Author: John Bealle Publisher: University of Georgia Press ISBN: 9780820319216 Category : Music Languages : en Pages : 332
Book Description
The Sacred Harp, a tunebook that first appeared in 1844, has stood as a model of early American musical culture for most of this century. Tunebooks such as this, printed in shape notes for public singing and singing schools, followed the New England tradition of singing hymns and Psalms from printed music. Nineteeth-century Americans were inundated by such books, but only the popularity of The Sacred Harp has endured throughout the twentieth century. With this tunebook as his focus, John Bealle surveys definitive moments in American musical history, from the lively singing schools of the New England Puritans to the dramatic theological crises that split New England Congregationalism, from the rise of the genteel urban mainstream in frontier Cincinnati to the bold "New South" movement that sought to transform the southern economy, from the nostalgic culture-writing era of the Great Depression to the post-World War II folksong revival. Although Bealle finds that much has changed in the last century, the custodians of the tradition of Sacred Harp singing have kept it alive and accessible in an increasingly diverse cultural marketplace. Public Worship, Private Faith is a thorough and readable analysis of the historical, social, musical, theological, and textual factors that have contributed to the endurance of Sacred Harp singing.
Author: Rev. Mark Ashton Publisher: Zondervan ISBN: 0310874297 Category : Religion Languages : en Pages : 260
Book Description
“What is at stake is authenticity. . . . Sooner or later Christians tire of public meetings that are profoundly inauthentic, regardless of how well (or poorly) arranged, directed, performed. We long to meet, corporately, with the living and majestic God and to offer him the praise that is his due.”—D. A. CarsonWorship is a hot topic, but the ways that Christians from different traditions view it vary greatly. What is worship? More important, what does it look like in action, both in our corporate gatherings and in our daily lives? These concerns—the blending of principle and practice—are what Worship by the Book addresses.Cutting through cultural clichés, D. A. Carson, Mark Ashton, Kent Hughes, and Timothy Keller explore, respectively:· Worship Under the Word· Following in Cranmer’s Footsteps· Free Church Worship: The Challenge of Freedom· Reformed Worship in the Global City “This is not a comprehensive theology of worship,” writes Carson. “Still less is it a sociological analysis of current trends or a minister’s manual chockfull of ‘how to’ instructions.” Rather, this book offers pastors, other congregational leaders, and seminary students a thought-provoking biblical theology of worship, followed by a look at how three very different traditions of churchmanship might move from this theological base to a better understanding of corporate worship. Running the gamut from biblical theology to historical assessment all the way to sample service sheets, Worship by the Book shows how local churches in diverse traditions can foster corporate worship that is God-honoring, Word-revering, heartfelt, and historically and culturally informed.
Author: Christian Batalden Scharen Publisher: Liturgical Press ISBN: 9780814661932 Category : Philosophy Languages : en Pages : 260
Book Description
Description: In a time of increasing cultural pluralism and vast religious restructuring in the United States, Christian social ethics must take account of how values and commitments shape Christian communities. In Public Worship and Public Work Christian Scharen examines theological claims about the relationship of worship and ethics by means of ethnographic study of the life, worship, and work of three vibrant congregations. Public Worship and Public Work moves beyond two caricatures of the relationship between worship and social ethics. Rather than resolute portrayals of the Church as a reflection of its culture and context and causal accounts of the Church's liturgy forming a Christian witness over and against culture, this book lifts up congregational identity as an area of dynamic interaction between worship, social ethics, and culture. Chapters in Part One are "Liturgy and Social Ethics: Characterizing a Debate," and "Sociologizing the Debate: Identity, Ritual, and Public Commitment." Chapters in Part Two: Three Case Studies in Atlanta's Old Downtown are "'People Living Church': The Catholic Shrine of the Immaculate Conception," "'Jesus Saves': Big Bethel African Methodist Episcopal Church, '" and "'The Church at Work': Central Presbyterian Church.'" Part Three concludes with "The World in the Church in the World."
Author: Patrick Curles Publisher: ISBN: 9781508571063 Category : Languages : en Pages : 796
Book Description
This Book of Common Worship is a compilation of services, prayers, and forms from the Presbyterian Book of Common Worship tradition. Though largely based upon the 1946 edition, this work also draws from the 1906, the 1932, and other service books in the Presbyterian tradition. It is in conformity with the Book of Church Order of the Presbyterian Church in America (PCA) and includes the Confession of Faith and Catechisms.
Author: Everett Ferguson Publisher: Victor Vadney ISBN: 9781939838032 Category : Religion Languages : en Pages : 140
Book Description
This book employs a methodology that I have found helpful in dealing with other topics. This procedure is to assemble the New Testament texts on the topic and interpret them, then check this interpretation against usage in early Christian literature outside the New Testament, and finally to examine the doctrinal considerations to determine if the interpretation rests on solid biblical theology. Rather than gathering quotations from secondary literature, my approach is to read the source documents in the original and present the texts in their context. At the time of first edition of the book, mine was the fullest collection of historical statements on early church music readily available. Other studies since that time are largely supportive of the historical facts presented in my work, even if the authors do not consider the evidence normative for today. My conclusion is that the practice of unaccompanied congregational singing rests on good biblical, historical and doctrinal grounds.
Author: John Bealle
Author: Dennis James Prutow
Author: Rev. Mark Ashton
Author: Presbyterian Church in the U.S. General Assembly
Author: Presbyterian Church in the U.S.A. General Assembly
Author: Christian Batalden Scharen
Author: Patrick Curles
Author: Sinclair B. Ferguson
Author: Terry Johnson
Author: Everett Ferguson