Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Blues Grooves for Guitar PDF full book. Access full book title Blues Grooves for Guitar by Rob Fletcher. Download full books in PDF and EPUB format.
Author: Rob Fletcher Publisher: Alfred Music Publishing ISBN: 9780739028094 Category : Music Languages : en Pages : 88
Book Description
Blues Grooves for Guitar is an essential collection of tips, tricks, techniques and theory that will give your rhythm playing an authentic blues feel. Examples demonstrate everything from basics of rhythm and harmony to comping to the subtleties of Chicago, Texas, Delta and other blues styles. Rob Fletcher's enthusiastic approach makes it fun and easy to learn the vital elements of a great musical tradition. A CD demonstrating all the examples and compositions in the book is included.
Author: Rob Fletcher Publisher: Alfred Music Publishing ISBN: 9780739028094 Category : Music Languages : en Pages : 88
Book Description
Blues Grooves for Guitar is an essential collection of tips, tricks, techniques and theory that will give your rhythm playing an authentic blues feel. Examples demonstrate everything from basics of rhythm and harmony to comping to the subtleties of Chicago, Texas, Delta and other blues styles. Rob Fletcher's enthusiastic approach makes it fun and easy to learn the vital elements of a great musical tradition. A CD demonstrating all the examples and compositions in the book is included.
Author: DOC SPAN Publisher: Mel Bay Publications ISBN: 1610659341 Category : Music Languages : en Pages : 28
Book Description
This audio CD and booklet presents 10 backing tracks for you to practice soloing. Each track is recorded twice, once with harmonica and once without. Improve your timing by keeping up with a professional group. Develop a bank of riffs while playing with a solid blues backing. Learn new phrasing techniques. Playing along will stimulate your powers of improvisation. Listening carefully to what each instrument is doing will help you emulate it or just blend in, picking up rhythm patterns and playing your favorite melody over some of the tracks. Become acquainted with different blues grooves. It's good fun and great practice whatever your level of proficiency. the booklet contains basic instruction on rhythm, tone, melody, harmony, tongue blocking, improvisation, positions and scales, bending notes, and more.
Author: Frank De Rose Publisher: Mel Bay Publications ISBN: 161065305X Category : Music Languages : en Pages : 33
Book Description
Essential Blues Bass Grooves, within the School of the Blues® Lesson Series, presents 46 bass patterns essential to the gigging Blues bass player. Material is presented in standard music notation and TAB. This book is accompanied by a CD recording of all examples (played by author Frank De Rose) along with the background music. This method is for all skill level players.This series is designed for students of other instruments to play together. If you have friends that play harmonica, guitar, keyboard or drums, tell them about this series so that you can play together.
Author: Andrew D. Gordon Publisher: A.D.G. Productions ISBN: 1934163228 Category : Music Languages : en Pages : 56
Book Description
Ultra Smooth Jazz Grooves for Piano/Keyboards by internationally renowned authors, musicians and recording artists, Frank Villafranca and Andrew D. Gordon of The Super Groovers is a collection of grooves and melodies in the Smooth Jazz Genre creating an exciting supplemental jazz study series for beginner, intermediate and advanced jazz students and musicians. After releasing their first CD “Supergroovin”, which received world wide airplay, they recognized a need in the music publishing business for a series of books on contemporary improvising within the “Smooth Jazz” genre. Andrew composed and recorded all the rhythm tracks used in this book. In their opinion, the melodies were so catchy they couldn’t resist developing them into completed songs. “Mainline Connection”, “Villefranche–sur-Mer” and “You’re The Only One In My Life”, are a few featured on their second CD, “Mainline Connection”. Their CD's or mp3 downloads are available from iTunes, Amazon.com, CD Baby or from The Super Groovers web site. The smooth jazz grooves in this 50 page book feature a variety of contemporary rhythm section styles including R&B, Jazz, Funk, Top 40, Rock, Gospel, Hip Hop and Latin. These stylistic influences are frequently associated with smooth jazz. Popular artists in this genre include, The Super Groovers, David Sanborn, Eric Marienthal, Kenny G, David Benoit, Dave Koz, Tom Scott, Gerald Albright, Candy Dulfer, Wilton Felder, Boney James, Chris Botti, Chuck Mangione, Sade, George Benson, Peter White, Lee Ritenour, Earl Klugh, Larry Carlton, Jeff Lorber, Brian Culbertson, George Duke, Paul Hardcastle, Joe Sample, Spyro Gyra, Pat Metheny, Four Play, The Yellow Jackets and The Rippingtons. We suggest that you become acquainted with as many of these artists as possible by purchasing their CD's or mp3's via retailers such as itunes or Amazon.com. On each of the 20 tracks, the groove is separated into 3 melodic ideas. Each melodic idea (example or riff) is played first, by the piano with the groove, followed by just the rhythm section groove, without the piano. The 1st example is usually the easiest, the 2nd slightly harder and the 3rd the most difficult.
Author: Charles Keil Publisher: University of Chicago Press ISBN: 022622340X Category : Social Science Languages : en Pages : 276
Book Description
Charles Keil examines the expressive role of blues bands and performers and stresses the intense interaction between performer and audience. Profiling bluesmen Bobby Bland and B. B. King, Keil argues that they are symbols for the black community, embodying important attitudes and roles—success, strong egos, and close ties to the community. While writing Urban Blues in the mid-1960s, Keil optimistically saw this cultural expression as contributing to the rising tide of raised political consciousness in Afro-America. His new Afterword examines black music in the context of capitalism and black culture in the context of worldwide trends toward diversification. "Enlightening. . . . [Keil] has given a provocative indication of the role of the blues singer as a focal point of ghetto community expression."—John S. Wilson, New York Times Book Review"A terribly valuable book and a powerful one. . . . Keil is an original thinker and . . . has offered us a major breakthrough."—Studs Terkel, Chicago Tribune "[Urban Blues] expresses authentic concern for people who are coming to realize that their past was . . . the source of meaningful cultural values."—Atlantic "An achievement of the first magnitude. . . . He opens our eyes and introduces a world of amazingly complex musical happening."—Robert Farris Thompson, Ethnomusicology "[Keil's] vigorous, aggressive scholarship, lucid style and sparkling analysis stimulate the challenge. Valuable insights come from treating urban blues as artistic communication."—James A. Bonar, Boston Herald
Author: Adam Gussow Publisher: UNC Press Books ISBN: 1469660377 Category : Music Languages : en Pages : 333
Book Description
Mamie Smith's pathbreaking 1920 recording of "Crazy Blues" set the pop music world on fire, inaugurating a new African American market for "race records." Not long after, such records also brought black blues performance to an expanding international audience. A century later, the mainstream blues world has transformed into a multicultural and transnational melting pot, taking the music far beyond the black southern world of its origins. But not everybody is happy about that. If there's "No black. No white. Just the blues," as one familiar meme suggests, why do some blues people hear such pronouncements as an aggressive attempt at cultural appropriation and an erasure of traumatic histories that lie deep in the heart of the music? Then again, if "blues is black music," as some performers and critics insist, what should we make of the vibrant global blues scene, with its all-comers mix of nationalities and ethnicities? In Whose Blues?, award-winning blues scholar and performer Adam Gussow confronts these challenging questions head-on. Using blues literature and history as a cultural anchor, Gussow defines, interprets, and makes sense of the blues for the new millennium. Drawing on the blues tradition's major writers including W. C. Handy, Langston Hughes, Zora Neale Hurston, and Amiri Baraka, and grounded in his first-person knowledge of the blues performance scene, Gussow's thought-provoking book kickstarts a long overdue conversation.
Author: Tony Bolden Publisher: Univ. Press of Mississippi ISBN: 149683061X Category : Music Languages : en Pages : 196
Book Description
Tony Bolden presents an innovative history of funk music focused on the performers, regarding them as intellectuals who fashioned a new aesthetic. Utilizing musicology, literary studies, performance studies, and African American intellectual history, Bolden explores what it means for music, or any cultural artifact, to be funky. Multitudes of African American musicians and dancers created aesthetic frameworks with artistic principles and cultural politics that proved transformative. Bolden approaches the study of funk and black musicians by examining aesthetics, poetics, cultural history, and intellectual history. The study traces the concept of funk from early blues culture to a metamorphosis into a full-fledged artistic framework and a named musical genre in the 1970s, and thereby Bolden presents an alternative reading of the blues tradition. In part one of this two-part book, Bolden undertakes a theoretical examination of the development of funk and the historical conditions in which black artists reimagined their music. In part two, he provides historical and biographical studies of key funk artists, all of whom transfigured elements of blues tradition into new styles and visions. Funk artists, like their blues relatives, tended to contest and contextualize racialized notions of blackness, sexualized notions of gender, and bourgeois notions of artistic value. Funk artists displayed contempt for the status quo and conveyed alternative stylistic concepts and social perspectives through multimedia expression. Bolden argues that on this road to cultural recognition, funk accentuated many of the qualities of black expression that had been stigmatized throughout much of American history.
Author: Robert Ford Publisher: Routledge ISBN: 1135865086 Category : Art Languages : en Pages : 1401
Book Description
This revised and updated definitive blues bibliography now includes 6,000-7,000 entries to cover the last decade’s writings and new figures to have emerged on the Country and modern blues to the R&B scene.
Author: Rob Fletcher
Author: Rob Fletcher
Author: DOC SPAN
Author: Frank De Rose
Author: Andrew D. Gordon
Author: Jim Ferguson
Author: Vladimir Bogdanov
Author: Charles Keil
Author: Adam Gussow
Author: Tony Bolden
Author: Robert Ford