Author: Lotte Hellinga
Publisher: BRILL
ISBN: 9004279008
Category : Literary Criticism
Languages : en
Pages : 466
Book Description
After Gutenberg’s Bible had appeared in print in 1455, other early printers found different ways to solve problems set by the new technique. Survival of printer’s copy or proofs permits rare views of compositors and printers manipulating a text before it emerged in its new form. Versions were corrected to be fit for purpose, and might be adapted for a much enlarged readership, especially if the language was vernacular. The printing press itself required careful measuring and fitting of texts. In twelve case-studies Lotte Hellinga explores what is revealed in printer’s copy and proofs used in diverse printing houses, covering the period from 1459 to the 1490s, and ranging from Rome and Venice to Mainz and Westminster. See also the companion volume by the same author, Incunabula in Transit (Brill, 2017).
Texts in Transit
Author: Lotte Hellinga
Publisher: BRILL
ISBN: 9004279008
Category : Literary Criticism
Languages : en
Pages : 466
Book Description
After Gutenberg’s Bible had appeared in print in 1455, other early printers found different ways to solve problems set by the new technique. Survival of printer’s copy or proofs permits rare views of compositors and printers manipulating a text before it emerged in its new form. Versions were corrected to be fit for purpose, and might be adapted for a much enlarged readership, especially if the language was vernacular. The printing press itself required careful measuring and fitting of texts. In twelve case-studies Lotte Hellinga explores what is revealed in printer’s copy and proofs used in diverse printing houses, covering the period from 1459 to the 1490s, and ranging from Rome and Venice to Mainz and Westminster. See also the companion volume by the same author, Incunabula in Transit (Brill, 2017).
Publisher: BRILL
ISBN: 9004279008
Category : Literary Criticism
Languages : en
Pages : 466
Book Description
After Gutenberg’s Bible had appeared in print in 1455, other early printers found different ways to solve problems set by the new technique. Survival of printer’s copy or proofs permits rare views of compositors and printers manipulating a text before it emerged in its new form. Versions were corrected to be fit for purpose, and might be adapted for a much enlarged readership, especially if the language was vernacular. The printing press itself required careful measuring and fitting of texts. In twelve case-studies Lotte Hellinga explores what is revealed in printer’s copy and proofs used in diverse printing houses, covering the period from 1459 to the 1490s, and ranging from Rome and Venice to Mainz and Westminster. See also the companion volume by the same author, Incunabula in Transit (Brill, 2017).
Book auction catalogue, 12 December 1991
The Scriblerian and the Kit-Cats
Book-auction Records
The Image of Restoration Science
Author: Michael Hunter
Publisher: Taylor & Francis
ISBN: 1317027884
Category : History
Languages : en
Pages : 167
Book Description
This book is about a single image - the frontispiece to Thomas Sprat’s History of the Royal-Society of London (1667). Designed by John Evelyn, and etched by Wenceslaus Hollar, it is arguably the best-known representation of seventeenth-century English science. The use of such plates to celebrate and legitimise the ‘new’ science of the period falls into a tradition that was well-established both in Britain and in Europe more generally, and which has increasingly attract attention from historians. Nevertheless, there are many questions to be asked about it and how it came into being. Was it an original composition by Evelyn, or is it based on earlier exemplars? Can all the scientific instruments, books and other objects that appear in it be identified, and what significance should be attached to their inclusion? Above all, how did the plate come to be designed in the first place, and what is its true relationship with Sprat’s book? In order to assess such issues, this study provides a full analysis of Evelyn’s image in its Royal Society setting and the wider world of early-modern science. The book first considers the overall iconography of the image and its message concerning Evelyn’s conception of the society’s role, before moving on to examine the myriad of details included in the plate and their significance. It concludes by considering the print’s history after publication, including the extent to which Evelyn used copies to exemplify the combination of technological and artistic accomplishment to which he believed the society should aspire.
Publisher: Taylor & Francis
ISBN: 1317027884
Category : History
Languages : en
Pages : 167
Book Description
This book is about a single image - the frontispiece to Thomas Sprat’s History of the Royal-Society of London (1667). Designed by John Evelyn, and etched by Wenceslaus Hollar, it is arguably the best-known representation of seventeenth-century English science. The use of such plates to celebrate and legitimise the ‘new’ science of the period falls into a tradition that was well-established both in Britain and in Europe more generally, and which has increasingly attract attention from historians. Nevertheless, there are many questions to be asked about it and how it came into being. Was it an original composition by Evelyn, or is it based on earlier exemplars? Can all the scientific instruments, books and other objects that appear in it be identified, and what significance should be attached to their inclusion? Above all, how did the plate come to be designed in the first place, and what is its true relationship with Sprat’s book? In order to assess such issues, this study provides a full analysis of Evelyn’s image in its Royal Society setting and the wider world of early-modern science. The book first considers the overall iconography of the image and its message concerning Evelyn’s conception of the society’s role, before moving on to examine the myriad of details included in the plate and their significance. It concludes by considering the print’s history after publication, including the extent to which Evelyn used copies to exemplify the combination of technological and artistic accomplishment to which he believed the society should aspire.
First Supplement to James E. Walsh's Catalogue of the Fifteenth-century Printed Books in the Harvard University Library
Author: Harvard University. Library
Publisher: Houghton Library
ISBN:
Category : Art
Languages : en
Pages : 242
Book Description
Walsh's pioneering catalogue of the Harvard collection of 15th-century printed books was published in five volumes. The First Supplement describes 202 new incunabula at Harvard: 67 complete or nearly complete copies and 135 single leaves or fragments, representing a total of 173 editions, including 110 not in Walsh's original five volumes.
Publisher: Houghton Library
ISBN:
Category : Art
Languages : en
Pages : 242
Book Description
Walsh's pioneering catalogue of the Harvard collection of 15th-century printed books was published in five volumes. The First Supplement describes 202 new incunabula at Harvard: 67 complete or nearly complete copies and 135 single leaves or fragments, representing a total of 173 editions, including 110 not in Walsh's original five volumes.
Catalogues of Sales
Author: Sotheby's (Firm)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 2080
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 2080
Book Description
Blake
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 186
Book Description
An illustrated quarterly.
Publisher:
ISBN:
Category :
Languages : en
Pages : 186
Book Description
An illustrated quarterly.
Classical Numismatic Auctions XV
Author:
Publisher: Classical Numismatic Group
ISBN:
Category :
Languages : en
Pages : 108
Book Description
Publisher: Classical Numismatic Group
ISBN:
Category :
Languages : en
Pages : 108
Book Description
Sasanian and Post-Sasanian Glass in the Corning Museum of Glass
Author: David Whitehouse
Publisher: Hudson Hills
ISBN: 9780872901582
Category : Antiques & Collectibles
Languages : en
Pages : 120
Book Description
No Sasanian glass collection of comparable size and variety has yet been published, and thus the objects at Corning provide a starting point for anyone who wishes to study the glass made in the Sasanian Empire.
Publisher: Hudson Hills
ISBN: 9780872901582
Category : Antiques & Collectibles
Languages : en
Pages : 120
Book Description
No Sasanian glass collection of comparable size and variety has yet been published, and thus the objects at Corning provide a starting point for anyone who wishes to study the glass made in the Sasanian Empire.