining images from a range of sources in order to answer the need for a new body of pictorial matter. Featuring more than one hundred illustrations, twenty-seven of them in color, The Art of Allusion is the first book devoted to the emergence of England's literary canon as a visual as well as a linguistic event.