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Author: Stephen Altman Publisher: ISBN: 9781737444718 Category : Languages : en Pages : 146
Book Description
A romantic noir novel, in verse, set in present-day Rome. Gangsters and conmen, Hollywood moviemaking, an unforgettable femme fatale, sex and scheming, constant surprises, and the ever-present spirit of John Keats.
Author: Stephen Altman Publisher: ISBN: 9781737444718 Category : Languages : en Pages : 146
Book Description
A romantic noir novel, in verse, set in present-day Rome. Gangsters and conmen, Hollywood moviemaking, an unforgettable femme fatale, sex and scheming, constant surprises, and the ever-present spirit of John Keats.
Author: Adam Gussow Publisher: UNC Press Books ISBN: 1469660377 Category : Music Languages : en Pages : 333
Book Description
Mamie Smith's pathbreaking 1920 recording of "Crazy Blues" set the pop music world on fire, inaugurating a new African American market for "race records." Not long after, such records also brought black blues performance to an expanding international audience. A century later, the mainstream blues world has transformed into a multicultural and transnational melting pot, taking the music far beyond the black southern world of its origins. But not everybody is happy about that. If there's "No black. No white. Just the blues," as one familiar meme suggests, why do some blues people hear such pronouncements as an aggressive attempt at cultural appropriation and an erasure of traumatic histories that lie deep in the heart of the music? Then again, if "blues is black music," as some performers and critics insist, what should we make of the vibrant global blues scene, with its all-comers mix of nationalities and ethnicities? In Whose Blues?, award-winning blues scholar and performer Adam Gussow confronts these challenging questions head-on. Using blues literature and history as a cultural anchor, Gussow defines, interprets, and makes sense of the blues for the new millennium. Drawing on the blues tradition's major writers including W. C. Handy, Langston Hughes, Zora Neale Hurston, and Amiri Baraka, and grounded in his first-person knowledge of the blues performance scene, Gussow's thought-provoking book kickstarts a long overdue conversation.
Author: Emily Ruth Rutter Publisher: University Alabama Press ISBN: 9780817359942 Category : Literary Criticism Languages : en Pages : 228
Book Description
A critical analysis of the poetic representations and legacies of five landmark blues artists The Blues Muse: Race, Gender, and Musical Celebrity in American Poetry focuses on five key blues musicians and singers—Gertrude “Ma” Rainey, Bessie Smith, Billie Holiday, Robert Johnson, and Lead Belly—and traces the ways in which these artists and their personas have been invoked and developed throughout American poetry. This study spans nearly one hundred years of literary and musical history, from the New Negro Renaissance to the present. Emily Ruth Rutter not only examines blues musicians as literary touchstones or poetic devices, but also investigates the relationship between poetic constructions of blues icons and shifting discourses of race and gender. Rutter’s nuanced analysis is clear, compelling, and rich in critical assessments of these writers’ portraits of the musical artists, attending to their strategies and oversights.
Author: Publisher: Texas A&M University Press ISBN: 162349639X Category : Music Languages : en Pages : 1237
Book Description
From October 1959 until the mid-1970s, Paul Oliver and Mack McCormick collaborated on what they hoped to be a definitive history and analysis of the blues in Texas. Both were prominent scholars and researchers—Oliver had already established an impressive record of publications, and McCormick was building a sprawling collection of primary materials that included field recordings and interviews with blues musicians from all over Texas and the greater South. Despite being eagerly awaited by blues fans, folklorists, historians, and ethnomusicologists who knew about the Oliver-McCormick collaboration, the intended manuscript was never completed. In 1996, Alan Govenar, a respected writer, folklorist, photographer, and filmmaker, began a conversation with Oliver about the unfinished book on Texas blues. Subsequently, Oliver invited Govenar to assist him, and when Oliver became ill, Govenar enlisted folklorist and ethnomusicologist Kip Lornell to help him contextualize and document the existing manuscript for publication. The Blues Come to Texas: Paul Oliver and Mack McCormick’s Unfinished Book presents an unparalleled view into the minds and methods of two pioneering blues scholars.
Author: Robert Earl Hardy Publisher: University of North Texas Press ISBN: 1574412477 Category : Biography & Autobiography Languages : en Pages : 322
Book Description
A biography of Texas songwriter Townes Van Zandt, discussing his troubled childhood, the development of his career as a wandering folk singer, and his relationships with women, and including analyses of his songs.
Author: Richard J. Ripani Publisher: Univ. Press of Mississippi ISBN: 1496801288 Category : Music Languages : en Pages : 303
Book Description
Rhythm & blues emerged from the African American community in the late 1940s to become the driving force in American popular music over the next half-century. Although sometimes called “doo-wop,” “soul,” “funk,” “urban contemporary,” or “hip-hop,” R&B is actually an umbrella category that includes all of these styles and genres. It is in fact a modern-day incarnation of a musical tradition that stretches back to nineteenth-century America, and even further to African beginnings. The New Blue Music: Changes in Rhythm & Blues, 1950-1999 traces the development of R&B from 1950 to 1999 by closely analyzing the top twenty-five songs of each decade. The music of artists as wide-ranging as Louis Jordan; John Lee Hooker; Ray Charles; James Brown; Earth, Wind & Fire; Michael Jackson; Public Enemy; Mariah Carey; and Usher takes center stage as the author illustrates how R&B has not only retained its traditional core style, but has also experienced a “re-Africanization” over time. By investigating musical elements of form, style, and content in R&B—and offering numerous musical examples—the book shows the connection between R&B and other forms of American popular and religious music, such as spirituals, ragtime, blues, jazz, country, gospel, and rock 'n' roll. With this evidence in hand, the author hypothesizes the existence of an even larger musical “super-genre” which he labels “The New Blue Music.”
Author: Andy Fry Publisher: University of Chicago Press ISBN: 022613895X Category : Social Science Languages : en Pages : 291
Book Description
The Jazz Age. The phrase conjures images of Louis Armstrong holding court at the Sunset Cafe in Chicago, Duke Ellington dazzling crowds at the Cotton Club in Harlem, and star singers like Bessie Smith and Ma Rainey. But the Jazz Age was every bit as much of a Paris phenomenon as it was a Chicago and New York scene. In Paris Blues, Andy Fry provides an alternative history of African American music and musicians in France, one that looks beyond familiar personalities and well-rehearsed stories. He pinpoints key issues of race and nation in France’s complicated jazz history from the 1920s through the 1950s. While he deals with many of the traditional icons—such as Josephine Baker, Django Reinhardt, and Sidney Bechet, among others—what he asks is how they came to be so iconic, and what their stories hide as well as what they preserve. Fry focuses throughout on early jazz and swing but includes its re-creation—reinvention—in the 1950s. Along the way, he pays tribute to forgotten traditions such as black musical theater, white show bands, and French wartime swing. Paris Blues provides a nuanced account of the French reception of African Americans and their music and contributes greatly to a growing literature on jazz, race, and nation in France.
Author: Charles Whitfield Publisher: ISBN: 9781935827153 Category : Biography & Autobiography Languages : en Pages : 234
Book Description
Introduction to the Updated Expanded Edition With the feedback from our readers we expanded our first edition's content. We have fixed the few errors and rare factual inaccuracies we had found. Several readers asked that we look at and make meaning about more of their songs. We have done that with three (see next page): 'Question, ' 'New Horizons, ' and 'I'm just a singer' (in a R&R band). Just after completing this book we went on their first "Moodies Cruise" and now include a summary of our experience there. We obtained the new Timeless Flight box set that was released three months after this book and listened to the CDs and watched its DVD video material. We also read their extensive accompanying "coffee table" sized book. We have read the many online comments on this box set and have included a relevant few of them in our 7 page review of this large box set. This is a landmark book by two long-time Moody Blues fans. In this book we examine and bring to light the music and message of this great band of poets and musicians who have produced hit music for almost 50 years! Here's a little on what our book is about and the areas that we explore: How they are unique among bands and music groups What critics and others have said The nature of their musical magic and message How the Moodies' words and music work, song by song Using 7 levels of listening to their music Why listening to their music raises our consciousness How their fans have listened consistently for so long Why they have excelled for nearly ve decades From the Foreword by Moody Blues co-founder, keyboardist and vocalist Mike Pinder "It was very interesting to read Charles and Barbara Whitfield's interpretations of our music and message. They suggest clear and useful ideas and ways for those who are newly exploring our music and for the many who have been on this journey with us from the beginning. I have always been interested in the broader qualities of music to inform, heal, raise consciousness and uplift. This was often on my mind when I wrote a song or painted the backdrop for others in the band with counter melodies and my Mellotron. In contrast to most observers of our music, I saw how the authors here delve below the surface and give us an enjoyable interpretation of our words and music. They examine essentially their every aspect. Not only do they address our lyrics from a scholarly and poetic perspective, but they offer us some insightful and sometimes surprising interpretations of them beyond what many listeners and fans may consider. Music has changed our world. It has the potential for reaching within, opening our minds and our hearts to the power of Universal Love. It transforms, strengthens, relaxes, teaches and enlightens us. The Whitfields realize these truths and give us a strong base from which to experientially understand them. They integrate the many positive messages of our words and music by giving us a clear and constructive map of healing that is on the cutting edge of psychology, consciousness studies and spirituality. Memories are also closely associated with music. I have always thought that we hang our memories on the shape of sound. With memorable melodies, counter melodies and instrumentation we were able to create soundscapes for many to hang the best memories of their lives. Those of us who remember the 1960s and beyond will appreciate their attention to the detail of our works and the history of how it all came about. They show us how the Moodies have expressed, preserved and continue to remind us of the message and wisdom of the 60s by keeping it so alive. And how there was a natural spirituality that still lives in all of us and that is manifested in our descriptions of Love."
Author: Albert Murray Publisher: U of Minnesota Press ISBN: 1452956154 Category : Music Languages : en Pages : 364
Book Description
In this classic work of American music writing, renowned critic Albert Murray argues beautifully and authoritatively that “the blues as such are synonymous with low spirits. Not only is its express purpose to make people feel good, which is to say in high spirits, but in the process of doing so it is actually expected to generate a disposition that is both elegantly playful and heroic in its nonchalance.” In Stomping the Blues Murray explores its history, influences, development, and meaning as only he can. More than two hundred vintage photographs capture the ambiance Murray evokes in lyrical prose. Only the sounds are missing from this lyrical, sensual tribute to the blues.
Author: Stephen Altman
Author: Stephen Altman
Author: Adam Gussow
Author: Emily Ruth Rutter
Author: 
Author: Emily Ruth Rutter
Author: Robert Earl Hardy
Author: Richard J. Ripani
Author: Andy Fry
Author: Charles Whitfield
Author: Albert Murray